作者1986年開始為《紐約客》雜誌撰寫雜文，作品先後得過“美國雜誌奬”等重要奬項。他全傢在巴黎居住5年，期間撰寫一係列反映法國文化的作品。

本書被喻為“近年反映法國的最佳作品”。作者美國人亞當·戈普尼剋曾舉傢居住在巴黎5年時間，充分感受法國文化的博大精深。作者運用《紐約客》雜誌專欄作傢的純熟文筆，對法美文化展開一係列反思和分析。全書從襲由格特魯德·斯泰因、歐內斯特·海明威等著名美國旅法作傢的優良傳統，從社會、文化、風俗、曆史等多元角度對法國進行審視與闡釋。作者遊刃於現代美國文明與法國傳統思想的縫隙中，尋求差異，發現共性，把日常生活小事抬升到文化比較的高度，全方位揭示法國文化的精髓。該書由一係列韻味深長的短文組成，典型的美國人一傢在花都巴黎遭遇的苦與樂躍然紙上，夾雜點點精妙的文化感悟，讀者讀到會心之處，每每撫捲自樂。匆忙來去的生活中，不妨偷得浮生半日閑，和亞當·戈普尼剋一起慢下腳步，在巴黎邂逅一場細膩的文人雅趣。

Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner--in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans.

In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of the City of Light. Gopnik is a longtime New Yorker writer, and the magazine has sent its writers to Paris for decades--but his was above all a personal pilgrimage to the place that had for so long been the undisputed capital of everything cultural and beautiful. It was also the opportunity to raise a child who would know what it was to romp in the Luxembourg Gardens, to enjoy a croque monsieur in a Left Bank café--a child (and perhaps a father, too) who would have a grasp of that Parisian sense of style we Americans find so elusive.

So, in the grand tradition of the American abroad, Gopnik walked the paths of the Tuileries, enjoyed philosophical discussions at his local bistro, wrote as violet twilight fell on the arrondissements. Of course, as readers of Gopnik's beloved and award-winning "Paris Journals" in The New Yorker know, there was also the matter of raising a child and carrying on with day-to-day, not-so-fabled life. Evenings with French intellectuals preceded middle-of-the-night baby feedings; afternoons were filled with trips to the Musée d'Orsay and pinball games; weekday leftovers were eaten while three-star chefs debated a "culinary crisis."

As Gopnik describes in this funny and tender book, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar journeys--both hold new routines, new languages, a new set of rules by which everyday life is lived. With singular wit and insight, Gopnik weaves the magical with the mundane in a wholly delightful, often hilarious look at what it was to be an American family man in Paris at the end of the twentieth century. "We went to Paris for a sentimental reeducation-I did anyway-even though the sentiments we were instructed in were not the ones we were expecting to learn, which I believe is why they call it an education."