The Oxford Companion to Twentieth-century Poetry in English

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出版者:Oxford University Press, USA
作者:Hamilton, Ian 编
出品人:
页数:618
译者:
出版时间:1994-04-14
价格:USD 75.00
装帧:Hardcover
isbn号码:9780198661474
丛书系列:
图书标签:
  • 诗歌
  • 英语诗歌
  • 20世纪诗歌
  • 牛津参考书
  • 文学
  • 文学史
  • 诗歌史
  • 英语文学
  • 参考工具书
  • 诗歌评论
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具体描述

The first and only comprehensive work of its kind, The Companion to Twentieth Century Poetry in English charts the development of poetry from 1900 to the present, across the whole of the English-speaking world, from the United States, Great Britain, and Ireland to New Zealand, Pakistan,

Singapore, Trinidad and Zimbabwe--anywhere where poets write in English. Alphabetically arranged for ease of reference, it offers biographical entries on some 1,500 individual poets, as well as over one hundred entries covering important magazines, movements, literary terms and concepts.

As readable as it is comprehensive, the Companion offers a fascinating survey of this century's shift from 'poetry' to 'poetries,' as American and British traditions of poetry have made way for a growing diversity of voices, and as the burgeoning poetries of Australia, Canada, and other

English-speaking countries assert their own identities. The range of poets represented in this Companion is extraordinary. Here are in-depth discussions of Yeats, Eliot, Pound, and Joyce alongside provocative assessments of W.H. Auden, Elizabeth Bishop, Wallace Stevens, and Marianne Moore. John

Ashbery, Margaret Atwood, Maya Angelou, and Mary Oliver are accounted for, as well as Carolyn Forche, David Bottoms, Jorie Graham, and many other younger poets just coming into prominence. Chinua Achebee, Jack Mapanje, Femi Oyebode and other important African poets writing in English are here, as

well as poets from the Caribbean, India, and even Russia.

Readers will relish this Companion's many insightful contributions from celebrated poet-critics, writing on other poets in intriguing author-subject combinations. For example, Seamus Heaney writes on Robert Lowell ("Lowell had invented a way of getting at life, of making poetry kick and freak at

the edge of contemporary reality"), Ann Stevenson discusses Sylvia Plath ("In the quarter-century following her suicide, Sylvia Plath has become a heroine and martyr of the feminist movement. In fact, she was a martyr mainly to the recurrent psychodrama that staged itself within the bell jar of her

tragically wounded personality"), and Tom Paulin weighs in on Ted Hughes ("His appointment as Poet Laureate in 1984 sealed his essentially shaman-like conception of his poetic mission and enabled him to speak out on environmental issues while celebrating royal weddings and babies"). Other pairings

include Jay Parini on Wallace Stevens, Jon Stallworthy on Wilfred Owen and Rupert Brook, and William H. Pritchard on Robert Frost and Randall Jarrell. Each entry includes a wealth of biographical and bibliographical information, and a select bibliography at the end of the book supplies a handy

source of information on poets whose work is not otherwise in print, or readily available to readers.

From Abse and Auden to Zaturenska and Zukofsky, The Oxford Companion to Twentieth-Century Poetry in English is an essential reference for students, lovers of poetry, and for poets themselves.

