Dawkins examines the forces that made the nude a contentious image in the early Third Republic. Analyzing the evolving relationship between the fine-art nude, print culture and censorship, Heather Dawkins explores how artists, art critics, politicians, bureaucrats, lawyers, and judges evaluated the nude. She shows how spectatorship of the nude was refracted through the ideals of art, femininity, republican liberty, and public decency. An art form made for and by men, the nude was rarely the subject of serious engagement on the part of women. A few, nevertheless, attempted to take up the issues and challenges of the nude. Dawkins investigates in detail how these women reshaped the genre of the nude and its spectatorship in order for it to accommodate their own experience and subjectivity.
發表於2024-11-14
The Nude in French Art and Culture, 1870-1910 2024 pdf epub mobi 電子書 下載
圖書標籤: 藝術史 research body arthistory art
characterized skin as a ‘nervous canvas’ imbued with sensibility throughout the Enlightenment skin was generally regarded as the sensitive organ per se, transmitting emotions and, by means of the sense of touch, registering information about the body’s environment. However, this new conception of the human being as an organism dominated by the nerv
評分characterized skin as a ‘nervous canvas’ imbued with sensibility throughout the Enlightenment skin was generally regarded as the sensitive organ per se, transmitting emotions and, by means of the sense of touch, registering information about the body’s environment. However, this new conception of the human being as an organism dominated by the nerv
評分characterized skin as a ‘nervous canvas’ imbued with sensibility throughout the Enlightenment skin was generally regarded as the sensitive organ per se, transmitting emotions and, by means of the sense of touch, registering information about the body’s environment. However, this new conception of the human being as an organism dominated by the nerv
評分characterized skin as a ‘nervous canvas’ imbued with sensibility throughout the Enlightenment skin was generally regarded as the sensitive organ per se, transmitting emotions and, by means of the sense of touch, registering information about the body’s environment. However, this new conception of the human being as an organism dominated by the nerv
評分characterized skin as a ‘nervous canvas’ imbued with sensibility throughout the Enlightenment skin was generally regarded as the sensitive organ per se, transmitting emotions and, by means of the sense of touch, registering information about the body’s environment. However, this new conception of the human being as an organism dominated by the nerv
The Nude in French Art and Culture, 1870-1910 2024 pdf epub mobi 電子書 下載