Anthology of the Short Story in 18th and 19th Century America pdf epub mobi txt 電子書 下載2026

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出版者:

作者:Pitcher, Edward W. R. (EDT)/ Pitcher, Edward W. R. (COM)

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頁數:0

译者:

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價格:129.95

裝幀:

isbn號碼:9780773478442

叢書系列:

圖書標籤:

• Short Story
• American Literature
• 18th Century
• 19th Century
• Anthology
• Fiction
• Literary Criticism
• American History
• Classic Literature
• Cultural History

The Shifting Sands of Narrative: American Literary Landscapes Across the Ages This volume offers a sweeping panorama of American literary production, tracing its evolution from the colonial era through the turbulent years leading up to the Civil War and beyond, focusing intently on genres and themes distinct from the eighteenth and nineteenth-century short story tradition. Part I: Seeds of a New World – The Colonial and Early National Voice (1607–1800) This section delves into the foundational texts that established a distinctly American consciousness, focusing heavily on non-fiction, theological discourse, and the nascent forms of political literature. We examine the diaries, sermons, and official correspondence that shaped early American identity, often prioritizing utility and moral instruction over purely imaginative fiction. The Jeremiad and the Covenant Theology: A deep dive into the Puritan worldview, analyzing the structure and rhetorical power of sermons by figures like Jonathan Edwards. Emphasis is placed on the sustained, expository nature of their prose, often stretching over many pages to establish divine justification for colonial actions, a form far removed from the contained structure of the short narrative. We explore how these extended theological arguments served as the primary literature for many early communities. Captivity and Conversion Narratives (Beyond the Short Form): While some extracts exist, the focus here is on the extended, book-length memoirs—such as those by Mary Rowlandson or Elizabeth Hanson—examining how these sustained first-person accounts functioned as both autobiography and propaganda. The analysis tracks the protracted journey, the extended meditations on providence, and the eventual reintegration into society, contrasting this lengthy testimonial structure with briefer fictional exercises. The Pamphlet Wars and Political Philosophy: This chapter moves into the revolutionary fervor, analyzing lengthy political treatises, newspaper essays, and foundational documents. Works by Thomas Paine (specifically Common Sense and The American Crisis), John Adams's philosophical correspondence, and the voluminous Federalist Papers are scrutinized. The inherent argumentative structure, the need for extended justification, and the persuasive intent of these long-form arguments are prioritized over any brief fictional anecdote that might have appeared alongside them in period publications. Early American Epic and Didactic Poetry: We study the ambitious, often clumsy, attempts by early poets to create grand, sweeping epics mirroring European models, or moralistic poetry designed strictly for pedagogical use. The attention is on meter, classical allusion, and the sustained narrative arc, rather than the compact character study or ironic twist characteristic of later short fiction. Part II: The Age of Transcendentalism and Sentimentalism – Long-Form Examination (1800–1860) This period saw the blossoming of the American novel and sustained poetic output. This volume concentrates on those sprawling forms that dominated the literary market and intellectual conversation. The Rise of the American Novel: A detailed examination of the expansive narrative techniques employed by early novelists like James Fenimore Cooper and Nathaniel Hawthorne (focusing on The Scarlet Letter and The House of the Seven Gables as extended psychological studies, not their shorter pieces). We analyze Cooper’s preoccupation with the frontier saga, the extensive descriptions of landscape, and the slow unfolding of historical process across hundreds of pages. Sentimentalism and the Domestic Epic: This section focuses on the didactic, emotionally charged novels written for female audiences, such as those by Susan Warner (Anna Bartlett Warner) or the complex domestic dramas that required significant narrative space to develop their moral arguments regarding gender roles, piety, and social responsibility. The emphasis is on the accumulation of detailed domestic scenes and extended moral commentary. Transcendentalist Philosophy in Book Form: We explore the sustained philosophical explorations penned by Ralph Waldo Emerson (e.g., Essays: First Series and Second Series) and Henry David Thoreau (Walden). The analysis centers on the essayistic form, characterized by long meditations, digressions, and the development of abstract concepts through persistent, often recursive, argumentation, entirely different from the clipped narrative of a short story. Melodrama and Dramatic Texts: A review of popular American plays and stage melodramas from this era. These works rely on extended acts, clear exposition, and climactic set-pieces, demanding time and space to develop their often simplistic moral binaries, contrasting sharply with the subtle ambiguity often found in compressed fictional forms. Part III: Expanding Horizons – Travelogues, Histories, and Scientific Prose (1800–1860) This section moves away entirely from imaginative prose to survey the serious, fact-based literature that informed national self-conception. Western Exploration and Geographical Accounts: We analyze the lengthy, descriptive narratives produced by explorers and naturalists charting the vast American interior. These texts prioritize detailed topographical descriptions, lists of flora and fauna, and extended accounts of overland travel, often forming the bulk of their published volumes. The narrative drive is sequential and informational, not thematic or character-driven in the manner of fiction. The Historiography of the Young Republic: A study of early American historians like William H. Prescott and George Bancroft, whose multi-volume projects sought to impose structure and meaning upon the nation’s past. Their work is defined by massive archival research, chronological scope, and the sustained construction of national myths through comprehensive historical narrative. The Abolitionist Press and Extended Argumentation: While many pamphlets existed, this chapter focuses on the book-length polemics and comprehensive arguments against slavery. These texts required extensive citation, legal analysis, and long testimonial appendices to build an irrefutable case, demanding a scope far exceeding that of a brief fictional anecdote meant to illustrate a single point. Conclusion: Beyond the Brief Encounter This collection establishes that the primary literary energies of early and mid-nineteenth-century America were channeled into robust, often sprawling forms: the sermon, the political treatise, the philosophical essay, the epic novel, and the comprehensive historical survey. The focus throughout has been on the literature of extension, exposition, and sustained argument, intentionally bypassing the literature of compression and the emerging, yet structurally distinct, tradition of the brief, self-contained narrative.

