Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.
David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.
Written by two of the leading scholars in film studies, Film History: An Introduction is a comprehensive, global survey of the medium that covers the development of every genre in film, from drama and comedy to documentary and experimental. As with the authors' bestselling Film Art: An Introduction (now in its eighth edition), concepts and events are illustrated with frame enlargements taken from the original sources, giving students more realistic points of reference than competing books that rely on publicity stills.
The third edition of Film History is thoroughly updated and includes the first comprehensive overviews of the impact of globalization and digital technology on the cinema. Any serious film scholar--professor, undergraduate, or graduate student--will want to read and keep Film History.
New Features
New final chapter, "Digital Technology and the Cinema," pulls together a wealth of recent research exploring the impact of new technology on film production, distribution, and publicity.
Revised organization splits the coverage of Latin America, the Asia-Pacific region, the Middle East, and Africa into two chapters, making the coverage of contemporary cinema in these regions more manageable.
More than 200 new film frames illustrate examples and concepts in the text providing students with more realistic points of reference, ensuring that what readers study on the page actually appears on the screen.
Updated examples and coverage throughout--particularly in Chapter 25 through 27--bring the text up to the present.
The authors' blog, Observations on film art and Film Art, includes a new essay on "Doing Film History" as well as weekly commentary on film from David Bordwell and Kristin Thompson. Visit: http://www.davidbordwell.net/blog/
發表於2025-04-24
Film History 2025 pdf epub mobi 電子書 下載
這本書在編排上有點亂 我是在復習考研的時候買的這本書(是全價買的 555) 因為是陳老師翻譯國外的著作,所以個人覺得在編排的體例上不是很適閤大多數中國人的閱讀習慣,而且,正如許多國內研究電影的學者所說的那樣 上麵提及的電影作品不是很容易就看得到的(我是指不在電影...
評分 評分目錄掃過,跳瞭幾章看下來,感覺的確寫得不錯。 1. 思路清晰,內容翔實,立場客觀中肯。 2. 可能電影人生平和列齣作品介紹少一點,但隻要上wiki一查就豐富瞭。 3. 再上Youtube或者影像資料館看看影像資料就更加perfect啦。 4. 個人認為:關注以下三方麵對保持思路清晰有幫助...
評分Chapter.07:大部頭的一本書,也很貴。不過這樣大的一個題目很難書寫。 開始電影更多的是作為一門産業。 審查是發展到一定階段的産物,而且還有自我的審查。 現在熟知或默認的一切技巧實際都經過瞭長時間的摸索。 “好萊塢的製片預算比其他任何國傢都要高;進口一部美國電影通常...
評分因為蠻厚的所以好像沒什麼人藉,這本書對於電影的發展有蠻詳細的敘述。不過如果隻是喜歡看現代電影的人最好不要看,這本書適閤專門研究電影的人,有一些專業術語和一些稍微繁瑣的敘述(大概是翻譯問題),不過是北大的未名齣版社齣版的,對於電影的學習很有好處。
圖書標籤: 電影 美國 Film 英文 的 電影史 文藝理論 教科
趣味性和專業性均備的教科書。受益匪淺。
評分閱。
評分趣味性和專業性均備的教科書。受益匪淺。
評分猶豫很久還是沒有買的最愛的書之一,大部分章節內容可以倒背如流
評分趣味性和專業性均備的教科書。受益匪淺。
Film History 2025 pdf epub mobi 電子書 下載