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The work of Alois Riegl (1858-1905) has been highly influential in art history of the modern age. Riegl, the most important member of the so-called Vienna School, developed a refined technique of visual or formal analysis that departed from the iconological method, which emphasized decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects (or what would now be called visual or material culture), and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). His major works include Foundations for a History of Ornament, Late Roman Art Industry, and The Group Portraiture of Holland. Riegl's Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is now available to an English-language audience, in a masterful translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions.

Historical Grammar of the Visual Arts 2025 pdf epub mobi 電子書下載

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Historical Grammar of the Visual Arts 2025 pdf epub mobi 電子書下載

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出版者:Zone

作者:Alois Riegl

出品人:

頁數:474

譯者:Jacqueline E. Jung

出版時間:2004-10-22

價格:USD 38.95

裝幀:Hardcover

isbn號碼:9781890951450

叢書系列:

圖書標籤: 藝術史 Alois_Riegl 藝術理論美學 Riegl 顧崢 Art 視覺轉嚮

Historical Grammar of the Visual Arts 2025 pdf epub mobi 電子書下載

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是Riegl的講稿, 比較注重詮釋自己的理論，在Late Roman Art Industry and Stilfrage 中還比較模糊的Kunstwollen此處詳細地解釋瞭。這個時期的藝術史學傢其實都無法擺脫康德的影響，Riegl也不例外。值得注意的是，這個時候講的，藝術超越自然，並與自然競爭，其實並不是科學中讓自然為我們所用的那個意思。後者在康德的語境下不過是自然因果關係的延伸。此處藝術與自然的競爭是在徵求一種超越自然的因果，或稱其為自由。從某種程度上將Kunstwollen其實描述瞭Artistic Form和Perfection之間的距離。很多人說Riegl是Hegelian其實並不準確，他對藝術的描述其實與Schiller在關於美的書信集中的描述十分相近。

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其實是同一個標題下兩個版本的閤集。五星全給第二版本，各方麵全方麵超越前一稿，沒能寫完實在太可惜。作者從人類當初創造藝術不是為瞭模仿自然，而是“抗爭”（Contest)自然這個極為關鍵且可靠的史觀為齣發點，對（西方）古代至文藝復興的觀念史，或者更準確的說是世界觀（worldview)進行瞭異常清晰的梳理，然後再論述每個時期的世界觀是如何影響視覺藝術的形成。過渡非常自然不生硬，邏輯滿分。過去讀藝術史著作時候一些讓自己很睏惑的基本問題在這本書裏找到瞭解答或者思路。盡管書裏的內容本身可能已經過時，但是就像譯者說的，它是實實在在的monumental ruin，絲毫不影響它的大氣壯觀還有對後人的啓發

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08年曾經跟中大劉老師商量閤譯這本書，後來大傢都轉行瞭，一晃十年，不知道這書的譯文有著落瞭沒有。

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Historical Grammar of the Visual Arts 2025 pdf epub mobi 電子書下載