Christmas-Eve and Easter Day; Men and Women in a Balcony; Dramatis Personae; Balaustion's Adventure

Christmas-Eve and Easter Day; Men and Women in a Balcony; Dramatis Personae; Balaustion's Adventure pdf epub mobi txt 电子书 下载 2026

出版者:
作者:Browning, Robert
出品人:
页数:452
译者:
出版时间:2007-11
价格:$ 41.75
装帧:
isbn号码:9780548764961
丛书系列:
图书标签:
  • 诗歌
  • 维多利亚时代
  • 罗伯特·勃朗宁
  • 戏剧诗
  • 爱情
  • 宗教
  • 复活节
  • 圣诞节
  • 人物研究
  • 英国文学
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Text extracted from opening pages of book: CHRISTMA EV; AND EASTER DAY MEN ANmWOMEN; IN: A BALCONY DRAMATIS PERSOI f . BALAUSTION'S ADVENTURE: PRINCE HOHENSTIEL SCHWANGAU: FIFINEAT THE FAIR BY ROBERT BROWNING WITH THE AUTHORS LATEST CORRECTIONS BOSTON AND NEW YORK HOUGHTON, MTFFLIN AND COMPANY 1896 CONTENTS CHRISTMAS - EvE AND EASTER-DAY. PAGB CHRISTMAS-EVE 1 EASTER-DAY 31 MEN AND WOMEN. TRANSCENDENTALISM: A POEM IN TWELVE BOOKS . . 57 HOW IT STRIKES A CONTEMPORARY 58 ARTEMIS PROLOGIZES 61 AN EPISTLE, CONTAINING THE STRANGE MEDICAL EXPERI ENCE OF KARSHISH, THE ARAB PHYSICIAN .... 64= JOHANNES AGRICOLA IN MEDITATION 71 PICTOR IGNOTUS 72 FRA LIPPO LIPPI 74 ANDREA DEL SARTO 83 THE BISHOP ORDERS HIS TOMB AT SAINT PRAXED'S CHURCH 89 BISHOP BLOUGRAM'S APOLOGY 91 CLEON 115 EUDEL TO THE LADY OF TRIPOLI 123 ONE WORD MORE 324 IN A BALCONY 131 DBAMATIS PERSONS. JAMES EEE'S WIFE: I. JAMES LEE'S WIFE SPEAKS AT THE WINDOW . . 153 II. BY THE FIRESIDE 154 III. IN THE DOORWAY 155 IV. ALONG THE BEACH 156 V. ON THE CLIFF 157 VL BEADING A. BOOK, UNDER THE CLIFF ... 158 VII. AMONG THE BOCKS ., 101 VIIL BESIDE THE DRAWING-BOK. 161 IX. ON DECK * 163- vi CONTENTS GOLD HAIK: A STORY OF PORNIC 105 THE WORST OF IT 170 Dis ALITER VISUM; OK, LE BYRON DE Nos JOCKS . . 173 Too LATE 178 ABT VOGLER, AFTER HE HAS BEEN EXTEMPORIZING UPON THE MUSICAL INSTRUMENT OF HIS INVENTION . ., 1S2 RABBI BEN EZRA 1ST A DEATH IN THE DESERT liU CALIBAN UPON SETEBOS; OR, NATURAL THEOLOGY IN THE ISLAND 207 CONFESSIONS 214 MAY AND DEATH 21o DEAF AND DUMB: A GROUP BY WOOLNEU . . . . 21 ( J PROSPICE 2U EURYDICB TO ORPHEUS: A PICTURE BY LEIQHTON . . 217 YOUTH AND ART . 217 A FACE 210 A LIKENESS 220 MR. SLUDGE, THE MEDIUM ..*.... 222APPARENT FAILURE 257 EPILOGUE 259 BALAUSTION'S ADVENTURE, INCLUDING A TRANSCRIPT FROM EU RIPIDES 203 PRINCE HOHBNSTIEL-SCHWANQAU, SAVIOU OF SOCIETY, ); ) 1 FlFINE AT THE FAIR and U CHRISTMAS-EVE AND EASTER-DAY FLOEBNCB, 1850. CHRISTMAS-EVE. i. Our of the little chapel I burst Into the fresh night-air again. Five minutes f ull, I waited first In the doorway, to escape the rain That drove in gusts down the common's centre At the edge of which the chapel stands, Before I plucked up heart to enter. Heaven knows how many sorts of hands Beached past me, groping for the latch Of the inner door that hung on catch More obstinate the more they fumbled, Till, giving way at last with a scold Of the crazy hinge, in squeezed or tumbled One sheep more to the rest in fold, And left me irresolute, standing sentry In the sheepfold's lath-and-plaster entry, Six feet long by three feet wide, Partitioned off from the vast inside I blocked up half of it at least. No remedy; the rain kept driving. They eyed me much as some wild beast, That congregation, still arriving, Some of them by the main road, white A long way past me into the night, Skirting the common, then diverging; Not a few suddenly emerging From the common's self through the paling-gaps, - They house in the gravel-pits perhaps, Where the road stops short with its safeguard border Of lamps, as tired of such disorder; But the most turned in yet more abruptly From a certain squalid knot of alleys, Where the town's bad blood once slept corruptly, CHRISTMAS-EVE AND EASTER-DAY Which now the little chapel rallies And leads into day again, its priestliness Lending itself to hide their beastliness' So cleverly ( thanks in part to the mason), And putting socheery a whitewashed face on Those neophytes too much in lack of it, That, where you cross the common as I did, And meet the party thus presided, Mount Zion with Love-lane at the back of it, They front you as little disconcerted As, bound for the hills, her fate averted, And her wicked people made to mind him, Lot might have marched with Gomorrah behind him* u. Well, from the road, the lanes or the common, In came the flock: the fat weary woman, Panting and bewildered, down-clapping Her umbrella with a mighty report, Grounded it by me, wry and flappin

