The Brothers Karamazov

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Fyodor Mikhaylovich Dostoyevsky (Russian: Фёдор Михайлович Достоевский), sometimes transliterated Dostoevsky, was a Russian novelist, journalist, and short-story writer whose psychological penetration into the human soul had a profound influence on the 20th century novel.

Dostoevsky was the second son of a former army doctor. He was educated at home and at a private school. Shortly after the death of his mother in 1837 he was sent to St. Petersburg, where he entered the Army Engineering College. Dostoevsky's father died in 1839, most likely of apoplexy, but it was rumored that he was murdered by his own serfs. Dostoevsky graduated as a military engineer, but resigned in 1844 to devote himself to writing. His first novel, Poor Folk appeared in 1846.

That year he joined a group of utopian socialists. He was arrested in 1849 and sentenced to death, commuted to imprisonment in Siberia. Dostoevsky spent four years in hard labor and four years as a soldier in Semipalatinsk, a city in what it is today Kazakhstan.

Dostoevsky returned to St. Petersburg in 1854 as a writer with a religious mission and published three works that derive in different ways from his Siberia experiences: The House of the Dead , (1860) a fictional account of prison life, The Insulted and Injured, which reflects the author's refutation of naive Utopianism in the face of evil, and Winter Notes on Summer Impressions, his account of a trip to Western Europe.

In 1857 Dostoevsky married Maria Isaev, a 29-year old widow. He resigned from the army two years later. Between the years 1861 and 1863 he served as editor of the monthly periodical Time, which was later suppressed because of an article on the Polish uprising.

In 1864-65 his wife and brother died and he was burdened with debts. His situation was made even worse by his gambling addiction. From the turmoil of the 1860s emerged Notes from the Underground, a psychological study of an outsider, which marked a major advancement in Dostoevsky's artistic development.

In 1867 Dostoevsky married Anna Snitkin, his 22-year old stenographer. They traveled abroad and returned in 1871. By the time of The Brothers Karamazov (1879-80), Dostoevsky was recognized in his own country as one of its great writers.

出版者:Modern Library
作者:Fyodor Dostoevsky
出品人:
頁數:912
译者:Constance Garnett
出版時間:1996-1-23
價格:USD 24.00
裝幀:Hardcover
isbn號碼:9780679601814
叢書系列:Modern Library
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The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries.

"The Brothers Karamazov stands as the culmination of Dostoevsky's art--his last, longest, richest, and most capacious book," said The Washington Post Book World.

"Nothing is outside Dostoevsky's province," observed Virginia Woolf. "Out of Shakespeare there is no more exciting reading."

具體描述

讀後感

評分

誰說米卡,或者德米特裏 卡拉馬佐夫,是個荒唐、粗魯、令人憎惡的人物?我讀到他為瞭崇拜和負疚於卡捷琳娜,為瞭強烈地愛格魯申卡,為瞭與父親為情敵,在激情的使役下躁狂、徒勞地奔波,無限地憤怒與無限地受苦,差點讀得哭瞭起來。我不敢說天生的親近,但卻對這類人物有著天生...  

評分

今年我二十五歲,纔第一次拜讀瞭陀思妥耶夫斯基的佳作,從最初一提陀氏這個名字都誠惶誠恐到看序篇時因人名太長幾次想放棄(中間抽空看完瞭《山楂樹之戀》、《大師與瑪格麗特》)再到深陷其中想一探究竟的欲罷不能,連上下班途中的公車上都不肯放棄那段閱讀時光,倒也是一番享...  

評分

“迴答完你的問題,我就來展開俄羅斯的奧秘,也是陀思妥耶夫斯基的奧秘。我想講的是,為什麼會産生這樣一種宗教感,盡管有時候作者並不直接說到宗教。陀思妥耶夫斯基經常寫到,俄羅斯是斯芬剋斯,俄羅斯是一個謎。這個謎不僅是對外國人來講的,對俄國人也同樣如此。在1880年代...  

評分

評分

誰說米卡,或者德米特裏 卡拉馬佐夫,是個荒唐、粗魯、令人憎惡的人物?我讀到他為瞭崇拜和負疚於卡捷琳娜,為瞭強烈地愛格魯申卡,為瞭與父親為情敵,在激情的使役下躁狂、徒勞地奔波,無限地憤怒與無限地受苦,差點讀得哭瞭起來。我不敢說天生的親近,但卻對這類人物有著天生...  

用戶評價

评分

選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。

评分

選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。

评分

選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。

评分

選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。

评分

選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。

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