Hitchcock

François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.

出版者:Simon & Schuster

作者:Francois Truffaut

页数:368

出版时间:1985-10-2

价格:USD 25.00

装帧:Paperback

isbn号码:9780671604295

图书标签:电影Truffaut艺术希区柯克電影法国影视人物

Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel

读后感

希区柯克的所有影片都可以用最简单的一个词来概括，那就是“好看”，＂好看”意味着已臻化境的功力。 1980年4月29日，希区柯克在睡梦中离世，他一共为我们留下了53部电影作品，而正是这53部作品陪伴了、也将继续陪伴着所有不甘寂寞的影迷。我们将和这个永不枯燥的胖老头一道，...  

当“新浪潮”遭遇希区柯克 ——评《希区柯克与特吕弗对话录》 1962年4月8日，已经被世界电影载入史册。这一天，法国新浪潮电影的主将特吕弗来到了纽约。特吕弗这次前行的目的除了把他导演的新片《夏日之恋》介绍给纽约的制片商外，就是与一向负责新浪潮电影在美国的推广工作的...  

阿尔弗雷德•希区柯克是何许人也？凡如我辈对电影略知一二者，或对悬疑惊悚片情有独钟者，都能在听到这个名字后随口说出诸如《蝴蝶梦》、《美人计》、《39级台阶》等如雷贯耳的电影名字，之后便会想起那些个让自己惊恐、揪心的场面和时刻，因为作为一代电影宗师，希区柯克已...  

大一下的时候，参加电影协会每周末的电影放映。在那之前，并不知道这个世界上有“希区柯克”。 依然清晰记得海报上面用黑白拼贴出来的字样： 电影大师希区柯克《惊魂记》《蝴蝶梦》 全寝室一起坐在教室的后面观看。 小小的放映室，秋天的风吹...  

用户评价

无意中找到这书的时候是一个踉跄摔过去的 而里面夹了一张我以为的04年枪火的电影票根 what else can i say

无意中找到这书的时候是一个踉跄摔过去的 而里面夹了一张我以为的04年枪火的电影票根 what else can i say

经典的对话录，每一页都叫人获益良多。Hitch强调电影语言的重要性，一定要以镜头讲故事。他看似是个商业惊悚片导演，实则对人性洞察颇深。诚如introduction里面就提到的，Hitch这样的导演，并不是教我们如何生活，而是传达他们的焦虑，以使我们更好地理解自己，而这“正是任何艺术形式的基本目的。”

12年 图书馆

无意中找到这书的时候是一个踉跄摔过去的 而里面夹了一张我以为的04年枪火的电影票根 what else can i say