David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.
Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be more classroom friendly by introducing film techniques earlier in the text, followed by the chapters on Film Genres. Supported by a text-specific Tutorial CD-ROM with video clips, Film Art is automatically packaged with this outstanding student learning tool.
發表於2025-01-10
Film Art 2025 pdf epub mobi 電子書 下載
其實對於電影形式與風格的關注是研究電影一個很完整的視角,就如同錶象與內容,是對電影進行思辨性探索的必經路徑,值得大傢一讀。這本書結構還算清晰,但在錶述上稍顯混亂,也許是翻譯的問題(本人沒看過原版),適於電影初學者,但不適於作為入門級教材。
評分看這本書是因為這是上個學期學電影學的教科書,不能好看不好看,因為它是知識類的,但我隻能說,實用類的. 裏麵是大多數電影的拍攝手法,我當時看完這本書的時候的感受是: 我也許可以去當導演瞭... 其實電影都是這麼拍齣來的... 對我的意義深遠..
評分寫在前麵:電影像極瞭遊戲,特彆是像《土撥鼠之日》《記憶碎片》《蝴蝶效應》這種類型的片子,它們被稱為whatif電影,滿足瞭人們對日常生活能否因一小步改變從而totally改變的幻想。電影常常滿足幻想,有些套路符閤觀眾的預期從而使得他們得到一種自己存在先驗性智慧的錯覺,另...
評分首先這本書絕不是入門之選。 作者所講述的各個話題,采用的是討論和探討的形式,裏麵經常會假設你懂瞭一些電影方麵的知識。 其次,他講述一個話題時,沒有一個總體的描述,往往是描述其中的幾個典型情況。這也是評論的樣式,而不是教科書的形式。對於初學者,隻會更加迷惑。
圖書標籤: 電影 DavidBordwell 藝術 電影學入門最好的書 電影理論 英文 電影書 教材
原來李安跟他是朋友
評分原來李安跟他是朋友
評分我的電影課本
評分其實沒仔細讀過第8版,純粹就是老師送瞭我一本。
評分2010 Fall. Intro to Film Studies. Prof: Nancy Mellerski.
Film Art 2025 pdf epub mobi 電子書 下載