Suzanne Farrell, world-renowned ballerina, was one of George Balanchine's most celebrated muses and remains a legendary figure in the ballet world. This memoir, first published in 1990 and reissued with a new preface by the author, recounts Farrell's transformation from a young girl in Ohio dreaming of greatness to the realization of that dream on stages all over the world. Central to this transformation was her relationship with George Balanchine, who invited her to join the New York City Ballet in the fall of 1961 and was in turn inspired by her unique combination of musical, physical, and dramatic gifts. He created masterpieces for her in which the limits of ballet technique were expanded to a degree not seen before. By the time she retired from the stage in 1989, Farrell had achieved a career that is without precedent in the history of ballet. One third of her repertory of more than 100 ballets were composed expressly for her by such notable choreographers as Balanchine, Jerome Robbins, and Maurice Bejart. Farrell recalls professional and personal attachments and their attendant controversies with a down-to-earth frankness and common sense that complements the glories and mysteries of her artistic achievement.
發表於2024-12-26
Holding on to the Air 2024 pdf epub mobi 電子書 下載
圖書標籤: Suzanne_Farrell 小說 ,Bio
Farrell 自己把巴蘭欽當神拜我沒意見但是diss Kirkland就不太好瞭吧,自己都不願意承認自己被manipulate瞭,還說巴蘭欽是個feminist,我嘞個去簡直是我今年看過的最好笑的笑話。當然很多對於芭蕾和音樂的關係的描述我還是很認同的,也很欽佩她live to dance和take every chance to explore the unknown 的精神。對於排練的迴憶也很有趣,原來C大調的臉貼膝蓋式擎天分腿並非一開始就有,鬍桃夾子的滑闆也是後來纔加的。
評分Farrell 自己把巴蘭欽當神拜我沒意見但是diss Kirkland就不太好瞭吧,自己都不願意承認自己被manipulate瞭,還說巴蘭欽是個feminist,我嘞個去簡直是我今年看過的最好笑的笑話。當然很多對於芭蕾和音樂的關係的描述我還是很認同的,也很欽佩她live to dance和take every chance to explore the unknown 的精神。對於排練的迴憶也很有趣,原來C大調的臉貼膝蓋式擎天分腿並非一開始就有,鬍桃夾子的滑闆也是後來纔加的。
評分Farrell 自己把巴蘭欽當神拜我沒意見但是diss Kirkland就不太好瞭吧,自己都不願意承認自己被manipulate瞭,還說巴蘭欽是個feminist,我嘞個去簡直是我今年看過的最好笑的笑話。當然很多對於芭蕾和音樂的關係的描述我還是很認同的,也很欽佩她live to dance和take every chance to explore the unknown 的精神。對於排練的迴憶也很有趣,原來C大調的臉貼膝蓋式擎天分腿並非一開始就有,鬍桃夾子的滑闆也是後來纔加的。
評分Farrell 自己把巴蘭欽當神拜我沒意見但是diss Kirkland就不太好瞭吧,自己都不願意承認自己被manipulate瞭,還說巴蘭欽是個feminist,我嘞個去簡直是我今年看過的最好笑的笑話。當然很多對於芭蕾和音樂的關係的描述我還是很認同的,也很欽佩她live to dance和take every chance to explore the unknown 的精神。對於排練的迴憶也很有趣,原來C大調的臉貼膝蓋式擎天分腿並非一開始就有,鬍桃夾子的滑闆也是後來纔加的。
評分Farrell 自己把巴蘭欽當神拜我沒意見但是diss Kirkland就不太好瞭吧,自己都不願意承認自己被manipulate瞭,還說巴蘭欽是個feminist,我嘞個去簡直是我今年看過的最好笑的笑話。當然很多對於芭蕾和音樂的關係的描述我還是很認同的,也很欽佩她live to dance和take every chance to explore the unknown 的精神。對於排練的迴憶也很有趣,原來C大調的臉貼膝蓋式擎天分腿並非一開始就有,鬍桃夾子的滑闆也是後來纔加的。
Holding on to the Air 2024 pdf epub mobi 電子書 下載