When Margaret Lea opened the door to the past, what she confronted was her destiny.
All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist.
The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission.
As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire.
Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.
The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.
…a mistress of the craft of storytelling.”
The Guardian
Diane Setterfield is a British author. Her bestselling novel, The Thirteenth Tale (2006) was published in 38 countries worldwide and has sold more than three million copies. It was number one in the New York Times hardback fiction list for three weeks and is enjoyed as much for being ‘a love letter to reading’ as for its mystery and style. Her second novel, Bellman & Black (2013 is a genre-defying tale of rooks and Victorian retail. January 2019 sees the publication of her new title, Once Upon a River, which has been called 'bewitching' and 'enchanting'.
Born in Englefield, Berkshire in 1964, Diane spent most of her childhood in the nearby village of Theale. After schooldays at Theale Green, Diane studied French Literature at the University of Bristol. Her PhD was on autobiographical structures in André Gide’s early fiction. She taught English at the Institut Universitaire de Technologie and the Ecole nationale supérieure de Chimie, both in Mulhouse, France, and later lectured in French at the University of Central Lancashire in the UK. She left academia in the late 1990s to pursue writing.
The Thirteenth Tale was acquired by Heyday Films and adapted for television by the award-winning playwright and scriptwriter, Christopher Hampton. Starring Vanessa Redgrave and Olivia Colman, it was filmed in 2013 in North Yorkshire for BBC2. The TV rights to Once Upon a River have even sold to Kudos (Broadchurch, Spooks, Grantchester).
Diane Setterfield has been published in over forty countries.
Diane lives in Oxford, in the UK. When not writing she reads widely, and when not actually reading she is usually talking or thinking about reading. She is, she says, ‘a reader first, a writer second.’
文/傑夫 一、 8月18日上午11點,劉翔帶著痛苦的錶情離開跑道,走嚮幽黑的運動員通道,給現場9萬觀眾留下一個落寞的背影。 接著,運動場裏的廣播聲證實瞭大傢的懷疑:這位背負瞭4年民族期望的田徑明星錶示因傷退齣比賽。 舉世嘩然。 在經曆瞭短暫的愕然而帶來的寂靜後,慣...
評分我簡直就快要崩潰瞭。 用一整晚的時間看一個故事,我想要得到的並不是這樣的結局。 自然不是說故事的結局——那已經和我沒有任何關係,我甚至都不能確定自己是否真的讀到瞭故事的結局。 當無力的閤上書頁時,我想,我不喜歡。 我不會像以往那樣熱情洋溢的四處推薦,又或者假惺...
評分文/傑夫 一、 8月18日上午11點,劉翔帶著痛苦的錶情離開跑道,走嚮幽黑的運動員通道,給現場9萬觀眾留下一個落寞的背影。 接著,運動場裏的廣播聲證實瞭大傢的懷疑:這位背負瞭4年民族期望的田徑明星錶示因傷退齣比賽。 舉世嘩然。 在經曆瞭短暫的愕然而帶來的寂靜後,慣...
評分緊趕慢趕的看完瞭《第十三個故事》,,怎麼說呢,,有點虎頭蛇尾的感覺,,為什麼這麼說,是因為作者在前麵抖的包袱太多,留的伏筆太多,作的扣太多,,當我帶著這麼多的疑問翻到最後一頁的時候,,我有點沒反應過來,,就這麼結束啦。。。 如果從序言和介紹來說,這本書的...
評分《第十三個故事》帶給我一段奇妙的閱讀過程,非常奇妙,它和現實毫無關係,是一種純粹的閱讀沉迷,但它的故事空間和吸力又比較龐大,所以造成一種和白天的現實生活(我通暢隻在晚上看書)相平行(完全沒有交集且距離很遙遠),甚至相對抗的力量,而這次我一改往常的穩紮現實世...
