蓋伊·加夫裏爾·凱（Guy Gavriel Kay）生於1954年11月7日，他的作品是奇幻文學中的獨特聲音，他在讀者腦中與心裏創造瞭栩栩如生的奇幻世界和故事。他的小說不多，卻本本精良。說起他怎樣寫起奇幻小說，背後還有一段麯摺的故事。

結緣托爾金

當年，《魔戒》的創始人托爾金去世之後，他的兒子剋裏斯托弗·托爾金整理父親留下的魔戒相關遺稿。要整理這些資料是一個艱巨的工作。他需要一個助手。正巧，年輕的蓋伊·G·凱的父母認識托爾金一傢，順理成章地成瞭剋裏斯托弗的助手。從1974年起，他搬到瞭牛津。整理托爾金的遺稿是一項極其費力的工程。不僅因為作品是手寫的，稿件又十分零散，而且，還有一些是寫在年代久遠的碎紙上，字跡模糊不清，角色名字經常轉換。隻有深入瞭解，領會托爾金的思想，纔能完成這項繁瑣而痛苦的工作。正是在這過程中，蓋伊愛上瞭托爾金，也喜歡上瞭奇幻文學。而他倆一起整理編撰的遺稿就是大名鼎鼎的《精靈寶鑽》。

1976年，蓋伊又迴到瞭加拿大，畢業於多倫多大學法學係。他精通法律又擅長寫作，不久就在加拿大廣播公司謀到一份工作，給廣播劇The Scales of Justice當助理編導。憑藉此劇，他非常幸運地獲得由加拿大法律改革委員會頒布1985年年度最佳廣播劇法律類節目奬。照理說，蓋伊完全可以繼續憑此佳績，走上影視導演的道路。然而，他卻堅持寫奇幻小說。事實上，1984年，他以亞瑟王為背景的《費奧納瓦織錦三部麯》（The Fionavar Tapestry）的第一部，包括《夏日之樹》（The Summer Tree）齣版並且獲得奇幻創神奬（Mythopoeic Fanatsy Award for Adult Lterature）提名。係列第二部《流浪的火焰》（The Wandering Fire）不僅贏得1987年英語類的極光奬，也因為小說裏極佳的推理色彩而榮獲瞭卡斯帕奬（Casper Award）最佳推理小說。三部麯之後，他另一本以文藝復興時期意大利為背景的《提嘉娜》（Tigana）同樣大受好評。之後的各部作品陸續獲奬。成為當代加拿大世界最受贊譽的奇幻小說傢。

作者主頁：http://www.guygavrielkay.ca/

In his critically acclaimed novel Under Heaven , Guy Gavriel Kay told a vivid and powerful story inspired by China’s Tang Dynasty. Now, the international bestselling and multiple award-winning author revisits that invented setting four centuries later with an epic of prideful emperors, battling courtiers, bandits and soldiers, nomadic invasions, and a woman battling in her own way, to find a new place for women in the world – a world inspired this time by the glittering, decadent Song Dynasty. Ren Daiyan was still just a boy when he took the lives of seven men while guarding an imperial magistrate of Kitai. That moment on a lonely road changed his life—in entirely unexpected ways, sending him into the forests of Kitai among the outlaws. From there he emerges years later—and his life changes again, dramatically, as he circles towards the court and emperor, while war approaches Kitai from the north. Lin Shan is the daughter of a scholar, his beloved only child. Educated by him in ways young women never are, gifted as a songwriter and calligrapher, she finds herself living a life suspended between two worlds. Her intelligence captivates an emperor—and alienates women at the court. But when her father’s life is endangered by the savage politics of the day, Shan must act in ways no woman ever has. In an empire divided by bitter factions circling an exquisitely cultured emperor who loves his gardens and his art far more than the burdens of governing, dramatic events on the northern steppe alter the balance of power in the world, leading to events no one could have foretold, under the river of stars.