Introduction
Harun Farocki: Filmmaker, Artist, Media Theorist 11
Thomas Elsaesser
Image In(ter)ventions
Painting Pavements 43
Volker Siebel
Images and Thoughts, People and Things, Materials and Methods 55
Jörg Becker
Incisive Divides and Revolving Images: On the Installation schnittstelle 61 Christa Blümlinger
Filming as Writing, Writing as Filming, Staking One's Life
Passage along the Shadow-Line: Feeling One’s Way Towards the Filmkritik-Style 69 Olaf Möller
The Green of the Grass: Harun Farocki in Filmkritik 77 edited by Rainer Knepperges
Staking One's Life: Images of Holger Meins 83
Harun Farocki
Between Wars, Between Images
Working at the Margins: Film as a Form of Intelligence 95
Thomas Elsaesser
Dog from the Freeway 109
Harun Farocki
Political Filmmaking after Brecht: Farocki, for Example 133
Thomas Elsaesser
Documenting the Life of Ideas? – Farocki and the 'Essay Film'
The Road Not Taken: Films by Harun Farocki 157
Jonathan Rosenbaum
Slowly Forming a Thought While Working on Images 163
Christa Blümlinger
Making the World Superfluous: An Interview with Harun Farocki 177
Thomas Elsaesser
Images of the World and the Inscription of War Reality Would Have to Begin 193
Harun Farocki
Light Weapons 203
Tom Keenan
The Political Im/perceptible: images of the world... 211 Nora Alter
Film: Media: Work: Archive
Workers Leaving the Factory 237
Harun Farocki
On Media and Democratic Politics: videograms of a
revolution 245 Benjamin Young
Towards an Archive for Visual Concepts 261
Wolfgang Ernst and Harun Farocki
From the Surveillance Society to the Control Society
Controlling Observation 289
Harun Farocki
Nine Minutes in the Yard: A Conversation with Harun Farocki 297
Rembert Hüser
Harun Farocki: Critical Strategies 315
Christa Blümlinger
Acknowledgement 323
Farocki: A Filmography 325
Notes on Contributors 363
Index of Names 367
Index of Film Titles / Subjects 375
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