The Neuro-Image

Patricia Pisters is Professor of Media Culture and Film Studies and Chair of the Department of Media Studies of the University of Amsterdam. Her publications include The Matrix of Visual Culture: Working with Deleuze in Film Theory (Stanford University Press, 2003), Shooting the Family: Transnational Media and Intercultural Values (ed. with Wim Staat, 2005) and Mind the Screen (ed. with Jaap Kooijman and Wanda Strauven, 2008).

出版者:Stanford University Press

作者:Patricia Pisters

页数:400

出版时间:2012-7-11

价格:GBP 22.99

装帧:Paperback

isbn号码:9780804781367

图书标签:Deleuze德勒兹电影图像电影研究电影理论理论学术

This book approaches 21st-century globalized cinema through the new concept of the "neuro-image." Pisters begins with the premise that today's viewers no longer look through a character's eyes; instead, they move through his or her brain or mental landscape. Her book elaborates the threefold nature of the neuro-image by drawing on research from three domains?Deleuzian (schizoanalytic) philosophy, digital networked screen culture, and neuroscientific research?and is accordingly divided into three parts. The first reads

用户评价

nope

传说中德勒兹在《电影1》和《电影2》之外，《电影3》始终没写，电影1 是运动-影像，电影2是时间-影像，电影3则是精神-影像。电影3是关于时间的第三综合：未来，其实这在电影2里面也有涉及的了。根据德勒兹这个逻辑写了一本《神经-影像》。神经-影像就是数码电子屏幕。

传说中德勒兹在《电影1》和《电影2》之外，《电影3》始终没写，电影1 是运动-影像，电影2是时间-影像，电影3则是精神-影像。电影3是关于时间的第三综合：未来，其实这在电影2里面也有涉及的了。根据德勒兹这个逻辑写了一本《神经-影像》。神经-影像就是数码电子屏幕。

nope

传说中德勒兹在《电影1》和《电影2》之外，《电影3》始终没写，电影1 是运动-影像，电影2是时间-影像，电影3则是精神-影像。电影3是关于时间的第三综合：未来，其实这在电影2里面也有涉及的了。根据德勒兹这个逻辑写了一本《神经-影像》。神经-影像就是数码电子屏幕。