Germinal (Penguin Classics)

左拉(1840～1902)法国著名小说家、评论家和自然主义文学的主要倡导者，一生著有数十部长篇小说，代表作《三名城》、《四福音书》、《小酒店》、《金钱》、《娜娜》、《萌芽》等。其中《小酒店》、《娜娜》、《妇女乐园》、《萌芽》、《金钱》、《崩溃》等堪称现实主义的优秀作品。

出版者:Penguin Classics

作者:Émile Zola

页数:592

出版时间:2004-05-25

价格:USD 10.00

装帧:Paperback

isbn号码:9780140447422

图书标签:Zola法国文学小說小说French教材可恨的TextBooksÉmile

在线阅读本书

The thirteenth novel in Émile Zolas great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanitys capacity for compassion and hope. Etienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Forced to take a back-breaking job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry, and in debt, unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all.

读后感

读到工人的罢工开始后，看着题目就心痛。仿佛空气中有一个美丽的肥皂泡，我在慢慢等着破裂那一刻的到来。 为什么人的苦难可以如此深重？马赫一家世世代代都在矿场工作，但永远都是家徒四壁，上顿不接下顿地过活着。为了争取一点点活下去的权利，却要搭进四条人命，最后更悲惨...  

这是一本无与伦比的小说。 ——我对于一本书的评价，向来是依据“观感”而不是什么专业分析。所以呢， 我不在乎《萌芽》是不是什么“揭露资产阶级剥削压迫的代表作”，我也不在乎左拉是不是什么“自然主义文学大师”，我只知道，我可以给这本小说打五星评价，就够了。 所以...  

夜间翻一眼书，偶见提及左拉《萌芽》中长命老，他老人家最终无言地死死掐住天真无知的资产阶级小姑娘，让按照《圣经》的指导来做善事，抚恤矿难穷人的无罪和行善者死。这个形象谁读过后能忘记！畏之甚也！读过全书后，觉得他逻辑非常严密，怒极杀人是情感冲突的最高峰！单就此...  

这是一本无与伦比的小说。 ——我对于一本书的评价，向来是依据“观感”而不是什么专业分析。所以呢， 我不在乎《萌芽》是不是什么“揭露资产阶级剥削压迫的代表作”，我也不在乎左拉是不是什么“自然主义文学大师”，我只知道，我可以给这本小说打五星评价，就够了。 所以...  

用户评价

penguin真的要了我命了

左拉《萌芽》

Happened to be reading it during the holiday season. A perfect reminder of what "the real world" is and what we ought to be accountable to. The narrative itself is tedious and repetitive, but the sullenness and depression ring through from the very start. Will there be hope? Zola, after displaying so much cruelty, still preserves hope.

左拉《萌芽》

Happened to be reading it during the holiday season. A perfect reminder of what "the real world" is and what we ought to be accountable to. The narrative itself is tedious and repetitive, but the sullenness and depression ring through from the very start. Will there be hope? Zola, after displaying so much cruelty, still preserves hope.