Helene Hanff (April 15, 1916–April 9, 1997) was an American writer. Born in Philadelphia, Pennsylvania, she is best known as the author of the book 84 Charing Cross Road, which became the basis for a play, teleplay, and film of the same name.
Her career, which saw her move from writing unproduced plays to helping create some of the earliest television dramas to becoming a kind of professional New Yorker, goes far beyond the charm of that one book. She called her 1961 memoir Underfoot in Show Business, and it chronicled the struggle of an ambitious young playwright to make it in the world of New York theatre in the 1940s and 1950s. She worked in publicists' offices and spent summers on the "straw hat" circuit along the East Coast of the United States, writing plays that were admired by some of Broadway's leading producers but which somehow never saw the light of day.
She wrote and edited scripts for a variety of early television dramas produced out of New York, all the while continuing to try and move from being what she called "one of the 999 out of 1,000 who don't become Noel Coward." When the bulk of television production moved to California, her work slowly dried up, and she turned to writing for magazines and, eventually, to the books that made her reputation.
First published in 1970, the epistolary work 84 Charing Cross Road chronicles her 20 years of correspondence with Frank Doel, the chief buyer for Marks & Co., a London bookshop, on which she depended for the obscure classics and British literature titles around which her passion for self-education revolved. She became intimately involved in the lives of the shop's staff, sending them food parcels during England's post-war shortages and sharing with them details of her life in Manhattan.
Due to financial difficulties and an aversion to travel, she put off visiting her English friends until too late; Doel died in December 1968 from peritonitis from a burst appendix, and the bookshop eventually closed. Hanff did finally visit Charing Cross Road and the empty but still standing shop in the summer of 1971, a trip recorded in her 1973 book The Duchess of Bloomsbury Street.
In the 1987 film of 84 Charing Cross Road (film), Hanff was played by Anne Bancroft, while Anthony Hopkins took the part of Frank Doel. Anne Jackson had earlier played Hanff in a 1975 adaptation of the book for British television. Ellen Burstyn recreated the role on Broadway in 1982 at the Nederlander Theater in New York City.
She later put her obsession with British scholar Sir Arthur Quiller-Couch to use in a book called Q's Legacy. Other books include Apple of My Eye, an idiosyncratic guide to New York City, and A Letter from New York (1992), which reprinted talks she gave on the BBC's Woman's Hour between 1978 and 1985.
Hanff was never shy about her fondness for cigarettes and martinis, but nevertheless lived to be 80, dying of diabetes in 1997 in New York City. The apartment building where she lived at 305 E. 72nd Street has been named "Charing Cross House" in her honor. A bronze plaque next to the front door commemorates her residence and authorship of the book.
84, Charing Cross Road is a charming record of bibliophilia, cultural difference, and imaginative sympathy. For 20 years, an outspoken New York writer and a rather more restrained London bookseller carried on an increasingly touching correspondence.
In her first letter to Marks & Co., Helene Hanff encloses a wish list, but warns, "The phrase 'antiquarian booksellers' scares me somewhat, as I equate 'antique' with expensive." Twenty days later, on October 25, 1949, a correspondent identified only as FPD let Hanff know that works by Hazlitt and Robert Louis Stevenson would be coming under separate cover.
When they arrive, Hanff is ecstatic -- but unsure she'll ever conquer "bilingual arithmetic." By early December 1949, Hanff is suddenly worried that the six-pound ham she's sent off to augment British rations will arrive in a kosher office. But only when FPD turns out to have an actual name, Frank Doel, does the real fun begin.
Two years later, Hanff is outraged that Marks & Co. has dared to send an abridged Pepys diary. "i enclose two limp singles, i will make do with this thing till you find me a real Pepys. THEN i will rip up this ersatz book, page by page, AND WRAP THINGS IN IT." Nonetheless, her postscript asks whether they want fresh or powdered eggs for Christmas. Soon they're sharing news of Frank's family and Hanff's career. No doubt their letters would have continued, but in 1969, the firm's secretary informed her that Frank Doel had died. In the collection's penultimate entry, Helene Hanff urges a tourist friend, "If you happen to pass by 84, Charing Cross Road, kiss it for me. I owe it so much."
