Friedrich A. Kittler (born 1943 in Rochlitz, Saxony) is a literary scholar and a media theorist. His works relate to media, technology, and the military.
This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organized. He also discusses the development of various mechanical devices, such as the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counter-Reformation.
After examining this history, Kittler then addresses the ways in which images were first stored and made to move, through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or "picture-frame" stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations.
In short, this book provides a comprehensive introduction to the history of image production that is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.
發表於2024-11-07
Optical Media 2024 pdf epub mobi 電子書 下載
圖書標籤: 媒介考古學 視覺研究 媒介研究 media, 藝術史書單 理論書 德國 媒介理論及媒介考古學
為自己最近的理解能力打一顆星
評分為自己最近的理解能力打一顆星
評分講瞭很多光學媒介發展和軍事的關係
評分為自己最近的理解能力打一顆星
評分講瞭很多光學媒介發展和軍事的關係
Optical Media 2024 pdf epub mobi 電子書 下載