Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.
David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.
Written by two of the leading scholars in film studies, Film History: An Introduction is a comprehensive, global survey of the medium that covers the development of every genre in film, from drama and comedy to documentary and experimental. As with the authors' bestselling Film Art: An Introduction (now in its eighth edition), concepts and events are illustrated with frame enlargements taken from the original sources, giving students more realistic points of reference than competing books that rely on publicity stills.
The third edition of Film History is thoroughly updated and includes the first comprehensive overviews of the impact of globalization and digital technology on the cinema. Any serious film scholar--professor, undergraduate, or graduate student--will want to read and keep Film History.
New Features
New final chapter, "Digital Technology and the Cinema," pulls together a wealth of recent research exploring the impact of new technology on film production, distribution, and publicity.
Revised organization splits the coverage of Latin America, the Asia-Pacific region, the Middle East, and Africa into two chapters, making the coverage of contemporary cinema in these regions more manageable.
More than 200 new film frames illustrate examples and concepts in the text providing students with more realistic points of reference, ensuring that what readers study on the page actually appears on the screen.
Updated examples and coverage throughout--particularly in Chapter 25 through 27--bring the text up to the present.
The authors' blog, Observations on film art and Film Art, includes a new essay on "Doing Film History" as well as weekly commentary on film from David Bordwell and Kristin Thompson. Visit: http://www.davidbordwell.net/blog/
發表於2024-11-26
Film History 2024 pdf epub mobi 電子書 下載
因為蠻厚的所以好像沒什麼人藉,這本書對於電影的發展有蠻詳細的敘述。不過如果隻是喜歡看現代電影的人最好不要看,這本書適閤專門研究電影的人,有一些專業術語和一些稍微繁瑣的敘述(大概是翻譯問題),不過是北大的未名齣版社齣版的,對於電影的學習很有好處。
評分英文原版介紹的非常全麵,值得一看,作者專業的水平好的沒話說 隻可惜 中文版翻譯的超級爛,還是市麵上唯一的版本
評分陸陸續續花瞭幾個月的時間看完全書,讓我印象深刻的有1、戰爭,經濟,政治,藝術,工業發展對於電影史的深刻影響,2、需要好好補充學習一下西方藝術史瞭,各種主義的瞭解基本一片空白,3、電影的發展一定離不開內容的製作,垂直整閤應該是電影公司發展應有的形態,4、書真的很...
評分花瞭近三個月,終於將波德維爾的《世界電影史》第二版看完,由於本書體係龐大,捲帙浩繁,所以雖然看完一遍,也難說能夠厘清本書的理論框架和學術體係,但是即使如此,還是收獲頗豐,最起碼形成瞭對世界電影發展史和當下的格局的印象。 從波德維爾這本電影史學著作中,我認為...
評分英文原版介紹的非常全麵,值得一看,作者專業的水平好的沒話說 隻可惜 中文版翻譯的超級爛,還是市麵上唯一的版本
圖書標籤: 電影 美國 Film 英文 的 電影史 文藝理論 教科
猶豫很久還是沒有買的最愛的書之一,大部分章節內容可以倒背如流
評分趣味性和專業性均備的教科書。受益匪淺。
評分猶豫很久還是沒有買的最愛的書之一,大部分章節內容可以倒背如流
評分趣味性和專業性均備的教科書。受益匪淺。
評分閱。
Film History 2024 pdf epub mobi 電子書 下載