Amazon.com Review
This French bestseller revels in life's small pleasures. Whether it be a croissant in the street, the Tour de France, a potluck, shelling peas, a glass of port, the smell of apples, the mobile library, a garden in August, getting your espadrilles wet, or an autumn sweater, these 34 short essays delight in the simple. In colorful, sensory language that's perfect for reading out loud, author Philippe Delerm paints a world of possibility and profound joy.
From the title essay:
It's the almost that counts, and the use of the conditional. The suggestion seems absurd at first. It's only the beginning of March and there's been nothing but rain, wind and showers all week. And now this. Since this morning, the sun's been shining with a sort of dull intensity, a calm persistence. Lunch is ready, and the table's been laid. But everything seems different somehow, even inside. The window's slightly ajar, there's an audible hum from outside and the air feels fresh.
Though it could easily be read in one sitting, this book is the kind to savor piece by piece like the delicacies of day-to-day life the author serves up as small, precious gifts. --Kathryn True
From Kirkus Reviews
Another attempt to jump on the bandwagon of the so-called simplicity movement, this time with a Gallic twist. This is French bestseller Delerms first book to be published in the US, and at first glance it would seem to fit quite comfortably among the hordes of books currently exhorting Americans to slow down and enjoy the mundane joys of life. Unfortunately, the author tends to wring the pleasure from most of the simple things he recommends for appreciation. The book, which consists of 34 short chapters (none more than three pages long), extols the virtues of, for instance, blackberry picking, going to the movies, and looking through a kaleidoscope, and its quite possible that readers will go and perform the activities Delerm describes, if only to escape his precious and overwrought prose. His rhapsody on an autumn sweater could double as an entry in the J. Peterman catalog: Time for a new sweater. Time to dress in autumn tones: sweet chestnut, brushwood, conker husk, russula pink. Time to wear the season on your woollen sleeve. To celebrate the blaze before it burns itself out. Though its armchair philosophy is tiresome, the book is somewhat attractive as armchair travel, since a number of the pleasures that Delerm endorses are specifically French, such as the moving walkway in the Montparnasse metro station or the best way to play ptanque. And his descriptions of food and drink, which uphold Frances position as a nation of gourmands, will delight foodiesespecially the chapter on A Sunday Morning Box of Pastries, which puts American delicacies like Krispy Kremes to shame. Well intentioned, but remarkably tedious for such a short book. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
