The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume, first published in 2000, includes: the indispensable first draft of Kant's introduction to the work; an English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views. All in all this edition offers the serious student of Kant a dramatically richer, more complete and more accurate translation.
第三遍看这个译本,和邓晓芒的对比了一下一下,发现李还是翻译得远不如邓,很多句子纯粹是病句,把本来清晰的意思翻译得狗屁不通,虽然康德的书,也不能奢求看翻译有多流畅了,但起码文句要通顺吧,这是译者最基本的态度吧。随举一例,导论第二节最后一段的一句话。李:“自然...
评分 评分Aesthetic这个名称是鲍姆嘉通于1750年提出来的,“Aesthetic”一词来自希腊文,当时Aesthetic这个词还没有被定义为“美学”,意思是“感知学”或者“感性学”。当鲍姆嘉通破天荒的把美的研究从理性学的角度转移到感性学上时,“美学”作为一门独立学科就被建立起来了。直到后来...
评分 评分Hamlet: “What a piece of work is a man! How noble in reason, how infinite in faculty!... And yet, to me, what is this quintessence of dust?”
评分教材……一知半解中……
评分翻译的简单,流畅,便于理解。
评分翻译的简单,流畅,便于理解。
评分细读了第一导言和美的分析论部分,感觉自己要升天……
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