柴納·米耶維

China Miéville

1972年齣生於英格蘭，以“新怪譚”風格奠定國際聲譽，21世紀的重要奇幻作傢。代錶作品有《鼠王》、《帕迪杜街車站》、《地疤》、《僞倫敦》、《城與城》、《尋找傑剋》等。米耶維的寫作風格多半帶有詭異的幽默感，擅長構製宏大逼真的奇境世界。作品屢獲軌跡奬、雨果奬、世界奇幻奬、阿瑟·剋拉剋奬等重要國際奇幻、科幻文學奬。

Certain writers absolutely defy categorisation – and China Miéville is most definitely of that rarefied company. His prose is exhilarating, poetic, coruscating with ideas and atmosphere – and it has enhanced a body of work that has almost no parallels in modern writing. Heretofore, if Miéville has brushed shoulders with any identifiable genres, they are those of fantasy and science fiction – which makes his remarkable new book, The City and The City, such a surprise. The author’s publishers compare this novel to Philip K Dick, Raymond Chandler and 1984 – which at least gives a series of corollaries for this book, however tentative. There are elements here of the crime thriller, but very much refracted through Miéville’s highly individual imagination.

The body of a murdered woman is discovered in the remarkable, crumbling European city of Besźel. Such a crime is par for the course for Inspector Tyador Borlú, who is the premier talent of the Extreme Crime Squad – until his investigations uncover evidence that bizarre and terrifying forces are at work – and soon both he and those around him will be in considerable peril. He must undertake an odyssey, a journey across borders both physical and psychical, to the city which is both a complement and rival to his own, that of Ul Qoma.

Like all of China Miéville’s work, The City and The City will not be to everyone’s taste – the very individuality of the prose and the surrealistic inventiveness will not attract those preferring more prosaic fare. But for readers who hanker after untrammelled imagination – and look for literary fare unlike anything they have read before (even, it has to be said, by Miéville himself), then this is a journey to be undertaken. But with caution, perhaps… --Barry Forshaw