With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films—Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)—and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard’s late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard’s late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.
具體描述
讀後感
用戶評價
理論修養不行，經不起推敲的地方太多。抓不住作品整體，單獨挑些點（且不論是否真的構成問題）齣來說，不具說服力。
评分理論修養不行，經不起推敲的地方太多。抓不住作品整體，單獨挑些點（且不論是否真的構成問題）齣來說，不具說服力。
评分理論修養不行，經不起推敲的地方太多。抓不住作品整體，單獨挑些點（且不論是否真的構成問題）齣來說，不具說服力。
评分理論修養不行，經不起推敲的地方太多。抓不住作品整體，單獨挑些點（且不論是否真的構成問題）齣來說，不具說服力。
评分理論修養不行，經不起推敲的地方太多。抓不住作品整體，單獨挑些點（且不論是否真的構成問題）齣來說，不具說服力。
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