The number-one bestseller in France: A charming medititation on the pleasures of life, from shelling peas to reading on the beach.
"A tiny breeze of delirious wisdom which changes everything and nothing...We could almost eat outside."
An enchanting valentine to the everyday delights life has to offer, this short book captured the imagination of the French public last year and became a number-one bestseller. Sales are now over 600,000 copies. In each brief chapter the author contemplates the seemingly ordinary experiences that add joy to life, whether it's the first sip of beer, the snowstorm inside a paperweight, reading an Agatha Christie novel, or the smell of apples.
At once uniquely French and yet universal, told with a lively, almost childlike curiosity, this charming book reminds us to enjoy and appreciate the small things that make life worthwhile.
這本書的裝幀設計簡直是視覺上的享受。那種磨砂質感的封麵,觸感溫潤細膩,仿佛握著一塊經過歲月打磨的鵝卵石。油墨的印刷精良,字體的選擇古典又不失現代氣息,尤其是書名那幾行,恰到好處地運用瞭留白,讓人在翻開之前就已經感受到一種寜靜和被珍視的感覺。內頁紙張的選擇也極考究,米白色的紙張減少瞭閱讀時的視覺疲勞,即便是長時間沉浸其中,眼睛也不會感到酸澀。我尤其欣賞作者或齣版方在細節上投入的心思:扉頁上那幾行不起眼的緻謝,用瞭一種手寫體的摹仿印刷,平添瞭幾分人情味,仿佛是作者在深夜裏,伴著一盞昏黃的燈,認真地寫下的心語。裝幀不僅僅是保護內容,它本身就是一種錶達,這本書的裝幀告訴我:裏麵的文字是值得被溫柔對待的,是需要你放慢腳步,用心去感受的“小寶藏”。這種對實體書工藝的尊重,在如今這個電子閱讀盛行的時代,顯得尤為珍貴,它讓閱讀行為本身變成瞭一種儀式,一種與世界暫時隔離的、專注的享受。當你把它放在書架上時,它不僅僅是一個信息載體,它更像是傢中一件低調卻有品位的藝術品,靜靜地散發著一種歲月沉澱下來的溫柔光芒。
评分我嘗試將這本書推薦給幾位風格迥異的朋友,結果齣人意料地發現,它幾乎適閤所有人,盡管每個人的切入點不同。一位熱衷於極簡主義的朋友,被書中描述的“擁有一件物品帶來的完整性”所吸引,認為它精煉地概括瞭物質與精神的平衡;而一位終日忙碌於高壓金融行業的同行,則告訴我,書中關於“在通勤路上觀察行人的鞋子”那段描寫,讓他第一次停下來,真切地體會到自己也是這座巨大機器中一個有血有肉的齒輪,而非僅僅是計算數字的機器。這種跨越年齡、職業和興趣的普適性,並非因為它討論瞭宏大的主題,而是因為它觸及瞭人類共通的情感需求:渴望被理解、渴望在混亂中找到秩序,以及對“歸屬感”的原始追尋。它像一麵溫和的鏡子,每個人都能在其中照見自己被遺忘的那一部分自我,那個曾經熱衷於收集鵝卵石、或者癡迷於觀察天空顔色的孩子。它沒有提供解決方案,但提供瞭共鳴。
评分我曾以為,文學的價值在於宏大敘事,在於對人類睏境的深刻剖析,在於史詩般的結構和波瀾壯闊的情節。然而,這本書提供瞭一種截然不同的閱讀體驗——它像一個技藝高超的匠人,將日常生活的邊角料打磨成瞭閃光的寶石。作者的筆觸極其細膩,他捕捉的那些瞬間,比如清晨第一縷陽光穿過百葉窗在木地闆上投下的幾何圖形,或者雨後泥土散發齣的那種帶著濕氣的、略帶野性的芬芳,這些場景在日常生活中常常被我們匆忙地忽略。他的敘述沒有強加的哲學說教,而是如同一個老朋友在午後茶敘時,不經意間流露齣的生活智慧。讀完一章,你不會感到知識上的爆炸,反而會有一種微妙的、舒緩的滿足感,仿佛是胃裏被填滿瞭最溫暖的、最熨帖的食物。他成功地做到瞭“化平凡為神奇”,不是通過誇張的修辭,而是通過近乎虔誠的觀察力,讓我們重新審視自己習以為常的客廳、廚房、乃至一個生銹的門把手。這種“慢看世界”的視角,讓人對生活産生瞭一種久違的、深切的依戀和感激之情。
评分這本書的語言本身就是一種精妙的音樂。它不像某些散文那樣,為瞭追求華麗而堆砌辭藻,導緻閱讀時有一種被口水話包裹的滯澀感。相反,作者的用詞精準而富有畫麵感,他的遣詞造句帶著一種老派的韻味,仿佛是從一本保存完好的舊信箱裏翻齣來的信件。比如,他描述“壁爐裏木柴燃燒殆盡後的灰燼”時,用瞭“沉靜的遺骸”這個詞,瞬間就將一種物體的衰敗賦予瞭莊嚴的曆史感。更絕妙的是,他對於節奏的把控。長句悠長,如同一條緩緩流淌的小溪,讓人心緒平和;短句則如同水滴濺落,清晰有力,引人注意。這種長短句的交替,使得閱讀體驗如同聆聽一場精心編排的室內樂,每一個停頓、每一個強音都恰到好處。這種對語言工具的純粹駕馭能力,即便拋開內容不談,單從文字藝術的角度來看,這本書也值得被反復品味和學習,它展示瞭如何用最樸素的詞匯,構建齣最豐富、最持久的情感迴響。
评分閱讀這本書的過程,與其說是“閱讀”,不如說是一種深呼吸的練習。它的節奏感非常獨特,沒有那種急於求成的綫性敘事壓力。每一篇文章都像是一首獨立的短詩,自成一體,卻又在整體的氛圍中相互呼應。我可以隨意地翻開任何一頁,開始閱讀,然後沉浸其中,完全不用擔心會錯過任何前因後果。這種結構上的自由度,非常適閤現代人碎片化的時間安排。有時候,我可能隻有十分鍾的空閑,我會打開它,讀上兩三頁關於“舊冰箱裏結霜的聲音”的片段,那種微小的、規律的嗡鳴聲,仿佛真的在我耳邊響起,瞬間就將我從堆積如山的工作郵件中抽離齣來。更有趣的是,作者的幽默感是那種非常內斂的、帶著淡淡苦澀的自嘲,它不張揚,卻能讓人會心一笑,笑聲過後,留下的卻是對生活本質更深一層的理解。這種閱讀體驗是極具療愈性的,它沒有強迫你變得更“成功”或更“深刻”,它隻是邀請你,暫且卸下所有社會身份,單純地作為一個體驗者,去感受此時此刻,呼吸的空氣的溫度。
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