Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne Anlin Cheng argues that Baker's famous nakedness must be understood within larger philosophic and aesthetic debates about, and desire for, 'pure surface' that crystallized at the convergence of modern art, architecture, machinery, and philosophy. Through Cheng's analysis, Baker emerges as a central artist whose work engages with and impacts various modes of modernist display such as film, photography, art, and even the modern house.
具體描述
讀後感
用戶評價
柯布兩章不足建立現代主義文學與建築的關係吧，跟畢加索的爭論有些意思。
评分柯布兩章不足建立現代主義文學與建築的關係吧，跟畢加索的爭論有些意思。
评分柯布兩章不足建立現代主義文學與建築的關係吧，跟畢加索的爭論有些意思。
评分柯布兩章不足建立現代主義文學與建築的關係吧，跟畢加索的爭論有些意思。
评分柯布兩章不足建立現代主義文學與建築的關係吧，跟畢加索的爭論有些意思。
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 onlinetoolsland.com All Rights Reserved. 本本书屋 版权所有