A masterly work of American film and cultural history by a critic who, "like Pauline Kael, has the gift of describing actors with terrific acuity." ( New York Times ) "What I set out to do is to help you see movies better, to experience them more deeply and sharply and richly," says James Harvey. And his critical method-reading a movie moment by moment, scene by scene-reveals new layers of meaning in even the most familiar films. See how 1940s film noir evolves into 1950s melodrama; how the femme fatale of the 1940s (think Barbara Stanwyck) becomes blander and blonder (think Doris Day) and then younger and sexier (yes, Marilyn); and how the new boy-men-Clift, Brando, Dean-finally steal the show. Harvey also discusses the directors: Hitchcock, Ophuls, Kazan, Welles. Comprehensive, vivid, and charismatic, Movie Love in the Fifties is a fresh look at the films, directors, and actors of a dynamic decade.