Chuck Palahniuk is the author of the best-selling novels Fight Club, Survivor, Lullaby, Diary, Rant, Damned, and many other works of fiction. He lives in the Pacific Northwest.
Readers of Chuck Palahniuk's novels must gird themselves for the bizarre, the violent, the macabre, and the just plain disturbing. Having done that, they can then just enjoy the ride.
The story goes that Palahniuk wrote Fight Club out of frustration. Believing that his first submission to publishers (an early version of Invisible Monsters) was being rejected as too risky, he decided to take the gloves off, so to speak, and wrote something he never expected to see the light of day. Ironically, Fight Club was accepted for publication, and its subsequent filming by directory David Fincher earned the author an obsessive cult following.
The apocalyptic, blackly humorous story of a loner's entanglement with a charismatic but dangerous underground leader, Fight Club was the first in a series of controversial fiction that would keep Palahniuk in the spotlight. Since then, he has crafted strange, disturbing tales around unlikely subjects: a disfigured model bent on revenge (the revised Invisible Monsters) ... the last surviving member of a death cult (Survivor) ... a sex addict who resorts to a bizarre restaurant scam to pay the bills (Choke) ... a lethal African nursery rhyme (Lullaby) ... and so the list continues.
Although Palahniuk makes occasional forays into nonfiction, (e.g., Fugitives and Refugees and Stranger than Fiction), it is his novels that generate the most buzz. His outré plots and jump-cut storytelling are definitely not for everyone—some have likened them to the horrible accident you can't tear your eyes away from—but even critics can't help but be impressed by his flair for language, his talent for satire, and his sheer originality. Newsday wrote, "Palahniuk is one of the freshest, most intriguing voices to appear in a long time. He rearranges Vonnegut's sly humor, DeLillo's mordant social analysis, and Pynchon's antic surrealism (or is it R. Crumb's?) into a gleaming puzzle palace all his own."
Palahniuk has said that he has heard a lot from readers who were never readers before they saw his books, from boys in schools where his books are banned. This might be the best evidence that Palahniuk is a writer for a new age, introducing a (mostly male) audience to worlds on the page that usually only exist in technicolor nightmares.
Good To Know
Palahniuk (pronounced paul-a-nik) worked as a diesel mechanic for a trucking company before he became an author, jotting story notes for The Fight Club under trucks he was supposed to be working on.
Palahniuk's family has had a sad history of violence: His grandfather killed his grandmother and then committed suicide; later in life, his divorced father was murdered in 1999 by a girlfriend's ex-husband. The killer was convicted and sentenced to death in October, 2001. Palahniuk's book, Choke, was driven by an attempt to look at how sexual compulsion can destroy (see essay below for more).
When not working on his novels, Palahniuk has written features for Gear magazine, through which he befriended shock rocker Marilyn Manson; and is reportedly working on a script of the Katie Arnoldi novel Chemical Pink for Fight Club director David Fincher.
While writing, Palahniuk has said he listens to Nine Inch Nails, Marilyn Manson, and Radiohead.
To a reader who asked in a Barnes & Noble.com chat why the novel Invisible Monsters was not released in hardcover, Palahniuk responded: "My original request was not to have any of my books released as hardcovers b/c I felt guilty asking for over $20 for anything I had done. With Invisible Monsters I finally got my way."
Invisible Monsters was inspired by fashion magazines Palahniuk was reading at his laundromat, according to an interview with The Village Voice. "I love the language of fashion magazines. Eighteen adjectives and you find the word sweater at the end. 'Ethereal. Sacred.' I thought, Wouldn't it be fun to write a novel in this fashion magazine language, so packed with hyperbole?"
如果說《瞭不起的蓋茨比》是美國爵士時代的挽歌,那麼《搏擊俱樂部》就是現今後工業時代的怒吼。如果說《在路上》是“垮掉的一代”年輕人的《聖經》,那麼《搏擊俱樂部》就是針對現今消費時代年輕人的絕望而發的宣言。不過這麼說就不酷瞭。
羅豫/文 每代人都有每代人的青春,每一代的青春大都有相對應的青春文學。一代人年華老去之時,那些沒有隨之褪色的青春文學,成為時間軸上一個個醒目的坐標,甚至成為後人解讀這個時代的關鍵材料。文學的時代性和永恒性在這裏得到瞭某種統一:真正時代的就會成為永恒。有過《...
評分susan miller的占星運程說今天我會感覺到精疲力竭,果然有夠力竭,眼睛至今沒力氣睜大到使得兩個眼皮之間的角度成45度。 人在力竭的時候就很容易絕望,絕望的時候看搏擊俱樂部是再好不過。 發現自己真的很喜歡這個故事,當然不排除因為對大衛芬奇的電影和Ed. Norton的蒼白頹廢...
評分如果你的日子過得很滋潤,如果你在房價高企的北京住著套間甚至還有幾套房子,如果你還有滿屋子的宜傢傢具,如果你開著好車在路上焦慮著,如果你有能力和心情去找有機蔬菜天天吃,如果你傢孩子在不錯的學校上學,如果你穿著白領在寫字樓裏勾心鬥角,如果你是政府的公務員或者是...
評分 評分有過這麼本書 他俯身嚮前,他呼吸裏是直接從酒瓶裏灌威士忌的酒氣。他嘴巴從不會閉緊。他藍色的眼睛從來都半睜半閉。他一手拿瞭個盤起來的繩圈,那種老式的麻繩,金燦燦的像他的頭發。黃得如同他的牛仔帽。是牛仔用的那種繩子,而且他講話時直在我臉前搖晃手裏的繩子。他背後...
聽的有聲書
评分大一時讀的第一本英文小說, 薄薄的, 看起來壓力不大~
评分不想做閱讀?那就從看小說開始!這故事真的是太適閤改編成電影瞭,中間靠前麵有點部分有點羅嗦,越往後越好,尤其是從俱樂部越來越多那兒開始,chuck寫得太乾淨利索逼著你不能不往下看,這節奏絕瞭。chuck自己的傢庭背景也夠寫小說瞭。。
评分大一時讀的第一本英文小說, 薄薄的, 看起來壓力不大~
评分"I know this because Tyler knows this."
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