The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries.
"The Brothers Karamazov stands as the culmination of Dostoevsky's art--his last, longest, richest, and most capacious book," said The Washington Post Book World.
"Nothing is outside Dostoevsky's province," observed Virginia Woolf. "Out of Shakespeare there is no more exciting reading."
Fyodor Mikhaylovich Dostoyevsky (Russian: Фёдор Михайлович Достоевский), sometimes transliterated Dostoevsky, was a Russian novelist, journalist, and short-story writer whose psychological penetration into the human soul had a profound influence on the 20th century novel.
Dostoevsky was the second son of a former army doctor. He was educated at home and at a private school. Shortly after the death of his mother in 1837 he was sent to St. Petersburg, where he entered the Army Engineering College. Dostoevsky's father died in 1839, most likely of apoplexy, but it was rumored that he was murdered by his own serfs. Dostoevsky graduated as a military engineer, but resigned in 1844 to devote himself to writing. His first novel, Poor Folk appeared in 1846.
That year he joined a group of utopian socialists. He was arrested in 1849 and sentenced to death, commuted to imprisonment in Siberia. Dostoevsky spent four years in hard labor and four years as a soldier in Semipalatinsk, a city in what it is today Kazakhstan.
Dostoevsky returned to St. Petersburg in 1854 as a writer with a religious mission and published three works that derive in different ways from his Siberia experiences: The House of the Dead , (1860) a fictional account of prison life, The Insulted and Injured, which reflects the author's refutation of naive Utopianism in the face of evil, and Winter Notes on Summer Impressions, his account of a trip to Western Europe.
In 1857 Dostoevsky married Maria Isaev, a 29-year old widow. He resigned from the army two years later. Between the years 1861 and 1863 he served as editor of the monthly periodical Time, which was later suppressed because of an article on the Polish uprising.
In 1864-65 his wife and brother died and he was burdened with debts. His situation was made even worse by his gambling addiction. From the turmoil of the 1860s emerged Notes from the Underground, a psychological study of an outsider, which marked a major advancement in Dostoevsky's artistic development.
In 1867 Dostoevsky married Anna Snitkin, his 22-year old stenographer. They traveled abroad and returned in 1871. By the time of The Brothers Karamazov (1879-80), Dostoevsky was recognized in his own country as one of its great writers.
《卡拉馬佐夫兄弟》——陀思妥耶夫斯基最後一部作品,也是他內容最豐富最深刻的一部作品。在這部作品中有各種極點存在——惡的極點,貪欲的極點,痛苦的極點以及愛的極點。在動蕩變化的情節中,這些極點可以被統一在一個中心之中,這是這部作品的一個偉大之處。 我從...
評分 評分作為門外漢,雖仰慕良久但卻是第一次閱讀陀斯妥耶夫斯基,惶恐敬畏,記錄下一點體會。 我閱讀的時候很專注也很仔細,故意放慢速度,因為老陀的名號實在太響亮。陀斯妥耶夫斯基被稱為“人類靈魂的拷問者”,他認為隻有愛纔能拯救世界,隻有東正教纔能拯救俄羅斯。主人公阿遼莎內...
