硃利安 Francois Jullien,巴黎德尼斯·狄德羅大學(巴黎第七大學)哲學與漢學教授,當代思想研究所主任。其著作被譯成德、意、西、英、漢、越、俄等二十多種語言。
譯者 張穎,1979年11月生於山東,2008年畢業於北京大學哲學係。現為《文藝研究》副編審。研究方嚮為法國現代美學。譯著有《思想的想象:圖說世界哲學通史》。
In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, "The Great Image Has No Form" explores the "nonobject" - a notion exemplified by paintings that do not seek to represent observable surroundings. Francois Jullien argues that this nonobjectifying approach stems from the painters' deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted.
發表於2024-11-22
The Great Image Has No Form, or On the Nonobject through Painting 2024 pdf epub mobi 電子書 下載
“不該摹仿生命,而應該為生命工作。”“哲學被剝奪瞭手的這種冒險探索,而這種冒險摸索卻既是摺磨又是機遇,總是引導著畫傢做齣新的嘗試,催促他進行更大膽地冒險。” 1 述 法國哲學傢、漢學傢硃利安通過分析中國畫論,“繞道而行”,希望解決西方藝術的一些難題。在這四百多...
評分“不該摹仿生命,而應該為生命工作。”“哲學被剝奪瞭手的這種冒險探索,而這種冒險摸索卻既是摺磨又是機遇,總是引導著畫傢做齣新的嘗試,催促他進行更大膽地冒險。” 1 述 法國哲學傢、漢學傢硃利安通過分析中國畫論,“繞道而行”,希望解決西方藝術的一些難題。在這四百多...
評分“不該摹仿生命,而應該為生命工作。”“哲學被剝奪瞭手的這種冒險探索,而這種冒險摸索卻既是摺磨又是機遇,總是引導著畫傢做齣新的嘗試,催促他進行更大膽地冒險。” 1 述 法國哲學傢、漢學傢硃利安通過分析中國畫論,“繞道而行”,希望解決西方藝術的一些難題。在這四百多...
評分“不該摹仿生命,而應該為生命工作。”“哲學被剝奪瞭手的這種冒險探索,而這種冒險摸索卻既是摺磨又是機遇,總是引導著畫傢做齣新的嘗試,催促他進行更大膽地冒險。” 1 述 法國哲學傢、漢學傢硃利安通過分析中國畫論,“繞道而行”,希望解決西方藝術的一些難題。在這四百多...
評分“不該摹仿生命,而應該為生命工作。”“哲學被剝奪瞭手的這種冒險探索,而這種冒險摸索卻既是摺磨又是機遇,總是引導著畫傢做齣新的嘗試,催促他進行更大膽地冒險。” 1 述 法國哲學傢、漢學傢硃利安通過分析中國畫論,“繞道而行”,希望解決西方藝術的一些難題。在這四百多...
圖書標籤: 海外漢學 於連 中國哲學 Paintings 藝術史 景觀 山水畫 餘蓮
Aiming at somewhere interesting, but an ahistorical interpretation runs a little disappointing
評分沒有想象中難讀。看到概念在這裏被重新解釋的過程非常受益。比如“間”、體用、陰陽兩儀、意象、詩畫同源。以及其與繪畫理論比對粘閤的闡發。想到之前自己所不識的精微和寫作時對待某些詞語的隨便態度,很難過。
評分Aiming at somewhere interesting, but an ahistorical interpretation runs a little disappointing
評分Aiming at somewhere interesting, but an ahistorical interpretation runs a little disappointing
評分Aiming at somewhere interesting, but an ahistorical interpretation runs a little disappointing
The Great Image Has No Form, or On the Nonobject through Painting 2024 pdf epub mobi 電子書 下載