Amazon.com Review
It has been said often enough that baby boomers are a television generation, but the very funny novel High Fidelity reminds that in a way they are the record-album generation as well. This funny novel is obsessed with music; Hornby's narrator is an early-thirtysomething English guy who runs a London record store. He sells albums recorded the old-fashioned way--on vinyl--and is having a tough time making other transitions as well, specifically adulthood. The book is in one sense a love story, both sweet and interesting; most entertaining, though, are the hilarious arguments over arcane matters of pop music.
From Publishers Weekly
British journalist Hornby has fashioned a disarming, rueful and sometimes quite funny first novel that is not quite as hip as it wishes to be. The book dramatizes the romantic struggle of Rob Fleming, owner of a vintage record store in London. After his girlfriend, Laura, leaves him for another man, he realizes that he pines not for sexual ecstasy (epitomized by a "bonkus mirabilis" in his past) but for the monogamy this cynic has come to think of as a crime. He takes comfort in the company of the clerks at the store, whose bantering compilations of top-five lists (e.g., top five Elvis Costello songs; top-five films) typify the novel's ingratiating saturation in pop culture. Sometimes this can pall: readers may find that Rob's ruminations about listening to the Smiths and the Lemonheads?pop music helps him fall in love, he tells us?are more interesting than his list of five favorite episodes of Cheers. Rob takes comfort as well in the company of a touring singer, Marie La Salle, who is unpretentious and "pretty in that nearly cross-eyed American way"?but life becomes more complicated when he encounters Laura again. Hornby has earned his own place on the London bestseller lists, and this on-the-edge tale of musical addiction just may climb the charts here. First serial to Esquire.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Rob Fleming is the kind of person whose mindset is clearly shown by his top two career choices: journalist for the New Musical Express, 1976-79, and producer for Atlantic Records, circa 1964-71. Owner of a small London record shop and musical snob of a high degree, Rob finds his life thrown into turmoil when live-in girlfriend Laura suddenly leaves. He embarks on a journey through the past, tracking down old lovers while finding solace with Marie, an American folk/country singer living in London, even as he yearns for Laura's return. Told in an engaging first-person voice that blends sarcasm with self-deprecating humor, High Fidelity presents a painfully funny take on love, music, and growing up. Already a best seller in Britain, this stunningly assured first novel should be a hit here as well.?Lawrence Rungren, Bedford Free P.L., Mass.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Booklist
Journalist Hornby's very funny first novel has already hit the best-seller lists in London and with good reason. In a candid, engaging narrative voice, 35-year-old pop-music fanatic Rob, the owner of a vintage record shop who has just broken up with his longtime girlfriend, attempts to ease his misery by giving an account of his top-five most memorable split-ups. He also consoles himself by coming up with a new filing system for his vast record collection (arranging them according to the order in which he bought them) and by engaging, with his two Wayne and Garth^-like employees, in endless rounds of list making, including best music to play at a funeral ("Many Rivers to Cross," Jimmy Cliff . . . ), top-five dream jobs (producer, Atlantic Records, 1964^-71 . . . ), and five favorite records of all time ("So Tired of Being Alone," Al Green . . . ). Hornby's amazingly accomplished debut should definitely appeal to music fans (and snobs), but it's his literate, painfully honest riffs on romantic humiliation and heartbreak that make the book so special. A rare, touching glimpse of the masculine view of affairs of the heart. Joanne Wilkinson --This text refers to an out of print or unavailable edition of this title.
About the Author
Nick Hornby was born in 1957 and worked as a teacher before becoming a full-time writer. His books are FEVER PITCH (1992), HIGH FIDELITY (1995) and ABOUT A BOY (1998). In 1999 he won an E. M. Forster award from the American Academy of Arts and Letters. He lives in north London. --This text refers to an out of print or unavailable edition of this title.
From AudioFile
British working-class literature often shocks Americans with its psychological cruelty and vulgarity. In this sly, humorous and somewhat softened example, author Hornby gives us a sympathetic look at flawed a young hero fumbling toward manliness. High Fidelity's narrator/protagonist--a callow young record store owner obsessed with the politics of his disappointing sex life--admits to being "self-centered, blind and stupid." At times, cockney David Cale seems excruciatingly dull and dense; at other times, to have dug deeper into his characters' angst than the author has. He also misses much of the humor in the story. Y.R. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title.
Nick Hornby is the author of the novels A Long Way Down, How to Be Good (a New York Times bestseller), High Fidelity, and About a Boy, and of the memoir Fever Pitch. He is also the author of Songbook, a finalist for a National Book Critics Circle Award, and editor of the short-story collection Speaking with the Angel. He is also the recipient of the American Academy of Arts and Letters E. M. Forster Award, and the Orange Word International Writers London Award 2003.