经典重塑:二十世纪英语诗歌的深度探索 本书旨在提供对二十世纪英语诗歌领域进行一次全面、深入且不落俗套的考察。 我们将避开对既有权威的简单复述,而是致力于揭示隐藏在经典文本背后的复杂性、矛盾性与未被充分挖掘的潜力。本书不是一部简单的“伴侣”或“指南”,而是一次主动的、批判性的对话,邀请读者以新的视角审视这个充满变革与激情的诗歌世纪。 第一部分:现代主义的裂隙与回响 (The Cracks and Echoes of Modernism) 本部分首先聚焦于二十世纪初期至中期,现代主义浪潮如何彻底颠覆了维多利亚时代的抒情传统。然而,我们的关注点将放在“现代主义的边缘”——那些被主流批评视为“次要”或“地方性”的声音。我们将深入分析爱尔兰战后诗歌(Post-War Irish Poetry)的独特发展,探讨其如何在高雅文化(如叶芝的遗产)与口头文化之间寻求张力,特别是那些关注社会动荡和语言异化的诗人。 其次,我们将详细审视美国意象派的“去英雄化”过程。不同于侧重于庞德和艾略特的标准叙事,本书将把聚光灯投向那些在形式实验中表现出更强烈的社会批判性的女性诗人,如H.D. (Hilda Doolittle) 在其后期作品中对“大他者”的解构,以及玛丽安·穆尔 (Marianne Moore) 如何通过精确的、百科全书式的观察来抵抗现代主义的碎片化倾向。我们不仅考察诗歌技巧,更关注这些技法背后对现代性焦虑的独特回应。 此外,我们还将对英美“二战后”诗歌的代际断裂进行细致剖析。本书认为,战后诗歌并非简单地继承了现代主义的衣钵,而是在技术和道德灾难面前经历了深刻的“形式休克”。我们将探讨诸如“无名诗人” (The Unnamed Poets) 现象——那些在战后英国的工人阶级社区中涌现,但未被主流诗歌史及时收录的声音,他们的语言更为直接、对社会阶层的关注更为尖锐。 第二部分:政治的具身化:身份、地域与抵抗 (Embodiment of Politics: Identity, Territory, and Resistance) 进入本书的下半部分,我们将把焦点转移到诗歌如何成为身份构建和政治抵抗的核心工具。二十世纪下半叶是后殖民话语和民权运动风起云涌的时代,诗歌在其中扮演了不可或缺的角色。 我们将进行一次跨大西洋的比较研究,对比加勒比海地区的“回归”主题与北美黑人文艺复兴 (Black Arts Movement) 中的语言策略。重点不在于罗列代表人物,而在于分析他们在处理“流散”(Diaspora) 和“家园”(Homeland) 概念时,如何故意扭曲标准英语的语法和节奏,以制造一种“反语言” (Counter-language),从而挑战殖民权力的语言霸权。例如,探讨某些加勒比诗人如何系统性地使用地方方言和西非词汇对殖民时期英语进行“语言改造”。 随后,我们将详细考察边缘化群体的声音重塑。这包括对女权主义诗歌在七十年代的激进化过程的梳理,探讨其如何从对私人经验的关注转向对公共话语结构本身的挑战。书中将特别关注“身体政治” (Body Politics) 在诗歌中的体现,分析那些使用直接、非传统意象来描绘性别创伤和权力关系的作品,并将其置于更广阔的社会运动背景下考察其效力。 第三部分:形式的边界与数字时代的预演 (Frontiers of Form and Precursors to the Digital Age) 本书的最后一部分将探讨那些在形式上最为激进,并预示了后现代和数字时代诗歌趋势的作品。我们关注的不是“后现代主义”这一标签本身,而是具体的形式实验如何挑战了“意义的稳定化”。 我们将分析视觉诗歌 (Concrete Poetry) 在拉丁美洲和欧洲的影响力及其在英语诗歌中的渗透。不同于传统的视觉排列,本书将深入研究那些利用印刷技术本身(如打字机的限制、页边距的利用)来暗示意义断裂的作品。我们将审视那些尝试将“非文学”文本——如法律文件、广告语、技术手册——纳入诗歌框架的实践者,探讨他们如何质疑诗歌的“神圣性”和“作者权威”。 最后,我们将探讨二十世纪末兴起的“口语复兴”与“表演性” (Performance) 之间的复杂张力。这部分将区分“表演的真诚性”与“表演的程式化”,考察诗人在舞台和录音室中如何运用声音、沉默和身体姿态来重写书面文本。本书力求展示,二十世纪的英语诗歌并非一条平稳的演进之路,而是由无数次对既定规范的拒绝、对被压抑声音的积极搜寻,以及对语言本身物质性的无情探究所构成的充满活力的、不断重塑的场域。

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