David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.
Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be more classroom friendly by introducing film techniques earlier in the text, followed by the chapters on Film Genres. Supported by a text-specific Tutorial CD-ROM with video clips, Film Art is automatically packaged with this outstanding student learning tool.
發表於2024-06-02
Film Art 2024 pdf epub mobi 電子書 下載
這本教材比《認識電影》會深一點,為什麼這樣說呢?因為作者有一個電影形式係統的框架:電影的形式係統(敘事和非敘事)和風格係統(場麵調度、攝影、聲音、剪輯),也就是"Form and Style",對框架的理解是一個閱讀門檻。當然,如果能理解作者用意,會發現這樣的框架對展開電...
評分首先這本書絕不是入門之選。 作者所講述的各個話題,采用的是討論和探討的形式,裏麵經常會假設你懂瞭一些電影方麵的知識。 其次,他講述一個話題時,沒有一個總體的描述,往往是描述其中的幾個典型情況。這也是評論的樣式,而不是教科書的形式。對於初學者,隻會更加迷惑。
評分 評分這本教材比《認識電影》會深一點,為什麼這樣說呢?因為作者有一個電影形式係統的框架:電影的形式係統(敘事和非敘事)和風格係統(場麵調度、攝影、聲音、剪輯),也就是"Form and Style",對框架的理解是一個閱讀門檻。當然,如果能理解作者用意,會發現這樣的框架對展開電...
評分人文社科類讀物。《電影藝術》第1 版麵世於1979 年,此後曆經七次修訂,早已成為電影學領域公認的標尺性著作。本書內容宏廣,從對電影製作的技術性解說、對構成電影各元素的係統化評介,到電影分析方法的示範、電影史的梗概提要,無不做到深入淺齣、思慮縝密而觀點周全。作者以...
圖書標籤: 電影 DavidBordwell 藝術 電影學入門最好的書 電影理論 英文 電影書 教材
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評分原來李安跟他是朋友
評分第八跟第九版
評分原來李安跟他是朋友
評分呃,我覺得這個僅靠一章介紹的電影史倒是很明晰,讓我理順瞭喬治薩杜。。。
Film Art 2024 pdf epub mobi 電子書 下載