Orlando Figes，英國新崛起的俄國史傢，以《俄國革命：一個民族的悲劇》（1996）、《娜塔莎之舞蹈：俄羅斯文化史》（2002）和《竊竊私語：斯大林時期俄國人的私人生活》（2007）摘取多項曆史學大奬。

Written in a narrative style that captures both the scope and detail of the Russian revolution, Orlando Figes's history is certain to become one of the most important contemporary studies of Russia as it was at the beginning of the 20th century. With an almost cinematic eye, Figes captures the broad movements of war and revolution, never losing sight of the individuals whose lives make up his subject. He makes use of personal papers and personal histories to illustrate the effects the revolution wrought on a human scale, while providing a convincing and detailed understanding of the role of workers, peasants, and soldiers in the revolution. He moves deftly from topics such as the grand social forces and mass movements that made up the revolution to profiles of key personalities and representative characters.

Figes's themes of the Russian revolution as a tragedy for the Russian people as a whole and for the millions of individuals who lost their lives to the brutal forces it unleashed make sense of events for a new generation of students of Russian history. Sympathy for the charismatic leaders and ideological theorizing regarding Hegelian dialectics and Marxist economics--two hallmarks of much earlier writing on the Russian revolution--are banished from these clear-eyed, fair-minded pages of A People's Tragedy. The author's sympathy is squarely with the Russian people. That commitment, together with the benefit of historical hindsight, provides a standpoint Figes take full advantage of in this masterful history.

It is history on an epic yet human scale. Vast in scope, exhaustive in original research, written with passion, narrative skill, and human sympathy, A People's Tragedy is a profound account of the Russian Revolution for a new generation. Many consider the Russian Revolution to be the most significant event of the twentieth century. Distinguished scholar Orlando Figes presents a panorama of Russian society on the eve of that revolution, and then narrates the story of how these social forces were violently erased. Within the broad stokes of war and revolution are miniature histories of individuals, in which Figes follows the main players' fortunes as they saw their hopes die and their world crash into ruins. Unlike previous accounts that trace the origins of the revolution to overreaching political forces and ideals, Figes argues that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and that what had started as a people's revolution contained the seeds of its degeneration into violence and dictatorship. A People's Tragedy is a masterful and original synthesis by a mature scholar, presented in a compelling and accessibly human narrative.