Introduction
Saree Makdisi and Felicity Nussbaum
1 Translation in the Contact Zone: Antoine Galland's Mille et une nuits: contes arabes
Madeleine Dobie
2 Cultivating the Garden: Antoine Galland's Arabian Nights in the Traditions of English Literature
Robert L. Mack
3 Playing the Second String: The Role of Dinarzade in Eighteenth‐Century English Fiction
Ros Ballaster
4 Galland, Georgian Theatre, and the Creation of Popular Orientalism
Bridget Orr
5 Christians in The Arabian Nights
Nabil Matar
6 White Women and Moorish Fancy in Eighteenth‐Century Literature
Khalid Bekkaoui
7 William Beckford's Vathek and the Uses of Oriental Re‐enactment*
Donna Landry
8 ‘The peculiar character of the Arabian Tale’: William Beckford and the Arabian Nights
James Watt
9 Coleridge and the Oriental Tale
Tim Fulford
10 The Adventure Chronotope and the Oriental Xenotrope: Galland, Sheridan, and Joyce Domesticate The Arabian Nights
Srinivas Aravamudan
11 Under the Spell of Magic: The Oriental Tale in Rimsky‐Korsakov's Sheherazade
Nasser Al‐Taee
12 The Arabian Nights and the Contemporary Arabic Novel*
Maher Jarrar
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