Midnight in Savannah is the deliberately more explicit, and more entertaining alternative to the John Berendt / Clint Eastwood Midnight in the Garden of Good and Evil. For more than a year after its appearance in 2000, it was one of the best-selling GLBT books in the Deep South. Midnight in Savannah skillfully incorporates Carson McCullers, Pamela Harriman, Libby Holman, the City of Savannah, and references to Georgia's most famous (recent) murder into one delectable whole. This book is not altogether straight, but it certainly isn't altogether gay, either. Pan-sexual and Southern might be its best description, permeated throughout with a morality that's more than a bit untidy. But considering what tends to happen after dark in Savannah, who cares? Darwin Porter is a native-born Southerner who's also the author of two of America's best-selling travel guides Frommer's Guide to Savannah and Frommer's Guide to The Carolinas and Georgia. Midnight in Savannah evolved from his intense exposure to that city, and to his belief that John Berendt only told a fraction of the real story. Midnight in Savannah is a steamy romp that explores the sexuality of one of the Old South's most bizarre cities. --The New York Blade. In Midnight, both Lavender Morgan ('At 72, the world's oldest courtesan') and Tipper Zelda ('an obese, fading chanteuse taunted as the black widow') purchase lust from sexually conflicted young men with drop-dead faces, chiseled bodies, and genetically gifted crotches. These women once relied on their physicality to steal the hearts and fortunes of the world's richest and most powerful men. Now, as they slide closer every day to joining the corpses of their former husbands, theseonce-beautiful women must depend, in a perverse twist of fate, on sexual outlaws for le petit mort. And to survive, the hustlers must idle their personal dreams while struggling to cajole what they need from a sexual liaison they detest. Mendacity reigns. Perversity in extremis. Physical beauty as living hell. Cat on A Hot Tin Roof's Big Daddy must be spinning in his grave right now. --Eugene Raymond, staff writer for After Dark.
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这部作品的氛围营造能力,简直可以用“令人窒息”来形容。作者似乎对环境的描绘有着一种近乎病态的执着,每一个场景都带有强烈的感官刺激。无论是那种潮湿、腐朽的气味,还是特定时间点光线穿透缝隙产生的斑驳效果,都被描绘得栩栩如生。这种强烈的空间感,使得故事发生的背景不再仅仅是一个舞台,而成为了一个具有生命力的角色,它在默默地影响着、甚至操纵着人物的命运。我感觉自己像是真的置身于那个充满秘密和陈旧气息的地方,皮肤上都能感受到那种历史的重量。
评分天呐,最近读完了一本让我久久不能忘怀的书,虽然我不想透露书名,但它真的触动了我内心深处的一些东西。这本书的叙事手法简直是鬼斧神工,作者仿佛是一位技艺精湛的魔术师,将时间线玩弄于股掌之间。故事的开篇,我们被骤然抛入一个充满迷雾和未解之谜的场景,人物的内心挣扎和外部环境的压迫感扑面而来。我特别喜欢那种逐步揭示真相的过程,每一个转折都像是精心布置的陷阱,让你以为自己猜到了结局,结果下一秒就被作者狠狠地拽向了完全不同的方向。那种阅读的快感,就像是在黑暗中摸索,突然有一束微光照亮了前方的道路,但那光芒又太短暂,让你更加渴望追寻。
评分这本书的文字功底绝对是大师级的,我常常需要停下来,仅仅是为了重新品味那些精妙的句子。它的语言风格时而华丽得如同巴洛克式的雕塑,充满了复杂的隐喻和深刻的哲思;时而又变得极其简洁有力,像一把出鞘的利剑,直击人心的痛点。不同角色之间的对话,更是精彩绝伦,充满了潜台词和微妙的情绪变化。我甚至能想象出作者在斟酌每一个词语时的样子,那种对语言的极致追求,让这本书的阅读体验上升到了艺术鉴赏的层面。读到激动人心的地方,我甚至能感受到墨水在纸页上燃烧的热度,那种沉浸感是极其罕见的。
评分让我印象最为深刻的是书中对人性的复杂描摹。它没有将人物简单地划分为“好人”或“坏人”,而是展现了人性中那些灰色地带,那些我们每个人都试图隐藏起来的脆弱、贪婪、以及矛盾的爱。主角的成长轨迹,简直就是一幅关于自我救赎的史诗。看着他/她如何一步步地被环境塑造,又如何顽强地试图夺回对自己命运的掌控权,我常常感到心痛,因为我似乎在他的/她的身上看到了自己挣扎的影子。这本书大胆地探讨了道德的边界,迫使读者去反思,在极端情况下,我们自己会做出何种选择。
评分总而言之,这是一部需要反复品读的佳作,它绝不是那种读完就丢在一边的消遣读物。它像一首结构宏大的交响乐,层次丰富,情感跌宕。从开篇的悬念,到中间层层递进的冲突,再到最后那个虽然出人意料却又合乎情理的收尾,都展现了作者高超的叙事技巧和对故事节奏的精准把控。我很少对一本书产生“相见恨晚”的感觉,但这本书绝对是其中之一。它不仅提供了故事,更提供了一种思考的角度,一种对生活、对人性更深层次的理解。强烈推荐给所有热爱深度阅读和复杂情节的同好们。
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