The Crisis of Political Modernism

出版者:University of California Press

作者:D. N. Rodowick

页数:311

出版时间:1995-3-13

价格:USD 26.95

装帧:Paperback

isbn号码:9780520087712

具体描述

D.N. Rodowick offers a critical analysis of the development of film theory since 1968. He shows how debates concerning the literary principles of modernism--semiotics, structuralism, psychoanalysis, Marxism, and feminism--have transformed our understanding of cinematic meaning. Rodowick explores the literary paradigms established in France during the late 1960s and traces their influence on the work of diverse filmmaker/theorists including Jean-Luc Godard, Peter Gidal, Laura Mulvey, and Peter Wollen. By exploring the "new French feminisms" of Irigaray and Kristeva, he investigates the relation of political modernism to psychoanalysis and theories of sexual difference. In a new introduction written especially for this edition, Rodowick considers the continuing legacy of this theoretical tradition in relation to the emergence of cultural studies approaches to film.

作者简介

D.N. Rodowick is Professor of English and Visual/Cultural Studies, and Director of the Film Studies Program, at the University of Rochester. His books include The Difficulty of Difference: Psychoanalysis, Sexual Difference and Film Theory (1991).

目录信息

Preface to the Second Edition
Acknowledgments
ONE The Discourse of Political Modernism
TWO Modernism and Semiology
THREE Ideology and Criticism
FOUR Formalism and "Deconstruction"
FIVE Anti-Narrative, or the Ascetic Ideal
SIX Language, Narrative, Subject (1): The Critique
of "Ontological" Modernism
SEVEN Language, Narrative, Subject (2): Narration
and Negativity
EIGHT Sexual Difference
NINE The Crisis of Political Modernism
Index
· · · · · · (收起)

用户评价

TMD好書！

书写成这样也是不能怪人家上课不走心了……have no reservation about his trenchant critiques, but would have a second thought on the political economy of film culture he proposes.

书写成这样也是不能怪人家上课不走心了……have no reservation about his trenchant critiques, but would have a second thought on the political economy of film culture he proposes.

TMD好書！

书写成这样也是不能怪人家上课不走心了……have no reservation about his trenchant critiques, but would have a second thought on the political economy of film culture he proposes.