On Thursday 22 May 2008, Bill Henson, one of Australia’s most significant artists, was preparing his new Sydney exhibition. It featured photographs of naked adolescent models. That afternoon, triggered by a newspaper column and the outrage of talkback radio hosts, a controversy exploded in response to these images.

The exhibition opening was cancelled. Police raided the gallery, seized photographs and indicated that charges were imminent. On national television the Prime Minister described censored versions of the works as ‘revolting’. Within twenty-four hours public galleries began to remove Henson photographs from their walls.

Were these pictures art or pornography? While the artist remained silent, a national debate raged about paedophilia, censorship and the internet, about the police, the media and the morality of art. David Marr, one of Australia’s leading journalists, tells the story of this dramatic public trial. The Henson Case is a remarkable investigative essay which draws on Marr’s extensive interviews with Bill Henson and features eight photographs from the Sydney show.