具體描述
Arthur Danto's assessment of the achievement of Robert Mapplethorpe is a lucid and graceful introduction to a controversial artist by the most distinguished philosophical critic of the arts in our time. While fully addressing the most public dimensions of Mapplethorpe's career—the branding of his work as pornography and the legal and censorship issues that surround the exhibition of his photographs—Danto's essay breaks with common responses by offering a fascinating and deeply sympathetic account of Mapplethorpe's aesthetics.
In Playing with the Edge, Arthur Danto returns the discussion of Mapplethorpe to a consideration of his artistic legacy. He refuses to retreat from the sexual content of Mapplethorpe's images, claiming that the content and the artistic character of the photographs simultaneously invite and deflect the charges of pornography and together define the importance of Mapplethorpe's work. Danto discerns the images' uniqueness in the relation of trust between the photographer and his subjects.
Through a fascinating exploration of the relation of Mapplethorpe's images to those of other artists (Titian, Sherman, Winogrand, Cartier-Bresson, Golub) Danto presents a compelling argument for Mapplethorpe's enduring position in the history of art, no less than the history of our times.
FROM THE BOOK:"There is a tension at the heart of Robert Mapplethorpe's art, verging on paradox, between its most distinctive content and its most distinctive mode of presentation. The content of the work is often sufficiently erotic to be considered pornographic, even by the artist, while the aesthetic of its presentation is chastely classic—it is Dionysiac and Apollonian at once. The content cannot have been a serious possibility for a major artist at any previous moment in history. It is particular to America in the 1970s, a decade Mapplethorpe exemplifies in terms of his values, his sensibilities, and his attitudes."
作者簡介
Arthur Danto is Johnsonian Professor Emeritus of Philosophy at Columbia University and art critic for The Nation. He is the author of more than 15 books, including Encounters and Reflections, 1990 winner of the National Book Critics Circle Prize for Criticism.
目錄資訊
"Calmly reasoned and beautifully measured, Danto's essay is a paradigm of how serious art criticism ought to proceed should it wish to bring us to see the taste, the delicacy, the complexity and the moral uncertainty of an art object such as Mapplethorpe's."—Daniel Herwitz, California State University, Los Angeles
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讀後感
From Publishers Weekly The erotically candid photographs of Robert Mapplethorpe, who died of AIDS in 1989, became the focus for the controversy over federal funding of the arts. Danto, professor emeritus of philosophy at Columbia and an art critic for the N...
評分From Publishers Weekly The erotically candid photographs of Robert Mapplethorpe, who died of AIDS in 1989, became the focus for the controversy over federal funding of the arts. Danto, professor emeritus of philosophy at Columbia and an art critic for the N...
評分From Publishers Weekly The erotically candid photographs of Robert Mapplethorpe, who died of AIDS in 1989, became the focus for the controversy over federal funding of the arts. Danto, professor emeritus of philosophy at Columbia and an art critic for the N...
評分From Publishers Weekly The erotically candid photographs of Robert Mapplethorpe, who died of AIDS in 1989, became the focus for the controversy over federal funding of the arts. Danto, professor emeritus of philosophy at Columbia and an art critic for the N...
評分From Publishers Weekly The erotically candid photographs of Robert Mapplethorpe, who died of AIDS in 1989, became the focus for the controversy over federal funding of the arts. Danto, professor emeritus of philosophy at Columbia and an art critic for the N...
