发表于2024-11-04
Cinema and Experience 2024 pdf epub mobi 电子书
The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
评分The question of how “to engage a living thought that is no longer historically current,” raised by Fredric Jameson with regard to Theodor W. Adorno, 【德国电影研究】 1980s美国的电影研究:心理分析-符号学 电影理论,拉康、弗洛伊德、阿尔都塞-马克思主义、女性...
图书标签: 电影理论 电影 MiriamBratuHansen 德国 学术 電影 VisualCulture 电影研究
Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno - affiliated through friendship, professional ties, and argument - developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
太详尽的考据,却缺乏提纲挈领的洞见,观点大多骑墙,显然不如SBM,HS和GK几位。
评分学者的榜样
评分学者的榜样
评分少有的详细论述了法兰克福学派中的电影理论的著作,克拉考尔,本雅明和阿多诺中又尤其侧重对本雅明的论述。甚至以本雅明为枢纽,沟通其他二者之间的电影论述关系。本雅明一章中将机械复制时代的AURA和一战后贫困的经验相联系,并与之后伯格森对现代成像技术带来的感知和记忆转变相联系,论述米奇的笑声和巴赫金的狂欢理论相勾连,都是从物质-身体出发的现象感知和自上而下的挑战。唯一不足的大概是最后一章阿多诺的确没有前面两人详细。所有的论述最后都统归于辩证影像之下
评分学者的榜样
Cinema and Experience 2024 pdf epub mobi 电子书