暮光之下的独白:探寻人性的幽微与自然的宏大 这是一部汇集了多篇独立而又相互映照的文本的文集,其核心在于对人类情感、社会形态以及存在本质的深刻叩问。全书并未遵循单一的叙事线索,而是通过多重视角的切换,构建起一幅关于“在场”与“缺席”、“光亮”与“阴影”的复杂图景。 第一部分:时间的刻度与情感的潮汐 文集的开篇,沉浸于对特定节日庆典——“圣诞夜”与“复活节”——的细致描摹中。然而,这里的节日并非仅是世俗的狂欢或宗教的仪式,它们更像是时间的两个极端支点,用以测量人类情感的幅度。 “圣诞夜”的篇章,聚焦于寒冷冬夜中,个体对温暖、团聚的深切渴望,以及随之而来的孤独感。笔触细腻地捕捉了壁炉微弱的火光下,人物之间微妙的交流与未曾言明的期盼。这种期盼,有时是向内的收缩,对自我记忆的审视;有时是向外的伸展,对遥远他者的呼唤。叙述者通过对光影、气味和声音的精确捕捉,营造了一种既庄严又私密的氛围,探讨了信仰的重量在现代生活中的消解与重构。 紧接着,“复活节”的篇章则转向了春日复苏、生命重生的主题。与前者的内敛不同,这里的基调更为开阔,涉及对希望、救赎以及自然界循环往复的哲学思考。作者并未停留在简单的赞美,而是将复活的主题投射到人际关系和个人信仰的危机之上。例如,书中探讨了“重生”的代价,即旧有的自我必须经历怎样的消亡,才能迎来新的形态?这种探讨贯穿了对田园风光与城市边缘景象的描绘,将宏大的自然律与个体的挣扎巧妙地结合起来。 第二部分:视角的限制与对望的张力 文集的中间部分,将焦点骤然收紧,聚焦于一个固定的空间——“阳台”。“阳台上的男女”是关于观察与被观察、参与与疏离的经典母题。 这个“阳台”是一个介于私密居所与公共街道之间的过渡地带。它象征着社会阶层的微妙划分,也是个体展示自我形象的舞台。书中的男女角色被置于这个有限的空间内,他们的对话和沉默,都带有强烈的表演性。他们可能在谈论天气、谈论最新的流言蜚文,但真正的张力隐藏在他们身体的语言和眼神的交错之中。 叙述者着重描绘了两人之间那种“相看两相厌,又不得不相伴”的复杂情境。他们代表了社会中常见的两种原型:一位是受困于传统期望、渴望逃逸的个体;另一位则是精于世故、善于维持表象的交际者。他们之间的互动,揭示了十九世纪末或二十世纪初社会对于性别角色的刻板要求,以及在这些要求下,个体如何扭曲自身以求得片刻的安宁或满足。阳台上的场景,既是爱情故事的萌芽地,也可能是误解与背叛的发生地,其结局永远悬而不决,正如人生中的诸多不确定性。 第三部分:剧本的骨架与角色的自我意识 随后呈现的“剧目角色表”(Dramatis Personae)部分,风格陡然一变,采用了高度结构化和程式化的方式。这部分内容并非简单的角色介绍,而更像是一份关于“身份构建”的解构文本。 作者在此处运用了一种后设(meta-fictional)的手法,将那些在前面篇章中可能只是惊鸿一瞥的人物,以清单的形式呈现出来,并配以极度简短、充满暗示性的描述。例如,“管家,缄默,知晓一切”或“年轻女子,以沉默对抗噪音”。这种列表化的处理,剥离了人物的情感脉络,迫使读者去思考:当一个人的身份被压缩成几个关键词时,其“人性”还剩下多少? “剧目角色表”的意义在于,它挑战了传统叙事的完整性。它暗示了我们日常所见的“生活”,本身就是一出正在上演的戏剧,而我们扮演的角色,可能比我们自身更具实体性。这部分内容是文集中最具智性挑战性的,它要求读者在脑海中重构这些角色的命运,填充他们未被言明的动机。 第四部分:异域的召唤与精神的远征 文集的最后,笔锋一转,进入了充满异域色彩的叙事诗——“巴拉乌斯顿的冒险”。这部分的基调是宏大、抒情且充满异国情调的。 “巴拉乌斯顿”的名字,立即将读者带离了欧洲的咖啡馆和维多利亚式的客厅,投向了更古老、更神秘的东方世界。这里的“冒险”并非单纯的地理探索,而更像是一场精神的远征。叙述者以一种近乎神话的口吻,描绘了巴拉乌斯顿在遥远国度的见闻、她与当地文化的碰撞,以及她对某种失落的、纯粹的美的追寻。 诗歌的形式使得语言的密度和音乐性大大增强。作者运用了大量的古典典故和自然意象(如干燥的土地、炽热的太阳、古老的遗迹),来烘托主角的孤独与坚韧。巴拉乌斯顿的“冒险”,是对僵化日常生活的反叛,是对知识界限的拓展,也是对自身审美标准的重塑。通过描绘异域的文化冲击和精神上的净化过程,作者探讨了文明与野蛮、已知与未知之间的永恒对话。 总结:交织的镜面 整部文集如同一个由多面镜子组成的房间,每一面镜子都反射出不同角度的人性切片。从节日的仪式感,到阳台上的日常张力;从身份的解构,到精神的远行,作者始终在探讨一个核心命题:在社会规范、个人欲望与历史背景的交织作用下,个体如何定义自身的真实性与价值?全书结构精巧,层次分明,引导读者在不同的叙事维度中,完成一次深入而丰富的审美体验。

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