詹姆斯.O.揚，英國維多利亞哲學係主任，著名的新一代哲學傢、藝術美學傢，著有《全球的反現實主義》《藝術與知識》等，主編《文化挪用的倫理學》。

王春辰，教授，博士生導師，美術史學博士、美術批評傢及策展人，畢業於中央美術學院，現就職於中央美術學院美術館，從事現代美術史及當代藝術理論與批評研究。

楊冰瑩，中央美術學院人文學院美術學博士，現為天津美術學院教師。研究方嚮美術史方法論、外國美術史。齣版專著《隱藏的風景——英國鄉村風景畫中的農民形象研究》。

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.

Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)

Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise

Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts

Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?”

Part of the highly regarded New Directions in Aesthetics series