具体描述
"This Perversion Called Love" positions one of Japan's most canonical and best translated 20th century authors at the center of contemporary debates in feminism. Examining sexual perversion in Tanizaki's aesthetic essays, cultural criticism, cinema writings and short novels from the 1930s, it argues that Tanizaki understands human subjectivity in remarkably Freudian terms, but that he is much more critical than Freud about what it means for the possibility of love. According to Tanizaki, perversion involves not the proliferation of interesting gender positions, but rather the tragic absence of even two sexes, since femininity is only defined as man's absence, supplement, or complement. In this fascinating work, author Margherita Long reads Tanizaki with a theoretical complexity he demands but has seldom received. As a critique of the historicist and gender-focused paradigms that inform much recent work in Japanese literary and cultural studies, "This Perversion Called Love" offers exciting new interpretations that should spark controversy in the fields of feminist theory and critical Asian studies.
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看似是在讨论谷崎润一郎和1930s的日本文坛，实则是借谷崎润一郎对perversion的架构来和西方理论界1980s以降的、以精神分析为主要理论工具的perversion and gender studies对话，大量的篇幅回落到了对女权主义/酷儿精神分析范式（judith butler和luce irigary）的讨论。
评分看似是在讨论谷崎润一郎和1930s的日本文坛，实则是借谷崎润一郎对perversion的架构来和西方理论界1980s以降的、以精神分析为主要理论工具的perversion and gender studies对话，大量的篇幅回落到了对女权主义/酷儿精神分析范式（judith butler和luce irigary）的讨论。
评分看似是在讨论谷崎润一郎和1930s的日本文坛，实则是借谷崎润一郎对perversion的架构来和西方理论界1980s以降的、以精神分析为主要理论工具的perversion and gender studies对话，大量的篇幅回落到了对女权主义/酷儿精神分析范式（judith butler和luce irigary）的讨论。
评分看似是在讨论谷崎润一郎和1930s的日本文坛，实则是借谷崎润一郎对perversion的架构来和西方理论界1980s以降的、以精神分析为主要理论工具的perversion and gender studies对话，大量的篇幅回落到了对女权主义/酷儿精神分析范式（judith butler和luce irigary）的讨论。
评分看似是在讨论谷崎润一郎和1930s的日本文坛，实则是借谷崎润一郎对perversion的架构来和西方理论界1980s以降的、以精神分析为主要理论工具的perversion and gender studies对话，大量的篇幅回落到了对女权主义/酷儿精神分析范式（judith butler和luce irigary）的讨论。
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