Scorsese's 1988 film "The Last Temptation of Christ" arguably generated more resistance and conflict upon its release than any film before or since, engendering intense debate and even hatred between religious conservative protesters and liberal progressive defenders of the picture. This is a full examination of the controversy, its participants, and their claims concerning the film's religious meaning. This debate reflects deep levels of social and cultural insecurity produced by the shifting role of religion and religious language in an increasingly secularized society, and demonstrates how a popular film about Jesus captured, inflamed, and strengthened existing animosities. Providing new insights into film's significance as an indicator of the changing relationship between secular and religious domains, the work offers a thorough and fascinating historical analysis of the various interpretations of "Last Temptation" and its reception.
發表於2024-11-25
Film, Faith and Cultural Conflict 2024 pdf epub mobi 電子書 下載
圖書標籤: Martin.Scorsese MCC Hollywood Censorship
藉用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上:“is a douchebag”。2018-3 於圖書館六樓東
評分藉用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上:“is a douchebag”。2018-3 於圖書館六樓東
評分藉用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上:“is a douchebag”。2018-3 於圖書館六樓東
評分藉用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上:“is a douchebag”。2018-3 於圖書館六樓東
評分藉用René Girard的Scapegoating理論分析圍繞電影產生的話語。有人在扉頁的作者名下寫上:“is a douchebag”。2018-3 於圖書館六樓東
Film, Faith and Cultural Conflict 2024 pdf epub mobi 電子書 下載