Though some dismiss opera as old-fashioned, it shows no sign of disappearing from the world's stage. So why do audiences continue to flock to it? Given its association with wealth, one might imagine that opera tickets function as a status symbol. But while a desire to hobnob with the upper crust might motivate the occasional operagoer, for hardcore fans the real answer, according to "The Opera Fanatic", is passion - they do it for love. Opera lovers are an intense lot, Claudio E. Benzecry discovers in his look at the fanatics who haunt the legendary Colon Opera House in Buenos Aires, a key site for opera's globalization. Listening to the fans and their stories, Benzecry hears of two-hundred-mile trips for performances and nightlong camp-outs for tickets, while others testify to a particular opera's power to move them - whether to song or to tears - no matter how many times they have seen it before. Drawing on his insightful analysis of these acts of love, Benzecry proposes new ways of thinking about our relationship to art and shows how, far from merely enhancing aspects of everyday life, art allows us to transcend it.
具體描述
讀後感
用戶評價
對阿根廷科隆大劇院歌劇迷的民族誌研究。針對布爾迪厄的趣味研究，在德諾拉和亨尼恩的脈絡中，對歌劇迷進行瞭精彩的研究：他們聽歌劇，僅僅是因為熱愛，而與文化資本無關。因為對他們而言，聆聽歌劇無法轉化為其他資本。當然，更精彩地在於對歌劇迷們聆聽歌劇、沉迷歌劇以及具體類型的描述和刻畫。
评分藝術傢二代的藝術社會學，本質上還是基於布迪厄的擴展。一開始不知作者到底想說什麼，前幾天讀瞭Lahire的文章細想瞭一下還是有點理論貢獻的。
评分對阿根廷科隆大劇院歌劇迷的民族誌研究。針對布爾迪厄的趣味研究，在德諾拉和亨尼恩的脈絡中，對歌劇迷進行瞭精彩的研究：他們聽歌劇，僅僅是因為熱愛，而與文化資本無關。因為對他們而言，聆聽歌劇無法轉化為其他資本。當然，更精彩地在於對歌劇迷們聆聽歌劇、沉迷歌劇以及具體類型的描述和刻畫。
评分對阿根廷科隆大劇院歌劇迷的民族誌研究。針對布爾迪厄的趣味研究，在德諾拉和亨尼恩的脈絡中，對歌劇迷進行瞭精彩的研究：他們聽歌劇，僅僅是因為熱愛，而與文化資本無關。因為對他們而言，聆聽歌劇無法轉化為其他資本。當然，更精彩地在於對歌劇迷們聆聽歌劇、沉迷歌劇以及具體類型的描述和刻畫。
评分藝術傢二代的藝術社會學，本質上還是基於布迪厄的擴展。一開始不知作者到底想說什麼，前幾天讀瞭Lahire的文章細想瞭一下還是有點理論貢獻的。
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