發表於2025-02-02
84, Charing Cross Road 2025 pdf epub mobi 電子書 下載
我這個人總是過時的厲害,看過時的書,做過時的事情,尊重過時的信仰。 常常滿心歡喜的拿些過時的書寶貝起來。就好像我在萬聖拿起那本書眉頁腳都泛著時間的陳色的書的時候。05年的書,放在現在,當真是有些年頭瞭。 後來翻開的時候我還一直再想,究竟是因為放的太久而令紙頁變...
評分我這個人總是過時的厲害,看過時的書,做過時的事情,尊重過時的信仰。 常常滿心歡喜的拿些過時的書寶貝起來。就好像我在萬聖拿起那本書眉頁腳都泛著時間的陳色的書的時候。05年的書,放在現在,當真是有些年頭瞭。 後來翻開的時候我還一直再想,究竟是因為放的太久而令紙頁變...
評分一.去僞存真 我本能的懷疑、且無端的厭惡一切自我標榜的事物。哪怕是好東西,一經標榜,也會變得那麼麵目可疑。 惡俗標榜導緻適得其反的例子,莫過於上海譯文齣版的《情人》:當初因為是王道乾翻譯版的緣故,我纔買下瞭這本書。盡管如此,我還是惡狠狠的企圖撕掉該書的封...
評分我這個人總是過時的厲害,看過時的書,做過時的事情,尊重過時的信仰。 常常滿心歡喜的拿些過時的書寶貝起來。就好像我在萬聖拿起那本書眉頁腳都泛著時間的陳色的書的時候。05年的書,放在現在,當真是有些年頭瞭。 後來翻開的時候我還一直再想,究竟是因為放的太久而令紙頁變...
評分經常在看過一部故事特棒的書或電影之後,感嘆這故事太好,隻能在書或電影裏發生。其實自己也知道,這感嘆不大靠譜兒,畢竟大韆世界裏發生的故事,有時候比小說或電影不知道精彩多少倍,甚至故事好得不像真事兒。 《查令十字街84號》就是這樣一個好得不像真事兒的故事。這本書...
圖書標籤: 小說 原版 查令十字街84號 外國文學 英語 HeleneHanff 英文原版 經典
It reminded me of Daddy-long-legs at first, but then turned out to be more like Mary and Max. In the end, only one sentence echoed in my mind: love actually, is all around. Yes, definitely, all around...
評分這樣的書店怕是閤瞭所有愛書的人的遐想瞭~HELENE,你應該去一次英國的
評分讀原版又是一個勁兒,再配上電影,絕瞭。
評分It reminded me of Daddy-long-legs at first, but then turned out to be more like Mary and Max. In the end, only one sentence echoed in my mind: love actually, is all around. Yes, definitely, all around...
評分這個版本好美,班剋勞夫特的序言也寫得樸實動人,書末有很多補充材料,書中有主角照片,終於看到Helene和Frank真人瞭,不得不說電影的選角還是很到位的。另外不知道是我記性太差,還是中文版有刪減,我不記得 Helene和Frank的妻子有那麼多書信往來,之前一直記得是她隻在 Frank 死後寫過一封。Helene的語言很生動,比看中文版更有畫麵感,52年蜜月期與店員們的書信往來,感覺到一種唐頓莊園式的友善和命運的牽連。到瞭60年代,書信減少,大傢都失散瞭,那種失落感是讀中文版時忽略瞭的。也是第一次真正讀懂 Frank 死後她寫給朋友那封信,寫齣來的是情結,寫不齣來的是心酸。
84, Charing Cross Road 2025 pdf epub mobi 電子書 下載