To the Lighthouse

VIRGINIA WOOLF (1882-1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

出版者:Penguin Books Ltd

作者:Virginia Woolf

页数:320

出版时间:2000-10-26

价格:GBP 7.99

装帧:Paperback

isbn号码:9780141183411

丛书系列:Penguin Modern Classic

图书标签:VirginiaWoolf意识流英国文学小说英国外国文学英文原版文学

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One of the greatest literary achievements of the 20th century and the author's most popular novel. The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, together with their children and assorted guests are holidaying on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Virginia Woolf constructs a remarkable and moving examination of the complex tensions and allegiances of family life, and the conflict between male and female principles.

读后感

生命总是用来叹息的。如果没有这么细碎的言语和情节，到不到灯塔去都无所谓，毕竟，它就仅仅是一个有着黄色眼镜的灰色人。可是，它在瞭望，在黑夜中指明方向，如同拉姆齐夫人人性的光辉在闪耀，让人憧憬和向往。热爱生命，尊重生命来得不但不易，在时光的流逝中我们更得抓紧去...  

许多作家对于文学史上的标签都是有抵触情绪的。比如，马拉美就很讨厌别人说他是象征主义诗人，马尔克斯不承认自己的作品是魔幻现实主义。不过尽管如此，这些标签对于读者还是会产生很直接的影响。比如我在很长一段时间内都因为“意识流”和“女权主义”这两个概念而对伍尔夫敬...  

生命总是用来叹息的。如果没有这么细碎的言语和情节，到不到灯塔去都无所谓，毕竟，它就仅仅是一个有着黄色眼镜的灰色人。可是，它在瞭望，在黑夜中指明方向，如同拉姆齐夫人人性的光辉在闪耀，让人憧憬和向往。热爱生命，尊重生命来得不但不易，在时光的流逝中我们更得抓紧去...  

生命总是用来叹息的。如果没有这么细碎的言语和情节，到不到灯塔去都无所谓，毕竟，它就仅仅是一个有着黄色眼镜的灰色人。可是，它在瞭望，在黑夜中指明方向，如同拉姆齐夫人人性的光辉在闪耀，让人憧憬和向往。热爱生命，尊重生命来得不但不易，在时光的流逝中我们更得抓紧去...  

2013年十月再读： 所有的书和碟都打包了，书房的灯也收起来了；唯一的阅读灯就是床头灯了。拿过来，暂时当台灯用用。慢慢记我的读书笔记。 上次读是一年多前，本来是一本可一读再读的书，须得慢慢读。 1. 拉姆齐夫人像书中众多人物的镜子，每个人从拉姆齐夫人身上看到自己的...  

用户评价

Numerous moments of recognition prevent one from reading it aloof. 相见恨晚

It's beautifully sad and delicately touchy. If Luis Borges' maze is mainly invented by rhetorics in the physical sense, then Virginia Woolf's maze is mainly invented by rhetorics in the spiritual sense. And I should say Eugene O'Neil's <Ah Wilderness> is a name that fits perfectly the content of this story.

It is finished. It was finished.Yes, I have had my vision.

似此灯塔非昨夜。视角转换浑然天成，思想所及的每一瞬间都囊括了当事者全部的记忆与渴慕，如Lily的画笔般，由多个主观维度共同绘制出一副客观来，因而所呈现出的内容远比页码要厚重。本以为讨论的是家庭生活的裂缝、美的沦丧或繁华消逝，却发现这里真的有爱与温存、不被伪装所蒙蔽的信任。

Is the text always in the making, like the painting? Do layers of time conflate and collapse once the work is completed?