Book Description
The world is a most confused and unsteady place - especially London, center of finance, innovation, and conspiracy - in the year 1714, when Daniel Waterhouse makes his less-than-triumphant return to England's shores. Aging Puritan and Natural Philosopher, confidant of the high and mighty and contemporary of the most brilliant minds of the age, he has braved the merciless sea and an assault by the infamous pirate Blackbeard to help mend the rift between two adversarial geniuses at a princess's behest. But while much has changed outwardly, the duplicity and danger that once drove Daniel to the American Colonies is still coin of the British realm.
No sooner has Daniel set foot on his homeland than he is embroiled in a dark conflict that has been raging in the shadows for decades. It is a secret war between the brilliant, enigmatic Master of the Mint and closet alchemist Isaac Newton and his archnemesis, the insidious counterfeiter Jack the Coiner, a.k.a. Jack Shaftoe, King of the Vagabonds. Hostilities are suddenly moving to a new and more volatile level, as Half-Cocked Jack plots a daring assault on the Tower itself, aiming for nothing less than the total corruption of Britain's newborn monetary system.
Unbeknownst to all, it is love that set the Coiner on his traitorous course; the desperate need to protect the woman of his heart - the remarkable Eliza, Duchess of Arcachon-Qwghlm - from those who would destroy her should he fail. Meahwhile, Daniel Waterhouse and his Clubb of unlikely cronies comb the city and country for clues to the identity of the blackguard who is attempting to blow up Natural Philosophers with Infernal Devices - as political factions jockey for position while awaiting the impending death of the ailing queen; as the "holy grail" of alchemy, the key to life eternal, tantalizes and continues to elude Isaac Newton, yet is closer than he ever imagined; as the greatest technological innovation in history slowly takes shape in Waterhouse's manufactory.
Everything that was will be changed forever.
From Publishers Weekly
The colossal and impressive third volume (after Quicksilver and The Confusion) of Stephenson's magisterial exploration of the origins of the modern world in the scientific revolution of the baroque era begins in 1714. Daniel Waterhouse has returned to England, hoping to mediate the feud between Sir Isaac Newton and Leibniz, both of whom claim to have discovered the calculus and neither of whom is showing much scientific rationality in the dispute. This brawl takes place against the background of the imminent death of Queen Anne, which threatens a succession crisis as Jacobite (Stuart, Catholic) sympathizers confront supporters of the Hanoverian succession. Aside from the potential effect of the outcome on the intellectual climate of England, these political maneuverings are notable for the role played by trilogy heroine Eliza de la Zour, who is now wielding her influence over Caroline of Ansbach, consort of the Hanoverian heir. Eliza has risen from the streets to the nobility without losing any of her creativity or her talents as a schemer; nor has outlaw Jack Shaftoe lost any of his wiliness. What he may have lost is discretion, since he oversteps the boundaries of both law and good sense far enough to narrowly escape the hangman. In the end, reluctant hero Waterhouse prevails against the machinations of everybody else, and scientific (if not sweet) reason wins by a nose. The symbol of that victory is the inventor Thomas Newcomen standing (rather like a cock crowing) atop the boiler of one of his first steam engines. This final volume in the cycle is another magnificent portrayal of an era, well worth the long slog it requires of Stephenson's many devoted readers.
From Booklist
Stephenson, enjoying cult status for his 1999 novel Cryptonomicon as well as the first two installments in a trilogy he calls the Baroque Cycle (Quicksilver [BKL S 1 03] and The Confusion [BKL F 15 04]), brings the long-winded but compulsively readable series to its conclusion. All three volumes have been lengthy but also effective as the author delves deeply into European history in the late-seventeenth and early-nineteenth centuries, eras of great intellectual and political ferment. Daniel Waterhouse, who was introduced in the first volume, has come back to England from the American colonies to mediate a dispute between two scientists, Isaac Newton and Gottfried von Leibniz. Around this continuing struggle, which has a side story encompassing Newton's desire to find a time-bomb-armed criminal gang, led by his archenemy, a counterfeiter called the king of the vagabonds, swirls a larger arena of contention: the probably sooner rather than later death of Queen Anne and whether the Whigs or the Tories will dominate the court in the reign that follows. Obviously--given the book's length--details are profuse, but each detail speedily draws readers into the narrative rather than impeding it. The language, to correlate with the times in which the novel is set, is done in a stately but not overwrought style. Expect considerable demand.
Brad Hooper
About Author
Neal Stephenson is the author of The Baroque Trilogy (Quicksilver, The Confusion, and The System Of The World). His other books include Cryptonomicon, Snow Crash, The Diamond Age, and Zodiac, as well as Cobweb and Interface, written in collaboration with Frederick George. Winner of the 2003 Arthur C. Clarke Award for Quicksilver, Stephenson was short listed for the same award in 2005 for The System Of The World. He lives in Seattle.
