In recent years, otaku culture has emerged as one of Japan's major cultural exports and as a genuinely transnational phenomenon. This timely volume investigates how this once marginalized popular culture has come to play a major role in Japan's identity at home and abroad. In the American context, the word otaku is best translated as 'geek' - an ardent fan with highly specialized knowledge and interests. But it is associated especially with fans of specific Japan-based cultural genres, including anime, manga, and video games. Most important of all, as this collection shows, is the way otaku culture represents a newly participatory fan culture in which fans not only organize around niche interests but produce and distribute their own media content. In this collection of essays, Japanese and American scholars offer richly detailed descriptions of how this once stigmatized Japanese youth culture created its own alternative markets and cultural products such as fan fiction, comics, costumes, and remixes, becoming a major international force that can challenge the dominance of commercial media. By exploring the rich variety of otaku culture from multiple perspectives, this groundbreaking collection provides fascinating insights into the present and future of cultural production and distribution in the digital age.
三星半,狂热爱好者作为亚文化,或者被过度评价而抬升至东方主义与西方主义抗衡那个东西风之争,或者被过于局限的事业压缩在同好者自娱自乐的小圈子给圈外人看个不懂心累。研究者自己到底喜欢不喜欢研究御宅族呢,我很困惑。
评分基本上是一些日本学者写的关于宅圈的论文收录。文字易懂好读。
评分社会学进路失之浅陋;很大篇幅花在介绍基本情况上,这种以人类学田野调查的方法对待“宅男”做得再良心也就是骗骗外行啊!
评分三星半,狂热爱好者作为亚文化,或者被过度评价而抬升至东方主义与西方主义抗衡那个东西风之争,或者被过于局限的事业压缩在同好者自娱自乐的小圈子给圈外人看个不懂心累。研究者自己到底喜欢不喜欢研究御宅族呢,我很困惑。
评分三星半,狂热爱好者作为亚文化,或者被过度评价而抬升至东方主义与西方主义抗衡那个东西风之争,或者被过于局限的事业压缩在同好者自娱自乐的小圈子给圈外人看个不懂心累。研究者自己到底喜欢不喜欢研究御宅族呢,我很困惑。
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