发表于2024-12-22
Cinema and Experience 2024 pdf epub mobi 电子书
The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
图书标签: 电影理论 电影 MiriamBratuHansen 德国 学术 電影 VisualCulture 电影研究
Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno - affiliated through friendship, professional ties, and argument - developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
真是不得不惊叹这本书感觉都要把Kracauer, Benjamin和Adorno都写干写尽了。在细节的对比和考据里面的确是得出了一些很有价值的洞见,不过大量严密的学术考究让这本书可能只适合学者圈阅读了。
评分只草草读了克拉考尔的部分,很受启发。1、克拉考尔早期关注的是cinema而非film,可以证明其电影理论中的空间观念;2、魏玛时期与美国时期对《街道》的不同判断证明了其电影观的流转;3、《电影的本性》是一本“去历史”的著作,对开放、偶然的推崇指向了更为广阔的“生命之流”。
评分难能可贵的电影研究学者
评分真是不得不惊叹这本书感觉都要把Kracauer, Benjamin和Adorno都写干写尽了。在细节的对比和考据里面的确是得出了一些很有价值的洞见,不过大量严密的学术考究让这本书可能只适合学者圈阅读了。
评分对K,B,A三人非常扎实的细读和来回穿梭。等闲了 我要写一个批判“诗词大会”的东西 就用这三个人的理论 特别是mythological retreat 和 decaying aura
Cinema and Experience 2024 pdf epub mobi 电子书