这部作品以一种近乎冷峻的现实主义笔触,刻画了一群在信息爆炸时代努力维持“真实连接”的个体。它的语言风格非常犀利,充满了后现代主义的戏谑和反讽。书中对现代社交模式的剖析尤为深刻,那些通过屏幕构建起来的亲密关系,在作者的笔下显得如此空洞和易碎。我尤其喜欢它对“怀旧”这一主题的处理方式,它没有将怀旧美化成一种浪漫的逃避,而是将其视为一种现代病——对一个从未真正存在过的黄金时代的集体幻想。书中的对话精妙绝伦,充满了机锋和潜台词,你得非常专注地去捕捉那些字里行间闪烁的真正意图,这让阅读过程充满了智力上的挑战。叙事结构采用了非线性手法,不同时间线和不同人物的视角交错闪回,初读时确实需要一点适应时间,但一旦抓住脉络,就会发现这种碎片化的结构恰恰是符合现代人破碎心智模型的。不过,这本书的缺点可能在于,它过于强调智力上的优越感,以至于在刻画人物情感深度时,偶尔显得有些抽离和疏远。它让你思考,但可能不会让你流泪。它更像是一剂清醒剂,让你直视当代生活的荒谬,而不是给你提供一个温暖的避风港。
评分这是一部相当“接地气”的小说,它聚焦于一种非常特定的、在传统体制内挣扎求存的个体命运。这本书的叙事风格朴实得近乎粗粝,完全没有多余的文学修饰,就像是直接从现实生活中剪裁下来的片段。它的大部分篇幅都在描绘主角如何处理那些日常的、琐碎的财务困境、人际关系中的微妙权力斗争,以及如何在看似稳定实则摇摇欲坠的职业道路上小心翼翼地前行。我欣赏它毫不留情地揭示了“生存”的艰辛,它没有赋予主角太多英雄主义的光环,他们就是一群普通人,犯着普通人的错误,为了糊口和尊严而奔波。书中对某些特定职业群体内部运作的描写,比如某个小众文化圈层或者某种边缘行业的生态,刻画得入木三分,充满了内部人才懂的黑色幽默和潜规则。然而,这本书的缺点也体现在其过度的写实性上,有时情节发展显得有些平铺直叙,缺乏高潮迭起的快感。它更像是一部长篇的纪录片,而不是传统意义上的小说,更适合那些对社会生态观察感兴趣的读者,它能让你对“我们如何被生活塑造”有一个更贴近泥土的理解。
评分读完这本书,我有一种被带入到一个完全陌生但又似曾相识的“地下世界”的体验。它巧妙地融合了都市传说和心理悬疑的元素,但核心探讨的依然是个体在面对巨大社会结构时的无力感。作者构建的世界观非常宏大且富有想象力,充满了奇特的、半秘密的社群和仪式,这些元素使得故事充满了神秘的吸引力。叙事采用了第一人称,视角非常独特且不可靠,你必须时刻警惕叙述者是否在隐藏真相,这种不确定性极大地增强了阅读的紧张感和趣味性。书中对于“知识的边界”和“被禁止的探索”的描绘令人着迷,主角为了追求某个真相而付出的代价,也反映了人类对未知事物永恒的好奇心。这本书在情节上的安排非常紧凑,每一个章节的结尾都设置了一个悬念点,让人欲罢不能,恨不得一口气读完。尽管它有着引人入胜的曲折情节,但它在情感层面上处理得相对克制,角色之间的复杂关系更多是通过行动而非直接的内心表白来展现的,这需要读者自己去拼凑和解读。总而言之,这是一本结构精巧、想象力奔放,非常适合寻求刺激和深度谜团的读者的佳作。
评分最近读完了一本关于城市边缘的青年们如何挣扎着寻找自我身份的小说,那种感觉就像是夏日午后突然被一场暴雨淋了个透心凉,既狼狈又带着一丝莫名的清醒。书中的主角,一个在古董唱片店打工的年轻人,他的内心世界简直是一团乱麻,充满了对未来的迷茫和对旧日情怀的过度依恋。作者对那种介于“还未成熟”和“不愿长大”之间的微妙状态捕捉得极为精准。比如他如何花上几个小时去挑选一张绝版黑胶,那种近乎仪式感的执着,其实反映的是他对生活中其他一切失控的无力感。书里对细节的描绘非常到位,无论是老式音响设备发出的那种温暖而略带沙沙声的音质,还是他们常去的那家昏暗酒吧里散发出的陈年啤酒和烟草混合的味道,都让人仿佛身临其境。然而,这本书的叙事节奏略显缓慢,许多章节都在描绘主角的内心独白和琐碎日常,这对于喜欢情节驱动的读者来说,可能会感到有些拖沓。它更像是一部情绪的写生画,而不是一幅结构严谨的油画。我个人更欣赏的是它那种毫不掩饰的脆弱性,主角面对爱情的笨拙和友情的疏离,都让人看到了自己年轻时那些不为人知的窘迫瞬间。读完后,你不会得到什么明确的答案,只会留下更深的疑问,就像在深夜里反复播放一首老歌,越听越觉得歌词里藏着自己解不开的心事。
评分我最近读到的这本书,给我的整体感受是极其压抑却又引人入胜,它像是一个精心布置的迷宫,你明知出口遥远,却忍不住想探究每一个转角后的景象。这本书的魅力在于其氛围的营造,作者对环境的描摹简直是大师级的,那种阴郁、潮湿、充满着未竟事业气息的城市角落,仿佛成了角色们内心焦虑的物理投射。主要人物的行动逻辑充满了矛盾性,他们渴望稳定,却又不断地自我破坏;他们向往真诚,却又习惯性地用谎言来保护自己脆弱的自尊心。书中的情感张力积累得非常缓慢,不是那种爆发式的戏剧冲突,而是像高压锅里的蒸汽一样,一点点地增加压力,直到最后达到一个令人窒息的临界点。我花了好些时间才理解作者的用意——他似乎在探讨的是一种“选择的瘫痪”,在过多的可能性面前,人反而失去了行动的能力。这本书的文字密度很高,充满了隐喻和象征,需要细细品味,初读时可能会错过很多精妙的设计。它不是一本让人放松的书,它要求你投入百分之百的注意力去解构每一个场景、每一句对白背后潜藏的象征意义。对于喜欢深度解读和文学挑战的读者来说,这无疑是一场盛宴。
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