Ron Brinkmann在索尼圖形圖像運作公司創立之初便加盟該公司，曾任《超時空接觸》、《生死時速》以及《飛天巨桃曆險記》等經典動畫項目和大片的視效總監，也曾任數字閤成應用程序Shake的産品設計師。Ron目前負責研究Appie視效及攝影工具，並兼任Foundry公司的閤成軟件Nuke的顧問。Ron是全球最知名的視效、數字電影製作和普通技術谘詢師和講師。請訪問www.digitalcompositing．com瞭解Ron的近況。

Computer-generated visual effects are now used extensively in feature films, commercials, music videos, and multimedia. The backbone of this process, the final and most important step, is known as digital compositing. The Art and Science of Digital Compositing is a comprehensive reference that provides a complete overview of the technical and the artistic nature of this process. This book covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as both an introduction to the field as well as a valuable technical reference, this book should be of interest to both novices and professionals alike.

Written by a working professional in the visual effects industry, the book provides over 250 different images and illustrations (including a 40-page color insert) as well as a complete glossary of compositing and visual-effects terminology. Also included are in-depth case studies from well-known films such as Speed, Independence Day, and Titanic.

Balances fundamental "hard science" topics with the more qualitative/artistic challenges which face anyone involved in a digital composition project

Provides examples and illustrations from motion picture work

CD-ROM contains additional composition examples, illustrations, and development software

Includes 32 pages of colour