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讓我對這本《18世紀和19世紀美國短篇小說選集》愛不釋手的原因，還在於它所展現的精湛的敘事技巧。盡管時代背景與當下有所不同，但故事的吸引力卻是跨越時空的。 我驚喜地發現，許多作品的敘事結構非常巧妙，常常在不經意間設置懸念，引導讀者去探索真相。角色的塑造也極其生動，他們有血有肉，情感真實，讓我能夠感同身受，甚至在讀完之後，還會時不時地想起他們，仿佛他們就在我的身邊。這種“活”的人物，是優秀文學作品的靈魂所在。

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這本書帶來的，不僅僅是閱讀的樂趣，更是一種精神的洗禮。在《18世紀和19世紀美國短篇小說選集》中，我看到瞭人類共通的情感，看到瞭在曆史長河中，個體所麵臨的永恒的睏惑與追尋。 我被其中一些人物的堅韌所感動，他們或許生活在艱苦的年代，麵臨著巨大的挑戰，但他們依然努力地生活，尋找希望，堅持自己的信念。這種對生命力的贊美，以及對逆境中人性光輝的展現，讓我覺得充滿力量，也對生活充滿瞭新的希望。

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這部《18世紀和19世紀美國短篇小說選集》如同一幅幅細膩的時代剪影，它用最樸素的語言，描繪瞭那個時期美國人的生活圖景。我沉醉其中，感受著他們的喜怒哀樂，體味著他們的生活艱辛與幸福點滴。 編者的選篇，仿佛帶我走進瞭那個時代的尋常巷陌，看到瞭形形色色的人物。有勤勞樸實的農民，有精明強乾的商人，也有懷揣夢想的青年。這些人物的故事，雖平凡卻真實，充滿瞭生活的氣息，也摺射齣那個時代社會發展的脈絡和人們的精神風貌。

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這本書的齣現，無疑是我近期閱讀生涯中一個重要的節點。它不僅僅是一本收錄作品的“閤集”，更像是一扇窗，讓我得以窺探18世紀和19世紀美國社會的全貌。那些文字，如同泛黃的老照片，雖然帶著歲月的痕跡，卻依然清晰地記錄著一個民族的成長足跡，以及其中個體所經曆的喜怒哀樂。 編者在選篇上的匠心可見一斑，它不僅僅考慮瞭文學價值，更注重作品在反映時代精神上的代錶性。我沉浸在那些描繪邊疆開拓、城市發展、或是傢庭日常的故事中，感受著不同背景下美國人對於“美國夢”的理解與追求。有些故事充滿瞭樂觀主義和進取精神，有些則流露齣對社會不公的批判和對個體命運的憂思。這種多元化的視角，讓這部選集顯得格外厚重和立體。

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每次翻開這本《18世紀和19世紀美國短篇小說選集》，我都會被其所蘊含的豐富性和多樣性所摺服。編者（或作者）的選篇，仿佛是一場精心策劃的文學盛宴，匯聚瞭那個時代美國短篇小說創作的精華，展現瞭不同作者獨特的風格和思想。 我能夠清晰地感受到地域文化的不同對文學創作的影響，有的故事充滿瞭東海岸的精緻與內省，有的則洋溢著西部邊陲的粗獷與自由。這種多重維度的呈現，不僅讓我對美國文學的發展有瞭更宏觀的認識，也讓我對不同地區人們的生活方式和精神世界産生瞭濃厚的興趣。

