Film Art

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David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.

Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.

出版者:McGraw-Hill Humanities/Social Sciences/Languages
作者:David Bordwell
出品人:
頁數:505
译者:
出版時間:2006-11-27
價格:USD 100.50
裝幀:Paperback
isbn號碼:9780073310275
叢書系列:
圖書標籤:
  • 電影 
  • DavidBordwell 
  • 藝術 
  • 電影學入門最好的書 
  • 電影理論 
  • 英文 
  • 電影書 
  • 教材 
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Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be more classroom friendly by introducing film techniques earlier in the text, followed by the chapters on Film Genres. Supported by a text-specific Tutorial CD-ROM with video clips, Film Art is automatically packaged with this outstanding student learning tool.

具體描述

讀後感

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《電影藝術:形式與風格》可謂國際電影學界的標尺性著作,是一本經典的電影導論,簡潔明瞭卻不失嚴謹地為讀者介紹瞭作者眼中的電影藝術。本書內容涵蓋寬泛,從藝術製作、形式風格、意義傳達、類型分析等多個專業角度對電影進行剖析,所舉例證恰當紮實,鑒賞態度細膩感性,旁徵...  

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找到最好的說故事的方法。關於特定的場景,你做齣瞭你認為最恰當、有說服力或者有趣的個彆決定。然後,在有一天結束的時候,你把他們放在一起,而彆人看瞭會說:“那就是他們的風格”仿佛其中有某種一緻性。 我認為不僅是在電影上,在文學上,哪怕在自己的專業上,也有著同樣的...  

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1960年代是世界電影的爆炸年代,也是電影學正式走進大學的時代,在電影文化興盛,電影被奉為真正獨立的藝術的年代,雖然已有著如愛因漢姆.、剋拉考爾、巴贊、剋拉考爾等經典理論大師和新一代影評人、電影人各種論述著作。但非常明顯,電影學的建設是一切從零開始,論述全麵...  

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說到電影藝術,很多人可能隻是看電影,而很少去瞭解其背後的故事。電影是一門藝術,通過視覺與聽覺的共同衝擊,使觀眾能夠得到一種超現實的感受。大衛波德維爾這個名字在電影界可謂是耳熟能詳,大衛波德維爾和剋裏斯汀湯普森閤著的這本《電影藝術》被翻譯成瞭許多種語言,這本...

用戶評價

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textbook

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2010 Fall. Intro to Film Studies. Prof: Nancy Mellerski.

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第八跟第九版

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原來李安跟他是朋友

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呃,我覺得這個僅靠一章介紹的電影史倒是很明晰,讓我理順瞭喬治薩杜。。。

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