評分人是復雜的,太復雜瞭。 -----卡拉馬佐夫兄弟中米佳的話 不知道你是否有過這種感覺。 你獨自一人正處在半夢半醒之間,那種感覺真的很神奇,幾乎是恐怖的。你似乎正處在兩個世界的交界點,想極力醒過來卻又難以動彈,拼命想睜開雙眼卻怎麼也睜不開,你感到自己似乎正在被一種強...
評分書中描繪的那個俄羅斯社會,充滿瞭矛盾與衝突,但也正是這種矛盾與衝突,使得人物的命運更加跌宕起伏,引人入勝。貧睏與富裕、罪惡與救贖、信仰與懷疑,這些元素交織在一起,構成瞭一幅幅鮮活的人生畫捲。我看到瞭底層人民的艱辛,也看到瞭上層社會的虛僞。這種對社會現實的深刻描繪,讓我對那個時代有瞭更直觀的認識。同時,我也看到瞭,無論身處何種環境,人性中那些永恒的光輝和黑暗,始終都在上演。
评分這本書所探討的主題,是如此的宏大而又普遍,關乎著人類永恒的追問。愛與責任,信仰與懷疑,自由與宿命,這些深刻的哲學命題,貫穿於整本書的始終。作者通過一個個鮮活的人物,一個個引人入勝的故事,將這些抽象的概念具象化,讓讀者在閱讀中,不斷地進行反思。我常常會在閱讀的間隙,停下來,去思考這些問題,去尋找屬於自己的答案。這本書,讓我對人生有瞭更深的敬畏,對人性有瞭更深的理解。
评分這本書的封麵設計就有一種沉甸甸的曆史感,像是從泛黃的古籍中抽齣來的一頁,深邃的色彩和粗獷的字體,預示著一段不平凡的閱讀旅程。翻開書頁,一股撲麵而來的文學氣息讓我仿佛置身於一個古老的俄羅斯莊園,空氣中彌漫著橡木和舊書的味道。作者筆下的世界,是如此的真實,又帶著一種近乎神聖的莊嚴。每一個人物,無論多麼微小,都仿佛被注入瞭靈魂,擁有著自己的呼吸和心跳。我迫不及待地想 dive into 這個故事,去感受那份來自遙遠國度的、關於人性深處最純粹的探索。它不僅僅是一本書,更像是一扇通往另一個維度的門,而我,正站在門前,屏息以待。
评分初讀此書,最先吸引我的是那種龐大而錯綜復雜的人物關係網。它不像我之前讀過的許多小說那樣,隻有寥寥幾個主角,而是像一張巨網,將幾十個甚至上百個人物緊密地聯係在一起,每個人都有著自己的故事,自己的掙紮,自己的愛與恨。這種編織方式,使得整個故事顯得異常飽滿,充滿瞭生活的質感。我常常會因為一個書中人物的某個細微的動作、一句無心的低語而陷入沉思,想象著他背後隱藏著怎樣的過往,怎樣的秘密。作者似乎擁有著一種洞察人心的魔法,能夠將這些隱藏在人性深處的復雜情感,一一剖析,展現得淋灕盡緻。我感覺自己不僅僅是在閱讀一個故事,更是在和一群鮮活的生命進行著深入的交流。
评分我必須承認,這本書的體量確實不小,但正是這份厚重,賦予瞭它非凡的魅力。它需要你投入時間,投入精力,去慢慢地品味,去細細地咀嚼。每一次的閱讀,都會有新的發現,新的感悟。我發現,我會在不經意間想起書中的某個場景,某個對話,然後在腦海中反復迴味。這種深刻的印記,證明瞭這本書已經在我的內心深處留下瞭不可磨滅的痕跡。它不像那些讀過就忘的書,它會伴隨我,在人生的旅途中,不斷地給我以啓迪。
评分在我看來,這本書不僅僅是一部精彩的小說,更是一次關於靈魂的深度對話。它讓我看到瞭人性的光輝,也看到瞭人性的黑暗。它讓我思考生命的意義,也讓我反思自己的行為。它是一本需要用心去讀的書,一本會讓你受益終生的書。我迫不及待地想要再次翻開它,去感受那份來自文字的力量,去追尋那些隱藏在字裏行間的深刻啓示。它將是我書架上,一份珍貴的寶藏,一份永遠的精神食糧。
评分閱讀這本書的過程,更像是一場哲學思辨的盛宴。作者並沒有直接給齣任何關於人生、信仰、道德的答案,而是通過書中人物的經曆和對話,引導讀者自己去思考,去探索。那些關於愛、關於恨、關於善、關於惡的深刻討論,讓我陷入瞭長久的思考。我開始審視自己的價值觀,審視自己對世界的看法。這種思想的碰撞,這種精神的啓迪,讓我覺得,這本書不僅僅是一部文學作品,更是一本人生的教科書。它讓我看到瞭人性的復雜多麵,也讓我對生命有瞭更深刻的理解。
评分這本書中最讓我著迷的,莫過於它對人物心理的細膩刻畫。作者似乎能夠穿透人性的錶象,直抵最深處的靈魂。那些人物內心的掙紮、矛盾、痛苦和喜悅,都被描繪得如此真實,如此動人。我仿佛能聽到他們內心的呐喊,感受到他們內心的煎熬。這種對人物心理的深刻挖掘,讓每一個角色都變得立體而飽滿,仿佛真實存在於我身邊。我會在閱讀時,不自覺地將自己代入其中,去體會他們的情感,去感受他們的命運。
评分隨著閱讀的深入,我越來越被書中人物的命運所吸引。他們每個人都在各自的人生軌道上艱難地前行,承受著命運的重壓,也追尋著生命的意義。那種堅韌不拔的生命力,那種對光明與希望的永恒渴望,深深地打動瞭我。我看到瞭他們在黑暗中摸索,在絕望中掙紮,但從未放棄對真理的探求,對救贖的渴求。這種精神力量,讓我覺得,即使在最艱難的時刻,我們也不能放棄希望,不能放棄對生命意義的追尋。這本書,就像一麵鏡子,映照齣我們每個人內心深處的渴望與掙紮,也激勵著我們去尋找屬於自己的答案。
评分這本書的語言風格,用“醇厚”二字來形容再貼切不過瞭。它沒有那些花哨的辭藻,也沒有刻意追求的華麗。然而,正是這種樸實無華的錶達,卻蘊含著一種震撼人心的力量。每一個字詞,都像是經過瞭韆錘百煉,沉甸甸地落入讀者的心中,引發共鳴。作者對細節的描摹,更是達到瞭齣神入化的地步。無論是人物的外貌,還是場景的布置,亦或是人物內心微妙的情緒變化,都被描繪得栩栩如生,仿佛就在我眼前發生。我常常會因為一個場景的描繪而停下閱讀,反復品味,去感受其中蘊含的深意。這種文字的力量,讓我覺得,這不僅僅是一次閱讀,更是一種精神的洗禮。
评分選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。
评分選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。
评分選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。
评分選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。
评分選constance Garnett譯本,是因為Naxos audiobook的陀思妥耶夫斯基係列都是選他的譯本。相比《罪與罰》,我更喜歡《卡拉馬佐夫兄弟》。《兄弟》裏邊,宗教大法官一章上帝吻彆大法官,跟《罪與罰》裏,Raskolnikov在病房裏,望嚮窗外,看到Sonia那一幕,太像瞭。
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