From Publishers Weekly

The world of nihilistic terrorist conspiracy, paranoid empires and diplomatic opportunism that Fromkin (In the Time of the Americans) describes in this terrific account of WWI's underpinnings will seem eerily familiar to 21st-century denizens. Fromkin allies a direct, compulsively readable style with a daunting command of sources old and new, unrolling a complex skein of events with assurance and wit and dispatching numerous conventional wisdoms. The view (most influentially stated in Barbara Tuchman's Vietnam-era Guns of August), that the war, unwanted by all, was the result of an unfortunate series of accidents, is neutralized by the clearly presented evidence of careful premeditation and planning on the part of Germany and Austro-Hungary, as is the more recent assertion of Niall Ferguson's The Pity of War that if only the rest of Europe had acceded to Germany's imperial ambitions, the whole business might have been avoided. The enormity of the horrors unleashed in that fateful summer—and the culpability of all sides in exacerbating them—has made laying blame for the war squarely at the foot of the German and Austrian leadership unfashionable, but the evidence assembled by Fromkin is strong. His pictures of a Germany feeling itself (without real cause) surrounded, convinced of an imminent national demise from which only war could save it and of the Kafkaesque Austro-Hungarian empire lurching toward Armageddon are pitiless and sharp. Readers who ate up Margaret MacMillan's account of the war's aftermath, in Paris 1919, shouldn't miss this equally accomplished chronicle of its beginning.

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From Booklist

*Starred Review* Fromkin's answer to the question posed in his subtitle is succinct: Helmuth von Moltke, imperial Germany's army chief in 1914. In his clearly delineated argument, Fromkin addresses alternative theories about the cause of World War I, but he returns to the decision chain of a small number of officials in Berlin and Vienna. Their destruction of key evidence hampers the precise reconstruction of their actions as does, Fromkin maintains, historians' confusion about what the Germans were licensing in agreeing to whatever chastisement Vienna decided to deliver upon Serbia, on the pretext of avenging the assassination of Archduke Franz Ferdinand. In contrast to theorists of rigid alliances, to whom the notorious "blank check" initiated events almost beyond human control, Fromkin arraigns the actions of Moltke and his colleagues, especially in late July 1914, when the procrastinating Austrians had yet to crush Serbia in war, as Moltke expected. Hijacking the bollixed-up situation, he overrode Kaiser Wilhelm II's resistance, Fromkin concludes, to a deliberate instigation of a second war against Russia and France. The boldness of Fromkin's argument is enough to warrant attention, but his fluidity of expression guarantees a large audience for this book. Gilbert Taylor

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Europe's Last Summer: Who Started the Great War in 1914?(Hardcover) 內容提要：

Susan Sinclair has it all: great job, great apartment - and on some days she even manages great hair. She doesn't have a great man, but she's far too successful to have time for one. Then she gets a frantic summons to return to where it all began - Copper Creek, her home in Michigan - only to discover that her grown daughter has followed in her not-so-proud footsteps by getting pregnant without getting married and her widowed mom seems to be scandalously juggling more men then she can count. And, worst of all, he's still there - Jon Laker - still the man most likely to drive her crazy. So she marches into his business and declares she's there to discuss their daughter - and nothing else. After all, she made her choices a long time ago. But hours later - after not doing very much talking at all - Susan realizes that seeing Jon has turned her well-ordered world upside down.