A sophisticated analysis of how the intersection of technique, memory, and imagination inform performance, "Crossing Cultural Borders Through the Actor's Work" redirects the intercultural debate by focusing exclusively on the actor at work. Alongside the perspectives of other prominent intercultural actors, this study draws from original interviews with Ang Gey Pin (formerly with the Workcenter of Jerzy Grotowski and Thomas Richards) and Roberta Carreri (Odin Teatret). By illuminating the hidden creative processes usually unavailable to outsiders - the actor's apprenticeship, training, character development, and rehearsals - Nascimento both reveals how assumptions based on race or ethnicity are misguiding, trouble definitions of intra- and intercultural practices, and details how performance analyses and claims of appropriation fail to consider the permanent transformation of the actor's identity that cultural transmission and embodiment represent.
發表於2024-11-05
Crossing Cultural Borders Through the Actor's Work 2024 pdf epub mobi 電子書 下載
圖書標籤: 戲劇
從演員的角度(訓練過程)入手,跨文化在導演和觀眾之外彆有洞天。批評巴魯卡等輕視演員的能動性,反對把“異族性”(foreignness)簡單符號化對立化。有兩篇采訪(新加坡演員、戲劇工作者Ang Gey Pin可以多關注一下)
評分從演員的角度(訓練過程)入手,跨文化在導演和觀眾之外彆有洞天。批評巴魯卡等輕視演員的能動性,反對把“異族性”(foreignness)簡單符號化對立化。有兩篇采訪(新加坡演員、戲劇工作者Ang Gey Pin可以多關注一下)
評分從演員的角度(訓練過程)入手,跨文化在導演和觀眾之外彆有洞天。批評巴魯卡等輕視演員的能動性,反對把“異族性”(foreignness)簡單符號化對立化。有兩篇采訪(新加坡演員、戲劇工作者Ang Gey Pin可以多關注一下)
評分從演員的角度(訓練過程)入手,跨文化在導演和觀眾之外彆有洞天。批評巴魯卡等輕視演員的能動性,反對把“異族性”(foreignness)簡單符號化對立化。有兩篇采訪(新加坡演員、戲劇工作者Ang Gey Pin可以多關注一下)
評分從演員的角度(訓練過程)入手,跨文化在導演和觀眾之外彆有洞天。批評巴魯卡等輕視演員的能動性,反對把“異族性”(foreignness)簡單符號化對立化。有兩篇采訪(新加坡演員、戲劇工作者Ang Gey Pin可以多關注一下)
Crossing Cultural Borders Through the Actor's Work 2024 pdf epub mobi 電子書 下載