用戶評價
我必須承認，這本書的閱讀體驗是相當顛覆性的。它不像我以前讀過的那些專注於技術突破或商業策略的書籍，它更像是一部深刻的哲學思考錄，隻不過包裹上瞭一層現代社會學的精緻外衣。作者的文字功力深厚，遣詞造句之間流露齣一種對人性本質的洞察力，尤其是在描述那些站在潮流前沿，或者說，稍微偏離主流視綫的人群時，那種細膩的心理描摹讓人拍案叫絕。我尤其喜歡其中關於“臨界狀態”的分析，那種在不確定性中孕育齣巨大潛能的張力，被作者刻畫得淋灕盡緻。整本書的結構非常巧妙，邏輯層層遞進，但又保持瞭極高的可讀性，即使涉及一些相對深奧的概念，也能通過生動的比喻和曆史典故輕鬆消化。它不是提供標準答案的指南，而是提供瞭一套評估環境、測試極限的方法論。這本書是為那些不甘平庸，渴望理解世界運轉深層邏輯的人準備的，它挑戰瞭我們對“穩定”的迷戀，轉而頌揚瞭動態平衡的魅力。
评分如果用一個詞來形容這本書的感受，那就是“清醒”。它像一盆冷水，澆滅瞭許多關於成功學的虛假熱情，轉而引導讀者去直麵現實中那些復雜、模糊、充滿灰色地帶的真實挑戰。作者的寫作風格非常冷靜剋製，很少使用煽情的詞匯，但正是這種剋製，使得每一個論點都顯得擲地有聲，具有強大的說服力。我特彆喜歡書中對於風險評估和機會捕捉的討論，它並非教你如何規避風險，而是教你如何量化風險，並將其轉化為可控的“輸入變量”。這本書在闡釋復雜概念時所展現齣的精準度和優雅性令人印象深刻，它沒有降低讀者的智力門檻，反而要求讀者投入同等的專注度來解碼其中的智慧。這本書讀起來需要時間和心力，但它給予讀者的迴報是巨大的——一種對不確定世界的掌控感和從容不迫的態度。
评分這本書的閱讀過程，對我而言更像是一場高強度的智力體操。它沒有冗餘的鋪墊，直擊核心問題，那種乾淨利落的論證方式讓人倍感痛快。我發現自己經常需要停下來，反復琢磨某些段落的深層含義，因為它所探討的議題往往跨越瞭學科的界限，涉及到心理學、社會學、甚至一點點混沌理論的影子。作者的視角非常獨特，他似乎總能看到彆人看不到的那些“不和諧音”，並且能將其編織成宏大敘事的一部分。書中關於“適應性學習”的論述尤其精彩，它強調的不是如何快速融入，而是如何在融入的過程中，保留自身的獨特性並不斷對環境施加影響。對於職場中感到受限的專業人士來說，這本書無異於一劑強心針，它不僅提供瞭思考的框架，更重要的是，它提供瞭采取行動的勇氣——那種基於深刻理解而非盲目衝動的勇氣。它讓我意識到，真正的創新往往發生在那些被主流忽視的角落裏。
评分這本書簡直就是一場思維的冒險，它沒有給我那種枯燥乏味的理論灌輸，而是像一位經驗豐富的老朋友，拉著你一起探索那些我們日常生活中習以為常，卻從未深究過的邊界。作者的敘事方式極其引人入勝，充滿瞭生活化的細節和恰到好處的幽默感，讓你在不知不覺中就被帶入到對“邊緣”這一概念的全新理解中。我特彆欣賞其中對於個體如何在既定規則下尋找突破口的處理，它不是鼓吹盲目的反抗，而是一種智慧的遊走，一種對現有係統進行微調的藝術。讀完之後，我感覺自己看待問題的視角被徹底拓寬瞭，那種原本束縛我的無形枷鎖似乎一下子變得鬆動起來。書中探討的案例，無論大小，都與我們息息相關，它教會我們在看似堅不可摧的結構中，尋找那條最細微、最容易被忽略的裂縫，然後用創意和堅持去拓展它。這本書的價值在於，它激發瞭一種積極的、探索性的精神，讓人不再滿足於“就這樣吧”的現狀，而是開始好奇“有沒有另一種可能”。
评分這本書的結構布局和內容密度達到瞭一個令人驚嘆的平衡點。它不像一些學術專著那樣讓人望而卻步，也不像一些通俗讀物那樣流於錶麵。作者似乎擁有一種魔力，能夠將那些原本分散在不同領域的觀察和見解，精準地匯聚到一個核心主題下，讓讀者清晰地看到各個要素之間的相互作用力。閱讀過程中，我時常會聯想到自身過往的一些決策失誤或錯失良機，這本書提供瞭一個後見之明下的分析工具，幫助我理解當時自己為何會受到現有框架的限製。特彆是書中對群體行為中“沉默的共識”如何形成和瓦解的剖析，極其精妙，它揭示瞭許多社會現象背後的無形推手。這本書更像是一份邀請函，邀請那些對“現狀”感到不滿，並願意付齣努力去理解和重塑自身處境的人，一起參與到這場持續不斷的“試探與重構”的遊戲之中。
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