Reading the Tale of Genji 2024 pdf epub mobi 电子书

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Richard Stanley-Baker taught at Hong Kong University from 1985-2005, and now teaches part-time in United International College, Zhuhai, PRC. He has taught at National Taiwan University (1980-85), The University of Tokyo (1995-96), at Princeton University (1999-2000), U.C. Berkeley and Stanford. His publications include a translation of Takahashi Sei'ichiro's Traditional Woodblock Prints of Japan (Tokyo: Weatherhill, 1972); major articles include eight in Y. Shimizu & C. Wheelwright ed., Japanese Ink Paintings, (Princeton, N.J.: Princeton University Art Museum, l976) and 'Japanese ink painting of the Muromachi Period', in Grove ed., The Dictionary of Art; 1996. Murakami Fuminobu is Associate Professor at the Department of Japanese Studies, School of Modern Languages and Cultures, University of Hong Kong. He teaches Japanese language, literature, film and culture. He is author of Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture (Routledge: hardcover 2005; paperback 2009), Ideology and Narrative in Modern Japanese Literature (Van Gorcum, 1996). Jeremy Tambling is Professor of Literature at the University of Manchester, and before that, Professor of Comparative Literature at the University of Hong Kong. He is author of several books, and two forthcoming: 'Allegory' in the 'New Critical Idiom' series (Routledge, 2009) and 'Dante in Purgatory: States of Affect' (Brepols 2010)), both of which relate to his interest in critical theory and medievalism east and west. His most recent book was 'Going Astray: Dickens and London' (Longman, 2008).

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发表于2024-09-18

Reading the Tale of Genji 2024 pdf epub mobi 电子书

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出版者:BRILL/Global Oriental

作者:Tambling, Jeremy 编

出品人:

页数:256

译者:

出版时间:2009-10-1

价格:$ 87.68

装帧:Hardcover

isbn号码:9781905246755

丛书系列:

图书标签: 艺术日本 theory

Reading the Tale of Genji 2024 pdf epub mobi 电子书图书描述

This new volume in Genji studies comprises a collection of six individual essays by leading international scholars addressing the Tale of Genji Scrolls and the Tale of Genji texts in the context of new critical theory relating to cultural studies, narrative painting, narratology, comparative literature and a global view of medieval romance. Uniquely, it also links new critical theory with multidisciplinary and interdisciplinary interests. Increasingly, scholarly research views reading TheTale of Genji Scrolls as an inseparable part of reading The Tale of Genji itself. Hence this book, which is subdivided into three sections: Reading the Genji Scrolls; Reading the Genji Texts; Reading the Genji Romance. The contributors are Yukio Lippit (Harvard), Sano Midori (Gakushuin), Richard Okada (Princeton), Murakami Fuminobu (Hong Kong), Jeremy Tambling (Manchester) and Richard Stanley-Baker (formerly Hong Kong)

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对源氏物语画卷之叙事性的研究。作者的探讨基于一个前提：在观看画卷时，读者是“全知”的，他一下子看到了画面中所有东西。于是，视觉本身就无法营造叙事所需要的时间性。要使画面中的事件如在眼前，就需要读者的图像意识的介入，而这种介入是以对小说原作的熟识为基础的。在画卷中，作者有意安排了几种不可通约的视角，从而将读者的目光按照故事展开的顺序导引至画面的各个部分；此外，读者还具身为画卷中旁观的侍女。总体而言，画卷的特点是，画中的人物常常突然开启画中一片物体的存在，叙事因而被折叠在他们的目光里。作者用亚里士多德有关“情节包含着情节之外的东西”的观点，表明画上明确的在场与“弦外之音”的关系是互补的理性与非理性的关系。但她的出发点的可疑性导致了她将时间性的建构完全归于读者的自由主体，从而有滑向主观主义的危险。

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