亨利·詹姆斯（Henry James，1843—1916），美國小說傢、評論傢。其父為著名神學傢老亨利·詹姆斯（Henry James,Sr.），兄弟是著名的心理學傢和哲學傢威廉·詹姆斯（William James），這樣的背景大概隻有德國的曼（Mann）傢族可與之相匹。詹姆斯從小受到良好教育，接受其父的“世界公民”概念，常到歐洲遊曆，後定居倫敦。詹姆斯於1864年開始寫作生涯，他以國際間人與人的關係為主要題材。其代錶作品有長篇小說《一個美國人》《一位女士的畫像》《卡薩瑪西瑪公主》等。他的寫作在晚年進入一個高峰期，陸續發錶瞭以美國人在歐洲為題材的三部傑作：《鴿翼》《使節》《金碗》。詹姆斯豐富的創作奠定瞭20世紀現代文學的基石，影響瞭喬伊斯、伍爾芙等現代派大師，是當之無愧的現代文學先驅。

譯者

袁德成，任四川大學外語學院英語係教授,博士生導師分彆於 1987-1988 、 1996-1997 、 2005-2006 年在美國哈佛大學、加州大學柏剋利分校、堪薩斯大學和英國劍橋大學、約剋大學等校的英文係做研究工作。主要研究方嚮為英美現代主義文學和當代西方文學理論。

The material of THE AMBASSADORS, conforming in this respect exactly to that of THE WINGS OF THE DOVE, published just before it, is taken absolutely for the stuff of drama; so that, availing myself of the opportunity given me by this edition for some prefatory remarks on the latter work, I had mainly to make on its behalf the point of its scenic consistency. It disguises that virtue, in the oddest way in the world, by just LOOKING, as we turn its pages, as little scenic as possible; but it sharply divides itself, just as the composition before us does, into the parts that prepare, that tend in fact to overprepare, for scenes, and the parts, or otherwise into the scenes, that justify and crown the preparation. It may definitely be said, I think, that everything in it that is not scene (not, I of course mean, complete and functional scene, treating ALL the submitted matter, as by logical start, logical turn, and logical finish) is discriminated preparation, is the fusion and synthesis of picture. . . .