鮑裏斯·格羅伊斯，1947年生，紐約大學俄羅斯和斯拉夫學係全球傑齣教授(gIobaI distinguished professor)，德國卡爾斯魯厄藝術設計大學藝術與媒介學院資深研究員。主要著作有《整體藝術品斯大林割裂的蘇聯文化》(1988)、《論新事物》(1992) 、《思考的藝術》(2008)等。

張蕓，1965年生，北京大學西語係德語專業研究生畢業，德國艾希斯泰特天主教大學博士。

劉振英，1960年生，德國海德堡大學日耳曼語言文學碩士，現任青島大學外語學院德語係副教授。

The public generally regards the media with suspicion and distrust. Therefore, the media's primary concern is to regain that trust through the production of sincerity. Advancing the field of media studies in a truly innovative way, Boris Groys focuses on the media's affect of sincerity and its manufacture of trust to appease skeptics. Groys identifies forms of media sincerity and its effect on politics, culture, society, and conceptions of the self. He relies on different philosophical writings thematizing the gaze of the other, from the theories of Heidegger, Sartre, Mauss, and Bataille to the poststructuralist formulations of Lacan and Derrida. He also considers media "states of exception" and their creation of effects of sincerity -- a strategy that feeds the media's predilection for the extraordinary and the sensational, further fueling the public's suspicions. Emphasizing the media's production of emotion over the presentation (or lack thereof) of "facts," Groys launches a timely study boldly challenging the presumed authenticity of the media's worldview.