The Phantom of the opera , by Gaston Leroux , is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics :
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works. The Paris opera is hauntedeveryone knows it. Everyone, that is, except for the new managers, who spark a violent dispute with the opera Ghost when they refuse to acknowledge his existence or submit to his demands. Sometimes surfacing as a disembodied voice in Box Five or appearing as a gentleman in evening dress with a death’s-head, the phantom is obsessed with Christine Daaé, a lovely and enigmatic novice singer endowed with an amazing voice. But impetuous Viscount Raoul de Chagny is in love with Christine, and he and his brother, Count Philippe, are swept into the phantom’s deadly illusion with horrifying consequences.
Police reports, newspaper clippings, and witness interviews help a sleuthing narrator reconstruct the events of French author Gaston Leroux ’s most famous tale, one that had a significant impact on contemporary detective fiction. First published in 1911, The Phantom of the opera has since been the basis for many adaptations, including Lon Chaney’s silent film and Andrew Lloyd Webber’s Tony award-winning Broadway musical. Today, this thriller is recognized not only as a compelling yarn with gothic overtones, but an engrossing romance of stirring theatricality. Isabel Roche has a Ph.D. in French literature from New York University and teaches at Bennington College in Vermont. She wrote the book Character and Meaning in the Novels of Victor Hugo and has published articles in The French Review and French Forum .
卡斯頓·勒鬍(Gaston Leroux, 1868-1927),20世紀初期法國最傑齣的推理小說作傢,在法國有“永恒的記者”之稱。勒鬍畢業後在一傢律師事務所做書記員,業餘創作隨筆和短篇小說。1890年開始投身報業,曾作為特派記者周遊世界各地。1900年開始創作長篇小說。他的小說風格詭異,擅長以不可思議的內容與場景營造恐怖玄異的氣氛,並且在恐怖中淋灕盡緻地錶達人性。他的著作《黃色房間之謎》被稱譽為“不可模仿、不可超越的推理小說傑作”。
三天看完瞭《歌劇魅影》,在工作時期,在某個慵懶的午後,用我的手機看完瞭這部小說。在開始看之前就已經有些預兆,我的自覺告訴我,這會是一部奇幻的書,情節上肯定不會輸,肯定不是那種三流的言情小說,以用來賺取讀者的眼淚。隻是書中也是以一條主綫展開,那就是愛情。 子爵...
評分 評分 評分 評分從昨晚看書到今天,終於把歌幽的故事看完。被“可憐的不幸的埃裏剋”感動數次。白天裏細聽poto的第二片,被MC演繹的埃裏剋繼續感動著。特彆是和剋裏斯汀一起唱的《羅密歐與硃麗葉》裏的那一句,真正是天使的聲音啊!於是忍不住要想,如果真的有這樣的一個人,一個不摺不扣的天...
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