Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient and blithely living off his father's novelty song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned--and remember, concern isn't his strong suit--he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realise that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best way to meet these women is at single-parent get-togethers. In one of Nick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents-- Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word."
What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical-therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame and unfettered clear sight. As fans of Fever Pitch and High Fidelity already know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfilment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles. --This text refers to an out of print or unavailable edition of this title.
I just love how Marcus changed Will :) Though Marcus may lose himself, it's lucky that we know it would turn out to be alright after all.
评分book is always better than the movie.
评分前半部分很好玩,常常讀著噗齣來。臨近結尾對於Will和Marcus的狀態轉變有一點快和不那麼信服,包括周圍人的反應沒寫很多沒襯托齣來。一個小孩和一個大人變成應有的樣子,因為兩者的相逢,這個主題真的蠻有趣而且還很讓人感動。
评分有聲書版~Kurt Cobain looks a bit like Jesus,LMAO~最後講到Kurt自殺的時候真是好傷感,聽著聽著就哭瞭~
评分前半部分很好玩,常常讀著噗齣來。臨近結尾對於Will和Marcus的狀態轉變有一點快和不那麼信服,包括周圍人的反應沒寫很多沒襯托齣來。一個小孩和一個大人變成應有的樣子,因為兩者的相逢,這個主題真的蠻有趣而且還很讓人感動。
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