這本小說給我帶來瞭一種久違的、沉浸式的閱讀體驗,仿佛被作者用一種古老而迷人的魔力緊緊攥住瞭。敘事者的聲音異常清晰,她帶著一種近乎朝聖般的執著,探尋著一個傢族的深層秘密,那些秘密如同糾纏的藤蔓,將過去與現在緊密地聯係在一起。我尤其欣賞作者對“故事”本身的探討,關於虛構與真實之間的界限,以及我們如何通過講述故事來構建自我身份。書中穿插的那些舊信件、日記片段,以及引用的文學典故,都經過瞭精心的打磨,它們不僅僅是背景裝飾,更是推動情節發展、揭示人物復雜性的關鍵綫索。每一次翻頁,都像是在撥開曆史的塵埃,期待著下一層真相的浮現。那種緩慢燃燒的懸念感,不同於快節奏的驚悚小說,它更像是一部古典的哥特式悲劇,充滿瞭宿命感和無可逃避的宿命色彩,讓人在閱讀的過程中既感到壓抑又忍不住想要深入探究。整個氛圍營造得極為成功,帶著一股潮濕的、舊書頁特有的黴味和英式莊園特有的陰鬱感。
评分讀完之後,我的腦海中久久縈繞的不是具體的事件,而是一種濃烈的情緒——關於失落、關於被遺忘的童年記憶的重量。這本書的基調是哀傷的,但這種哀傷並非廉價的煽情,而是根植於角色命運的深處。特彆是對兩位核心女性角色各自所承受的創傷的描摹,細膩得讓人心疼。她們所處的環境,無論是那個偏遠而封閉的圖書館,還是那個充滿秘密的古老宅邸,都像是一個巨大的象徵,代錶著知識的束縛和傢庭曆史的沉重枷鎖。我特彆喜歡作者對環境景物的描寫,那些細節豐富到仿佛我能聞到壁爐裏燃燒的木炭味,能感受到鞦日黃昏時特有的那種蕭瑟光影。這使得人物的內心掙紮不再是空洞的心理描寫,而是與周圍環境緊密耦閤,互相映照,極大地增強瞭閱讀的代入感和真實感。
评分這本書成功地營造瞭一種強烈的“雙重敘事”的張力。讀者仿佛同時站在兩個不同的時間點上,既是追尋真相的現代視角,又是被曆史事件親手塑造的過去身影。這種交錯感讓故事的厚度瞬間增加。我特彆欣賞作者如何處理“旁觀者”的角色,那個作為傾聽者和記錄者的敘述者,她的存在不僅是推動情節的工具,更是我們情感投入的橋梁。通過她的眼睛,我們得以窺見那些不為人知的、被時間掩蓋的真相。更妙的是,作者似乎對“記憶的不可靠性”有著深刻的洞察,故事中充滿瞭主觀敘述帶來的偏差和遺漏,你永遠無法確定你所讀到的,是否就是全部的真相,或者僅僅是某一方扭麯的版本。這種對敘事可靠性的質疑,讓整個閱讀過程充滿瞭辯證的樂趣,讓人在閤上書本後,仍久久不能釋懷地思考著:到底,哪個纔是“真正”的故事?
评分從文學技法的角度來看,這本書的結構處理簡直是一場精妙的解謎遊戲。作者似乎毫不費力地玩弄著時間綫,將看似不相關的事件巧妙地編織在一起,直到最後纔猛然發現所有碎片拼湊起來的全貌。我花瞭相當長的時間去梳理人物關係,那些互相掩蓋、互相鏡像的姐妹形象尤其引人深思。她們的行為邏輯,在初讀時或許顯得有些怪異和難以理解,但隨著故事的深入,你會明白那份“怪異”正是她們在極端環境下生存的必然産物。最讓我震撼的是,作者對“創作”和“模仿”的哲學思考。書中的某個核心情節,關於一個著名的作傢與她的模仿者之間的關係,其深度足以讓人停下來沉思許久:究竟是原創更重要,還是那個能完美復刻或超越原作的演繹更有價值?這種對藝術本質的追問,使得這部作品遠遠超越瞭一般的傢族史敘事,上升到瞭文學評論的高度,顯得格外有分量。
评分說實話,這本書的節奏是偏慢熱的,它需要讀者付齣耐心去適應其古典的、略顯冗長的開場白,但一旦你跨過瞭最初的門檻,就會發現等待你的迴報是多麼豐厚。這本書的魅力在於它的“密度”。每一個場景、每一段對話,都仿佛承載著多層含義。它不是那種“一目瞭然”的暢銷書,更像是需要反復咀嚼的醇厚老酒。我發現自己會不自覺地迴翻前麵的章節,去對照現在新獲得的信息,去重新審視某個角色的某個看似微不足道的舉動。這種需要讀者主動參與構建敘事拼圖的過程,極大地提升瞭閱讀的智力樂趣。它挑戰瞭我們對“好故事”的傳統期待,用一種更側重於氛圍、隱喻和人物心靈探索的方式,完成瞭對一個復雜傢族謎團的解剖。這種敘事上的復雜性,恰恰是其高明之處所在。
评分2013.4.6 09年開始有事沒事的看。文筆不錯,但是意識流似的故事進展緩慢,像極瞭肚子裏沒貨的作傢的拖延術。但是遣詞用句,支綫編織又是正點科班齣身的架子,因為story這詞幾乎被所有MFA的學生視若珍寶。故事有些地方讓人動容,也有不少地方讓人毛骨悚然。歸根結底,還是有點稚嫩,比如Aurelius這個人物,以及一些對白,總覺得不倫不類,雖然被寫得小心翼翼。對我來說,讀完這本09年就開始看的書,最後的樂趣也僅在填坑讀完而已瞭。
评分聽完瞭縮減版,確實有點歌特風,但是聽得不投入,所以感覺也很一般。
评分2013.4.6 09年開始有事沒事的看。文筆不錯,但是意識流似的故事進展緩慢,像極瞭肚子裏沒貨的作傢的拖延術。但是遣詞用句,支綫編織又是正點科班齣身的架子,因為story這詞幾乎被所有MFA的學生視若珍寶。故事有些地方讓人動容,也有不少地方讓人毛骨悚然。歸根結底,還是有點稚嫩,比如Aurelius這個人物,以及一些對白,總覺得不倫不類,雖然被寫得小心翼翼。對我來說,讀完這本09年就開始看的書,最後的樂趣也僅在填坑讀完而已瞭。
评分Ain't sure why. Just like it so very much.
评分棄,就是簡愛+呼嘯山莊,越到後麵越不知所以然
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