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坦白說，在翻開這本《18世紀和19世紀美國短篇小說選集》之前，我對那個時期的美國短篇小說並沒有一個清晰的認知，以為它們可能過於陳舊，與現代讀者的距離感會很強。然而，事實證明我的擔憂是多餘的，甚至可以說是淺薄的。這本書徹底顛覆瞭我之前的固有印象，它所呈現的，是一種跨越時空的深刻共鳴。 那些關於人性的探討，關於道德的抉擇，關於個體與社會的博弈，即便在今天看來，依然具有極強的現實意義。我被其中某些人物的純粹所打動，也為他們的迷茫而嘆息。更讓我印象深刻的是，很多作品在語言的使用上，雖然與現代漢語有所差異，但其精煉、生動、富有錶現力的特點，卻能夠直接觸動我的內心，讓我反復品味，並從中汲取某種力量。

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這本《18世紀和19世紀美國短篇小說選集》簡直是我近期閱讀體驗中的一股清流，它如同一幅徐徐展開的畫捲，將那個時代美國人細膩的情感、深刻的思想以及獨特的社會風貌一一呈現。我尤其驚喜地發現，本書所收錄的作品，盡管篇幅不長，但每一篇都蘊含著巨大的能量，能夠在一瞬間抓住讀者的心弦，並在讀完之後依舊在腦海中迴響。作者（或編者）在選篇上的眼光獨到，既有我們耳熟能詳的大傢名作，也有一些鮮為人知卻同樣閃耀著智慧光芒的瑰寶，這無疑大大拓展瞭我對那個時期美國文學的認知邊界。 就拿其中一些作品的敘事技巧來說，它們往往在看似平淡的開篇中悄悄埋下伏筆，然後層層推進，直至最後給齣一個令人意想不到的結局，這種“張力”的營造，即便放到今天來看，也是極其高明的。我記得有一篇描寫一個偏遠小鎮居民的日常，起初讀來平淡無奇，仿佛就是生活瑣事的流水賬，但隨著情節的深入，我逐漸感受到瞭一種難以言喻的壓抑感，一種小人物在時代洪流中掙紮卻又無力改變的宿命感，最後那個看似微不足道的事件，卻將這種情緒推嚮瞭頂點，留給我的是一種沉甸甸的思考。這種“潤物細無聲”的敘事方式，正是短篇小說獨特的魅力所在，而本書恰恰精準地捕捉並呈現瞭這種魅力。

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這是一本能夠讓你沉靜下來的書，它不追求炫目的技巧，也不賣弄華麗的辭藻，但字裏行間卻流淌著一種深沉的力量。當我閱讀《18世紀和19世紀美國短篇小說選集》時，我感受到的是一種對人性的深刻洞察，以及對那個時代美國社會獨特肌理的精準捕捉。 我喜歡那些在看似普通的生活片段中，挖掘齣深刻哲理的作品。它們沒有驚天動地的情節，卻能在平凡中展現齣人性的光輝與陰暗，讓我在讀完之後，忍不住去思考關於自我、關於社會、關於生命本身的意義。這種“靜水流深”的藝術魅力，是短篇小說最令人著迷之處，而本書無疑是這種魅力的絕佳載體。

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讀完這本《18世紀和19世紀美國短篇小說選集》，我腦海中浮現齣的不僅僅是故事本身，更多的是那個時代美國人的精神圖譜。作者（或編者）的選擇，仿佛精心打磨過的棱鏡，將那個時代的社會肌理、道德觀念、以及個體在其中的掙紮與追尋，摺射齣斑斕的光彩。我能感受到不同地域、不同階層、不同境遇下的人們，他們內心的渴望、他們的睏惑，以及他們試圖在這片新大陸上尋找歸屬與意義的努力。 書中那些關於傢庭、愛情、信仰、甚至是對自然的敬畏之情，都帶著一股濃厚的時代烙印。我尤其喜歡其中幾篇對於女性角色的刻畫，她們不再是單一的符號，而是擁有復雜情感和獨立意誌的個體，即使在那個父權色彩濃重的社會中，她們也試圖以自己的方式去抵抗、去成長、去錶達。這種細緻入微的人物塑造，讓我對那個時代女性的生存狀態有瞭更深刻的理解，也讓我反思瞭當下社會性彆議題的演變。

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這部《18世紀和19世紀美國短篇小說選集》為我打開瞭一扇通往曆史深處的大門，我驚嘆於文字所承載的巨大力量，能夠將一個逝去的時代如此鮮活地展現在眼前。我仿佛置身於那個熙熙攘攘的街頭，或是靜謐的鄉野，與那些鮮活的人物一同呼吸，一同經曆他們的悲歡離閤。 編者在作品選擇上，似乎有一種“尋寶”的眼光，發掘齣那些在時間長河中依然閃耀著光芒的珍珠。每一篇故事，都像一個獨立的宇宙，有其獨特的邏輯和情感內核。我特彆欣賞那些對社會細微之處的描摹，比如對特定職業的刻畫，對風俗習慣的記錄，甚至是對口頭語的運用，這些細節共同構建瞭一個真實可信的時代圖景，讓我在閱讀時充滿瞭探索的樂趣。

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