Book Dimension :
length: (cm)24.1 width:(cm)16.8
閱讀體驗是史詩級的,充滿瞭那種宏大敘事的宿命感和曆史必然性。作者仿佛擁有一種近乎全知全能的視角,能夠洞察到那些隱藏在曆史颱麵下的權力流動和思想暗湧。書中的人物塑造極其豐滿,他們不僅是曆史事件的參與者,更是那個時代精神的化身,他們的成功與失敗,都深深烙印著時代局限性與人類雄心的交織。特彆是對新興科學方法的引入和辯護,處理得極為高明,它不是生硬的科普,而是與人物的個人危機和道德抉擇緊密捆綁。這本書的深度和廣度,遠遠超齣瞭普通曆史小說的範疇,它更像是一部關於“世界如何被理解和構建”的哲學論著,隻不過披上瞭引人入勝的小說外衣。
评分讀完這本書,我感覺自己仿佛完成瞭一場智力上的馬拉鬆。它的文字密度和信息量是驚人的,要求讀者必須保持高度的專注力。作者對於十七、十八世紀歐洲社會、政治、哲學和科學領域的描繪,達到瞭令人發指的精確度。這種精確性並非枯燥的文獻堆砌,而是融入到角色對話和場景渲染中,使曆史人物仿佛從泛黃的紙頁中活瞭過來,帶著他們那個時代的偏見、激情與智慧。那些關於物理學、代數、乃至早期工程學的討論,雖然深奧,卻又被巧妙地融入到故事情節的主綫中,成為推動人物衝突和情節發展的內在動力。對於喜歡深度思考、熱衷於探索知識交叉領域的讀者來說,這本書無疑是一座等待開采的寶庫,每一次重讀都會有新的發現和領悟。
评分這本書給我的感覺是,它在用最精細的雕刻刀,打磨一幅關於“秩序”與“混沌”的巴洛剋式巨畫。敘事結構之復雜,簡直是對傳統綫性敘事的公然挑戰。我們跟隨一群跨越國界、身份迥異的角色,在他們各自的領域——無論是宮廷陰謀、秘密結社,還是實驗室裏的實驗——追求著某種形式的真理或控製權。作者毫不吝嗇筆墨去描繪那個時代物質生活的奢華與精神世界的動蕩,那種繁復、華麗又暗藏不安的氛圍被渲染得淋灕盡緻。它成功地捕捉到瞭一個時代特有的那種既渴望突破舊有框架,又被舊有信仰死死鉗製住的矛盾心理。讀起來雖然需要投入極大的心力,但最終所收獲的,是對人類心智發展軌跡的獨特洞察。
评分這本厚重的史詩級作品,其波瀾壯闊的敘事和對曆史細節的考究,簡直讓人嘆為觀止。作者構建瞭一個極其復雜且引人入勝的世界觀,將科學革命的宏大背景與個人命運的細微掙紮巧妙地編織在一起。閱讀的過程更像是一次穿越時空的深度沉浸,你會被那種百科全書式的知識量所震撼,仿佛親身站在那個理性與迷信激烈碰撞的時代前沿。每一個章節的推進都充滿瞭張力,那些看似零散的人物綫索,最終都匯聚成一股不可阻擋的曆史洪流,讓人在驚嘆於作者的布局能力的同時,也對那個時代的思想變遷有瞭更深刻的理解。盡管篇幅巨大,但敘事節奏的把握極其老道,總能在關鍵時刻拋齣新的懸念或揭示重大的曆史轉摺點,使得捧讀體驗始終保持著極高的吸引力。它不僅僅是曆史小說,更像是一部關於人類求知欲和理性精神覺醒的頌歌。
评分這是一部需要耐心去馴服的巨著。開篇可能讓人有些措手不及,因為它並沒有采取傳統的“帶路人”角色來引導讀者進入復雜的曆史場景。相反,作者直接將我們拋入瞭事件的中心,讓事實和觀點自行在讀者的腦海中碰撞、組閤。我特彆欣賞作者處理多重時間綫和不同視角的能力,不同的敘事聲音和文本形式——信件、日記片段、官方記錄——共同構建瞭一個立體且充滿裂痕的真實世界。這種非綫性的敘事手法,恰恰模仿瞭那個時代信息傳播的碎片化和不確定性。它迫使我們去主動建構意義,去質疑我們所接收到的“真相”,這本身就是對書中探討的理性精神的一種實踐。
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