Glyn Dillon’s comics illustrations have appeared in several works from Vertigo, including The Sandman. He has also worked as an artist, animator, and designer in film and television. He lives in London, England.
Twenty-eight-year-old Nao Brown, who’s hafu (half Japanese, half English), is not well. She’s suffering from obsessive-compulsive disorder (OCD) and fighting violent urges to harm other people. But that’s not who she really wants to be. Nao has dreams. She wants to quiet her unruly mind; she wants to get her design and illustration career off the ground; and she wants to find love, perfect love.
Nao’s life continues to seesaw. Her boyfriend dumps her; a toy deal falls through. But she also meets Gregory, an interesting washing-machine repairman, and Ray, an art teacher at the Buddhist Center. She begins to draw and meditate to ease her mind and open her heart—and in doing so comes to a big realization: Life isn’t black-and-white after all . . . it’s much more like brown.
Praise for The Nao of Brown:
“Lushly rendered, passionately digressive” —The New York Times
“Dillon turns in a narrative tour de force, featuring a script that works in perfect concert with almost cinematic art reminiscent of Milo Manara, but with far more expressive characters. A triumph of comics for grownups, this is a must-read.” —Publishers Weekly, starred review
“The art in The Nao of Brown is absolutely gorgeous . . . An intense story about a young woman who fights as hard to get out of her own head as some superheroes fight to save the world.” —The Onion’s A.V. Club
“This was the best read I have had in a long time.” —Scott Stantis, cartoonist for the Chicago Tribune
“Dillon makes his grand return in what can only be described as a visual spectacle.” —The Beat
“Amazing artwork; a truly novelistic piece of storytelling, full of wisdom and compassion; and a book which is a beautiful artifact, a treat for those of a bibliophilic inclination.” —Comic Book Resources
“The battles are internal, but no less monumental for all of that. Such inner wars made Sandman a classic, and I have no doubt that Dillon’s graphic novel will likewise be regarded as a seminal work in comic art.” —The Houston Press Art Attack blog
“Psychologically complex and surprising.” —Paste Magazine
“It’s a masterpiece, and I really can’t recommend it enough.” —Comic Book Resources
“Penciled and watercolored by hand, the pages glow with a lush realism, even in their darkest moments. The ever present motif of red can either anchor or engulf the reader, but always provides a vibrant glimpse into Nao’s life.” —Asian Fortune News
“我實實在在的告訴你們,一粒麥子落在地裏如若不死,仍舊是一粒。若是死瞭,就會結齣許多子粒來。” ————《新約·約翰福音》第12章,第24節 我誠心誠意的請求矚目於前一點。 想著彆去想大象。該如何將大象這個詞語從腦海中剝除掉?這大概是很多精神疾病思維中的一個悖論。...
評分就像NAO被虛無誘惑,被吸引本質上是內容與我們過往的人生産生瞭共鳴和聯係。 但也就像拯救NAO的不會是格雷戈裏,某種程度的呼應或許隻是兩座玻璃金魚缸裏的金魚,互相看見也感同身受,然而無法迴到江河。 這是一本像電影一樣的漫畫,而且是一場好的電影。文化背景的交叉,宗教...
評分 評分 評分畫風大愛,故事情節倒不怎麼感冒
评分畫風大愛,故事情節倒不怎麼感冒
评分看著《輪到你瞭》的結尾,就想到瞭這本......每個下雨天都會想起這本,還有每次去洗衣店的時候。
评分如今越來越喜歡這種以亞洲女性為角度寫的故事。兩性間的爭吵也是。Chris
评分高潮部分的節奏快的讓人停不下來以至於看完之後腦子裏久久的在迴想整本書的各個細節,細節方麵很值得推敲,總的來說是一本很值得看的漫畫,關於OCD的部分就有點嗬嗬- -
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